Erik Larson, #1 New York Times bestselling author, shares his writing process.
In The Splendid and the Vile, Erik Larson shows, in cinematic detail, how Churchill taught the British people “the art of being fearless.” It is a story of political brinkmanship, but it’s also an intimate domestic drama, set against the backdrop of Churchill’s prime-ministerial country home, Chequers; his wartime retreat, Ditchley, where he and his entourage go when the moon is brightest and the bombing threat is highest; and of course 10 Downing Street in London.
Drawing on diaries, original archival documents, and once-secret intelligence reports—some released only recently—Larson provides a new lens on London’s darkest year through the day-to-day experience of Churchill and his family: his wife, Clementine; their youngest daughter, Mary, who chafes against her parents’ wartime protectiveness; their son, Randolph, and his beautiful, unhappy wife, Pamela; Pamela’s illicit lover, a dashing American emissary; and the advisers in Churchill’s “Secret Circle,” to whom he turns in the hardest moments.
Erik Larson is the author of eight books, six of which became New York Times bestsellers. His latest books, The Splendid and the Vile: A Saga of Churchill, Family, and Defiance During the Blitz and Dead Wake: The Last Crossing of the Lusitania, both hit no. 1 on the list soon after launch. His saga of the Chicago World’s Fair of 1893, The Devil in the White City, was a finalist for the National Book Award, and won an Edgar Award for fact-crime writing; it lingered on various Times bestseller lists for the better part of a decade.
“Tangier is the crossroads of so many civilizations,” says AD100 talent Frank de Biasi of the evocative Moroccan port city that he and his partner, the multifaceted designer Gene Meyer, have made their home. “There’s a central energy here,” he explains, “where the Atlantic meets the Mediterranean, where Europe meets Africa. It’s a psychic point like no other place.”
In 1928 Maruni Wood Industry was born out of a fascination with the masterful carpentry in ancient shrines. Today its furniture is found in the Californian headquarters of Apple as well as airport lounges, galleries and restaurants around the world. We meet the company’s president to talk about the challenges of managing a family-run business.
The Art of Earth Architecture demonstrates the wide-ranging applications and sustainability of this building material, while presenting a manifesto for its ecological significance. Featuring raw-earth masterpieces, monumental structures, and little known works, the book includes the temples and palaces of Mesopotamia, the Great Wall of China, large-scale urban developments in Tenochtitlan in Mexico, the medinas of Morocco, and housing in Marrakech and Bogota.
Scientists around the world are racing to develop a vaccine for COVID-19. But experts have said it could take a year to 18 months for one to hit the market. The process for testing and approving a vaccine is long and complicated.
“Our SUSTAINABLE HOME is made of matter and spirit. The raw material, the unused by-products of the mining activity, is the main component: from it we take advantage of its qualities and properties. Finding an ecologically suitable use for this waste determines the unique character of the housing unit. In its spirit, the housing unit intends, in addition to its technical function, to be a home, a place for each person to feel valued, welcomed in their dreams, hopes and desire to live together. Each house, even in its simplicity, must be able to create a sense of pride and self-esteem ”, adds Gustavo Penna.
Edward Hopper’s world-famous, instantly recognizable paintings articulate an idiosyncratic view of modern life, unfolding in a world of lonely lighthouses, gas stations, movie theaters, bars and hotel rooms. With his impressive subjects, independent pictorial vocabulary and virtuoso play of colors, Hopper’s work continues to this day to color our memory and imaginary of the United States in the first half of the 20th century.
oil paintings. These paintings testify to the artist’s great interest in the effects of color and his mastery in depicting light and shadow, at work whether the artist was painting alienated figures in dreamlike interiors or desolate American landscapes.
This week, reassessing the age of the ‘Broken Hill skull’, and unearthing evidence of an ancient forest near the South Pole.
Boomers Daily 