Part of the intrigue has been which movement would run out of steam first: Trump’s MAGA, through its failures, or Obama’s liberalism, through its successes. By Benjamin Wallace-Wells
The Art of Taking It Slow
Contemporary cycling is all about spandex and personal bests. The bicycle designer Grant Petersen has amassed an ardent following by urging people to get comfortable bikes, and go easy. By Anna Wiener
The Anguish of Looking at a Monet
More than beauty, more than color, the artist reveals the doubts that bind us. By Jackson Arn
THE NEW YORK TIMES BOOK REVIEW (September 15, 2024): The latest issue features ‘Making Art and Selling Out’ = In Danny Senna’s fleet, funny novel “Colored Television”, a struggling writer in a mixed-race family is seduced by the taste of luxury….
The Supreme Court justice has been drawn to American history and books about the “challenges and triumphs” of raising a neurodiverse child. She shares that and more in a memoir, “Lovely One.”
Gagosian Quarterly (Fall 2024) – The new issue features Jessica Beck discussing Andy Warhol’s Mao series, contextualizing Warhol’s return to painting in the early 1970s and his attraction to subjects of notoriety. We dig into the archives to honor the inimitable Richard Serra, who had over forty exhibitions at Gagosian since his first in 1983. Elsewhere in the issue, Salomé Gómez-Upegui examines the work of artists confronting the climate crisis, and Péjú Oshin speaks with Jayden Ali about his expansive view of architecture.
Andy Warhol’s Insiders at the Gagosian Shop in London’s historic Burlington Arcade is a group exhibition and shop takeover that feature works by Warhol and portraits of the artist by friends and collaborators including photographers Ronnie Cutrone, Michael Halsband, Christopher Makos, and Billy Name. To celebrate the occasion, Makos met with Gagosian director Jessica Beck to speak about his friendship with Warhol and the joy of the unexpected.
Against the backdrop of the 2020 US presidential election, historian Hal Wert takes us through the artistic and political evolution of American campaign posters, from their origin in 1844 to the present. In an interview with Quarterly editor Gillian Jakab, Wert highlights an array of landmark posters and the artists who made them.
James Schuyler on Frank O’Hara: “I still can see Frank, standing on that street corner outside a pastry shop, holding a neatly tied-up box of God knows what—éclairs, perhaps.”
James Schuyler was born in Chicago in 1923, grew up in Washington, D.C., and East Aurora, New York, and spent most of his adult years in New York City and Southampton, Long Island. Although he is perhaps less widely known than the fellow New York School poets with whom he is associated, John Ashbery, Frank O’Hara, Barbara Guest, and Kenneth Koch, he published six full-length books of poetry during his lifetime—beginning with Freely Espousing, published by Doubleday and Paris Review Editions in 1969—as well as two novels, and a third written in collaboration with Ashbery. In 1981 he won the Pulitzer Prize for his collection The Morning of the Poem (1980). Mental illness plagued him intermittently, and there were times when his life threatened to veer out of control, but friends repeatedly rallied around him, and the years before his death in 1991 were happy and productive.
Javier Cercas on the Art of Fiction: “Hell, to me, is a literary party.”
Prose by Josephine Baker, Caleb Crain, Marlene Morgan, Morgan Thomas, and Fumio Yamamoto.
Poetry by Hannah Arendt, Matt Broaddus, Sara Gilmore, Benjamin Krusling, Mark Leidner, James Richardson, and Margaret Ross.
Art by Ayé Aton and Ron Veasey, and cover by Sterling Ruby.
Charles Quest-Ritson marvels at Friar Park’s ‘Henley Matterhorn’ in the superb Oxfordshire garden created by the late Beatle George Harrison and his widow, Olivia
How to time travel to spring
Now is the time to plan next year’s colourful garden display. John Hoyland advises what to plant and where for best results
Put a smile on your garden
John Hoyland hails a welcome resurgence in the popularity of pelargoniums, a stalwart that lights up the summer garden
Sing on, sweet bird
The soothing notes of Britain’s thrushes have long provided a reassuring soundtrack to our lives. Mark Cocker tunes in
Bravery beyond belief
As the Royal Humane Society marks its 250th anniversary, Rupert Uloth recounts a host of incredible life-saving feats
‘Without fever there is no creation’
Henrietta Bredin examines how the colourful life of Puccini was reflected in the melodramatic plot lines of his greatest operas
Rachel Podger’s favourite painting
The leading violinist chooses an inspiring, uplifting masterpiece with a beautiful depth of colour
Happiness in small things
The challenges facing female farmers in Africa put life in perspective for Minette Batters
The great indoors
Amelia Thorpe has the pick of planters and accessories to make the most of your houseplants
Civic splendour
John Goodall is heartened by the restoration of St Mary’s Guildhall, a symbol of Coventry’s great 14th-century prosperity
The legacy
Kate Green applauds the work of Sir Arthur Hobhouse, founding father of our national parks
Let’s get to the bottom of this
Is it a blessing or a curse to find a well on your property? Deborah Nicholls-Lee tests the water
I was on fire for you, where did you go?
David Profumo is in his element as he teases Atlantic salmon from Iceland’s low, clear waters
The good stuff
Hetty Lintell turns over a new leaf with autumn-inspired jewellery
Interiors
It’s show time! Amelia Thorpe seeks Design Week inspiration
Get your cob on
Prepare to be amazed by maize as Tom Parker Bowles savours those golden corn kernels in mouth-watering Mexican style
Foraging
Do you know a damson from a bullace? John Wright revels in the plum job of explaining it all
The colour revolution
The 19th-century development of new paints was a green light for artists, finds Michael Prodger
Colour vision
Rob Crossan catches up with the most famous and enduring face of our television screens
Experience the marvel that is night-blooming tobacco By Leigh Ann Henion
In western North Carolina, the mountain growing season is short, and autumn is already tossing yellow-and-red confetti against my windshield as I drive the back roads to my friend Amy’s homestead. Curve after curve, I find locust trees that are a few shades lighter than they were last week. Buckeyes also seem well on their way to change. It is now hard to tell the difference between orange leaves falling and monarch butterfly wings rising. The signs of summer and fall, all intertwining.
“In the Dark” Reports on the Lack of Accountability for a U.S. War Crime
The podcast investigates the events in Haditha, Iraq, and compiles a database to show the inherent problem of the military judging its own members. By Willing Davidson
Are Your Morals Too Good to Be True?
Scientists have shattered our self-image as principled beings, motivated by moral truths. Some wonder whether our ideals can survive the blow to our vanity. By Manvir Singh
Russia’s Espionage War in the Arctic
For years, Russia has been using the Norwegian town of Kirkenes, which borders its nuclear stronghold, as a laboratory, testing intelligence operations there before replicating them across Europe. By Ben Taub
‘If there is an occupation for which women are utterly unfitted, it is that of the detective,’ claimed the Manchester Weekly Times in 1888 – already behind the times, it seems, as women had been acting the part for years, albeit invisibly. They had started to feature in detective fiction too. It was studying the burgeoning market in ‘lady detective’ stories post-1860 that led Sara Lodge to wonder who the fantasy sleuths were modelled on, and why the Victorians found them so disturbing and alluring.
It is hard to think of a person more qualified to write this book. In addition to being an art historian, a prolific writer, a lecturer and a broadcaster, James Stourton is also a former chairman of Sotheby’s UK. He joined the auction house in 1979 and left in 2012 to become a senior fellow at the Institute of Historical Research.
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