Tag Archives: The American Scholar

Culture: The American Scholar – Autumn 2023

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THE AMERICAN SCHOLAR AUTUMN 2023:

Will the Real Vergil Please Stand Up?

Will the Real Vergil Please Stand Up?

Making sense of the life of a poet about whom we know so little

by Sarah Ruden

Great works of literature are sly and powerful beasts that pounce on their readers, grabbing them by the neck and shaking them back and forth. The young Augustine looks like a typical victim of Vergil’s Aeneid. The schoolboy being brought up as a Christian in fourth-century CE North Africa found the first-century BCE epic poem of pagan Rome the most impressive thing in his cultural life to date. Tellingly, his reaction shows no interest in the poem’s theme of individual sacrifice in the name of imperial destiny; rather, into middle age, the great theologian and founder of institutional Catholic monasticism remembered weeping for Dido, who commits suicide after her lover, Aeneas, abandons her at the end of Book IV.

A Room for the Ages

A Room for the Ages

Oglethorpe University’s time capsule was meant to last thousands of years, but will it?

by Colin Dickey

Reviews: “The West – A New History In Fourteen Lives” By Naoíse Mac Sweeney 

The American Scholar (June 9, 2023): The idea of “Western civilization” looms large in the popular imagination, but it’s no longer taken seriously in academia.

The West: A New History in Fourteen Lives: 9780593472170: Mac Sweeney,  Naoíse: Books - Amazon.com

In her new book, The West: A New History in Fourteen Lives, historian Naoíse Mac Sweeney examines why the West won’t die and, in the process, dismantles ahistorical concepts like the “clash of civilizations” and the notion of a linear progression from Greek and Roman ideals to those of our present day—“from Plato to NATO.”

Through biographical portraits of figures both well-known and forgotten—Herodotus and Francis Bacon, Livilla and Phyllis Wheatley, Tullia d’Aragona and Abu Yusuf Yaqub ibn Ishaq al-Kindi—Mac Sweeney assembles a history that resembles less of a grand narrative than a spiderweb of influence. Successive empires (whether Ottoman, Holy Roman, British, or American) built up self-mythologies in the service of their expansionist, patriarchal, or, later, racist ideologies.

Mac Sweeney joins the podcast to talk about why the West has been such a dominant idea and on what values we might base a new vision of contemporary “western” identity.Go beyond the episode:Naoíse Mac Sweeney’s The West: A New History in Fourteen LivesWe have covered Greece and Rome in previous episodes, as well as Njinga of AngolaIn our Summer 2023 issue, Sarah Ruden considers how modern biographers distort VergilTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. 

Culture: The American Scholar – Summer 2023

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THE AMERICAN SCHOLAR SUMMER 2023 issue: What does Antoni van Leeuwenhoek have to do with Covid? Can a digital restoration of a supposed da Vinci be just as good as the real thing? What was it like to be a young journalist on one of François Truffaut’s sets?

A Kingdom of Little Animals

Antoni van Leeuwenhoek, in a circa 1680 painting by the Dutch artist Jan Verkolje, famous for his portraits of prominent members of Delft society (Wikimedia Commons)
Antoni van Leeuwenhoek, in a circa 1680 painting by the Dutch artist Jan Verkolje, famous for his portraits of prominent members of Delft society

Antoni van Leeuwenhoek’s discovery of microorganisms made possible the revolutionary advances in biology and medicine that continue to inform our Covid age

By Laura J. Snyder

One night in 1677, a grizzled man in a wrinkled linen nightshirt rushed from his bemused wife’s bed with a candle in hand to examine the “remains of conjugal coitus, immediately after ejaculation before six beats of the pulse.” Using the candle to cast a pool of light in his dark study, he put a drop of the liquid into a tiny glass vial he had blown himself, attaching it to the back of a strange-looking device he had also constructed. 

The Whole World in His Hands

The Salvator Mundi in its damaged state—cleaned but not yet restored (Wikimedia Commons)

What a digital restoration of the most expensive painting ever sold tells us about beauty, authenticity, and the fragility of existence

I got the call late on a summer afternoon. Yanai Segal, an artist I’ve known for years, asked me whether I’d heard of the Salvator Mundi—the painting attributed to Leonardo da Vinci that was lost for more than two centuries before resurfacing in New Orleans in 2005. I told him that I’d heard something of the story but that I didn’t remember the details. He had recently undertaken a project related to the painting, he said, and wanted to tell me about it. I was eager to hear more, but first I needed to remind myself of the basic facts. We agreed to speak again soon.

Culture: The American Scholar – Winter 2023

Winter 2023

@TheAmScho Winter 2023 issue:

The Road to Paradise and Back

Fires in the West, hurricanes in the East—what it’s like on the ground as we confront our rapidly changing world

The Corals and the Capitalist

The key to avoiding an ecological catastrophe might be found in the wealth of nations and the spirit of innovation

Our Founding Contradiction

The entrenched dichotomy at the center of the national story

Previews: The American Scholar – Autumn 2022

Autumn 2022

The Root Problem

Harvesting wild ginseng has sustained Appalachian communities for generations—so what will happen when there are no more plants to be found?

The Degradation Drug

A medication prescribed for Parkinson’s and other diseases can transform a patient’s personality, unleashing heroic bouts of creativity or a torrent of shocking, even criminal behavior

Why We Are Failing to Make the Grade

Covid-19 has contributed to a crisis in America’s classrooms, but the problems predate the pandemic and are likely to outlast it

Preview: The American Scholar – Summer 2022

Summer 2022

COVER STORY

Ulysses at 100

by Our Editors

Is there a novel more revered—and more famously unread—than James Joyce’s Ulysses? Despite its complexities, this love letter to Dublin, published a century ago, is a very readable chronicle of everyday life and everyday struggles. It’s a book about marriage, sex, religion, food, art, loneliness, companionship, and so much else. It’s a book, that is, about life. We hope that the following essays will send you on a quest to discover, or rediscover, this most staggering of epics.

A Remembrance of  Places Both Empty and Full

The divine, stark photographs of Robert Adams

by Megan Craig 

FICTION

How to Solve the Mystery of the Slope and the Line

by Cassandra Garbus