Category Archives: Reviews

Reviews: “A New Way Of Thinking About Aging”

“People 50 and older hold the vast majority of wealth in the country, but we’re producing products and services for people who don’t have nearly as much money to spend…”

by Alexander Gelfand

April 27, 2023: Thanks to advances in medicine and public health, people are living longer, healthier lives. The world’s population of people 60 and older is growing five times faster than the population as a whole. Global life expectancy has doubled since 1900, and experts say that children born in developed countries now have a good chance of living to 100.

A “silver tsunami” is already sweeping the U.S. labor force: the Bureau of Labor Statistics projects that 36% of people ages 65–69 will remain on the job in 2024 — up significantly from the 22% who were working in 1994.

These longer-lived, longer-working individuals generate an ever-bigger slice of global GDP and control an expanding tranche of global wealth. In her recent book Stage (Not Age)Golden estimates that the “longevity economy” is worth more than $22 trillion — $8.3 trillion in the United States alone.

That may be a conservative figure: AARP (the organization formerly known as the American Association of Retired Persons) estimates that people over 50 already account for half of consumer spending worldwide, or $35 trillion. (This range of figures may have to do with how “older adult” is defined: The term is variously used to refer to people over the ages of 65, 60, or — sorry, Gen Xers — 50.)

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Preview: New York Times Magazine – May 7, 2023

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The New York Times Magazine – May 7, 2023:

Kyrsten Sinema’s Party of One

Kyrsten Sinema, wearing a black-and-white polka dot two-piece jumpsuit, walking up a ramp directly toward the camera through an arcade of stone columns.
“I would never in my life crack under pressure,” the recently declared independent says. “Why would they think I’m going to do it?”Credit…Ashley Gilbertson/VII for The New York Times

What the Arizona senator’s breakup with the Democrats means for American politics.

Kyrsten Sinema was standing a few yards from the border wall with four Republican members of Congress. The men were staring balefully at a row of nearby portable toilets, wondering aloud if they could hold out for a proper bathroom on the way back to the airport. 

Front Cover: The Atlantic Magazine – June 2023

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The Atlantic Magazine – June 2023 issue:

The Atlantic’s June Cover Story: “The Counteroffensive,” by Anne Applebaum and Jeffrey Goldberg

Bono illustrates President Zelensky for June cover

The Atlantic’s June cover is illustrated by U2’s lead singer, Bono, who sketches Zelensky and includes a quote from the Ukrainian president:

“The choice is between freedom and fear.”

In an editor’s note, also published today, Goldberg writes that, after learning Bono has a hobby of redesigning and reimagining  Atlantic  covers, he invited the singer and writer to create an original.

“Zelensky, a man we both admire, was a natural subject for his first go. Like Anne, Bono is preoccupied with issues of freedom and dignity, and, working with Oliver Munday, our associate creative director, he made a stunning cover that captures the resolve of Ukraine’s wartime president.”

Exhibitions: ‘Jaune Quick-to-See Smith -Memory Map’

Art Trip (April 30, 2023) – A tour of the new exhibition – ‘Jaune Quick-to-See Smith: Memory Map’, at the Whitney Museum of American Art. The first New York retrospective brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date.

Jaune Quick-to-See Smith: Memory Map

Apr 19–Aug 13, 2023

Light yellow background with red shapes in the foreground.

This exhibition is the first New York retrospective of Jaune Quick-to-See Smith (b. 1940, citizen of the Confederated Salish and Kootenai Nation), an overdue but timely look at the work of a groundbreaking artist. Jaune Quick-to-See Smith: Memory Map brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date. 

Smith’s work engages with contemporary modes of making, from her idiosyncratic adoption of abstraction to her reflections on American Pop art and neo-expressionism. These artistic traditions are incorporated and reimagined with concepts rooted in Smith’s own cultural practice, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.” Employing satire and humor, Smith’s art tells stories that flip commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Smith’s approach importantly blurs categories and questions why certain visual languages attain recognition, historical privilege, and value.  

CULTURE: FRANCE-AMÉRIQUE MAGAZINE – MAY 2023 ISSUE

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Opens profile photo

France-Amérique Magazine – May 2023 – Our publication was launched in New York City on May 23, 1943, during World War II – a period of intense political debate between supporters of the Vichy regime and those fighting for de Gaulle that our historian-in-residence,

1943-2023 – We’ll Always Have Passion

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This month, France-Amérique is celebrating its 80th anniversary – a miraculous example of longevity in today’s print media sector. This success is due to America’s longstanding passion for France, and the omnipresence of America in French controversies.

WORK TO LIVE? A French Pension Row with Deeper Implications

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The scale and intensity of the current protests reflect a deeper discontent relating to the very nature of work and its place in people’s lives. While these concerns may seem specifically French, they echo a much broader and long-standing debate in our societies.

By Anthony Bulger

Documentaries: What Causes ‘Monster Waves’?

DW Documentary (April 30, 2023) – Statistically, a large ship is lost in the world’s oceans almost once every seven days. One reason for this: monster waves that appear to come from nowhere. Unlike tsunamis, they are completely unpredictable. That means there’s no way to issue any kind of warning.

Scientists still know astonishingly little about these freak waves. For centuries, many people dismissed them as the stuff of legend. The first scientific proof of their existence didn’t come until 1995. A laser on the Draupner oil rig in the North Sea measured a wave almost 26 meters high. Wave models in use at the time deemed this to be an impossibility.

But the data, captured by chance, changed the course of research forever. Scientists have focused on three theories in their bid to explain the emergence of freak waves. The first is the current model: currents flowing in opposite directions reduce the length of the waves, pushing them together to create a monster surge. But freak waves are also a phenomenon in regions where currents aren’t particularly strong.

That’s why researchers came up with a second theory: superposition. In this linear process, faster, longer waves catch up with short, slower waves. They overlap and form monster waves. But in some places, freak waves occur with a frequency that can’t be explained by this linear theory, either.

For several years now, scientists have been considering a third possibility: when non-linear wave trains are unstable, they can develop into monster waves through a highly complex energy “theft”. Research is divided over whether it’s the linear or non-linear effects that form freak waves out at sea – a question that’s crucial for shipping!

Home Innovations: A 54th-Floor Micro Apartment

Kirsten Dirksen Films (April 30, 2023) – When we planned a visit to NYC, our friend Hasier Larrea, who makes “furniture with superpowers” offered us a tiny studio filled with his robotic furniture to see how it could expand to fit our family of 5.

On the 54th floor of a skyscraper overlooking downtown Manhattan, the space starts small, but the moving walls expand into an office pod and a walk-in closet and the bed drops from the ceiling to convert the living room into a bedroom. Setting up for the night in an apartment made for two was an experiment. We had single air mattresses and expanding rooms.

Hasier’s colleague at Ori suggested opening the Pocket Closet and Pocket Office to create bedrooms. The closet was a few inches too small, but the office was just the right size. Our 10-year-old claimed the window seat for his bed, with the best view in the house. Hasier told us to test the furniture. He said it wouldn’t break and would stop when it sensed an obstacle. Our 10-year-old spent a lot of time sitting on the bed while his sisters tried to raise it (it wouldn’t) and getting in and underneath moving parts that left him without a scratch.

All the transforming took a few extra minutes, but being able to tuck away the bed without having to make it was a bonus. The whole experience felt a bit nautical with adapt-as-you-need-it furniture and panoramic views.

Ori Studio Design in Brooklyn, NY: https://www.oriliving.com/

Museum Exhibition Tour: ‘Man Saves Comics’ In Ohio

CBS Sunday Morning (April 30, 2023) – Bill Blackbeard was something of a superhero. During his lifetime, he collected and preserved 2.5 million ephemeral artifacts of comic strip art, including newspapers and Sunday color sections dating as far back as 1893.

MAN SAVES COMICS! BILL BLACKBEARD’S TREASURE OF 20TH CENTURY NEWSPAPERS

Treasures from his collection are now featured in a new exhibit, “Man Saves Comics,” at the Billy Ireland Cartoon Library & Museum at Ohio State University. Correspondent Luke Burbank reports.

Previews: The New Yorker Magazine – May 8, 2023

Barry Blitt's “Room at the Top” | The New Yorker
Art by Barry Blitt

The New Yorker – May 8, 2023 issue

Can Charles Keep Quiet as King?

Three angles of King Charles III within an illustration by Alma Haser.

As Prince of Wales, Charles was always ready with an opinion. Now, with his coronation at hand, his job is to have none.

“My great problem in life is that I do not really know what my role in life is,” Charles once said, adding, “I must find one.”Photo illustration by Alma Haser for The New Yorker; Source photographs from Getty

Barry Blitt’s “Room at the Top”

The artist discusses being young and adrift in London, and gives King Charles tips for painting with watercolors.

New Yorker covers don’t always reflect current events, but some staged proceedings, both anachronistic and immemorial, can be catnip for cartoonists and commentators alike. King Charles III automatically acceded to the throne when his mother, Queen Elizabeth II, died on September 8, 2022. Charles, the longest-serving heir apparent in Britain’s history, spent seven decades preparing for the role of monarch. He became the next in line to reign over the United Kingdom at three years old, when Elizabeth became queen, in 1952.

Art: ‘Ethel Schwabacher – Woman In Nature’ (NYC)

BERRY CAMPBELL GALLERY (April 30, 2023): An exhibition of Abstract Expressionist Ethel Schwabacher (1903-1984). Schwabacher joins the gallery’s stable of women artists whose ambitious, independent, and insightful art is essential to a complete historical understanding of the ‘downtown’ art scene in the 1950s.

Many of the thirteen works have not been on view since they were shown at one of her five solo exhibitions at Betty Parsons Gallery, including the large-scale center piece to the show entitled,  Prometheus  (1959).  Ethel Schwabacher: Woman in Nature(Paintings from the 1950s)  focuses on Schwabacher’s unique brand of abstraction, which is characterized by both automatic drawing and sweeping brushstrokes that swirl across the surface of the canvas and which explores themes of motherhood, landscape, and creativity.

As part of the resurgence of women artists, Ethel Schwabacher was one of the twelve women artists included in the landmark traveling exhibition Women of Abstract Expressionism organized by the Denver Art Museum in 2016.  Concurrently with the Berry Campbell exhibition, Action! Gesture! Paint! is on view at the Whitechapel Gallery in London featuring 91 international women artists, including a major Ethel Schwabacher painting from the 1950s.