Now aged 96, Hélène is regarded as France’s most important and passionate dealer of sub-Saharan and Oceanic art, an adventurer and explorer, ground-breaking gallerist and collector, and eminent specialist in Mbembe and Dogon art, ever since her first foray to Dakar in 1952.
Every year in India, many thousands are killed in marriage-payment disputes. Why does this war on women persist?
By Manvir Singh
In September 21, 2021, my mother sent a message to my extended family’s WhatsApp group: “Neeti had a heart attack and suddenly passed away—too tragic!” Neeti was a daughter of her sister, and someone I’d known all my life. But my cousin and I inhabited different worlds. I was born and raised in suburban New Jersey; she was a lifelong Delhiite. To me, Neeti and her identical twin, Preeti, exuded an urban glamour. At weddings, they sported chic, oversized sunglasses and matching, pastel-colored Punjabi-style outfits. Their faces looked a lot like my mom’s: long, with prominent cheekbones and almond-shaped eyes.
America’s broken immigration system has spawned a national fight, but Congress lacks the political will to fix it.
Earlier this year, in a helicopter above the Mexican border, a team of Texas state troopers searched for people crossing into the United States. As they flew over a neighborhood west of El Paso, the radio crackled with the voices of Border Patrol agents on the ground below, calling out migrants who were evading them.
SISYPHUS MAGAZINE (SPRING 2023) – This issue explores the theories in society that subjectify truth, the influence of social media, philosophical pragmatism, the generational representations of societal ideals, the environmental impact of governmental and private sector choices, the factions of progressive arguments, and the evolution of Sisyphus.
In modern society, it’s difficult to discern what’s real and what’s not in news media’s contemporary platforms and discussions.
Truth is difficult to define but having a correct theory or definition is not the problem. We all know many truths and untruths, without knowing what philosophers have said, and without knowing that many still disagree with each other.
Once lost, the laws might be derived again
When necessary, or so you’ve been told.
You’re half asleep in January sun.
Just out of sight, someone starts bugging you
And Steller’s jays. Green hills, blue weather, — noon
To bring out Panpipes, but it’s too damn cold.
Why the progressive movement has stalled.
I. Nominal and Material Progressivism
Both Adam Smith and Karl Marx believed in progress.
The question, therefore, is what do we mean by progress? How do we understand it? How does it operate? How does progress correspond with progressivism? These questions have become important because progressivism has encountered an internal impasse. It has become mired in internal conflict.
THE NEW YORK TIMES BOOK REVIEW – JUNE 11, 2023: This week’s issue brims with even more books to add to your teetering nightstand pile: talky new novels by Brandon Taylor, R.F. Kuang and Luis Alberto Urrea; a wistful ode to a beloved neighborhood bar; the latest crime fiction; even some Martin Amis titles you’ve always meant to pick up, plucked from A.O. Scott’s beautiful appraisal of the late British writer.
Our critic assesses the achievement of Martin Amis, Britain’s most famous literary son.
By A.O. Scott
On May 6, at the age of 74, Charles III was crowned king of England. A few weeks later, at 73, Martin Amis died at his home in Florida. One event seemed almost comically belated, the other tragically premature. Charles took over the family business well past normal retirement age, while Amis was denied the illustrious dotage that great writers deserve.
Brandon Taylor’s novel circulates among Iowa City residents, some privileged, some not, but all aware that their possibilities are contracting.
Reading Brandon Taylor’s new novel, “The Late Americans,” I thought more than once of the Bad Sex in Fiction Award that the English magazine Literary Review gave to decades of authors, many esteemed, before showing mercy in pandemic-chilled 2020. Not because the sex in Taylor’s novel is described badly, but because — described well! — so much of it is bad.
In the issue, Lydia Davis shares selections from her 1996 journal, and they often read like warm-up scales for her exquisitely off-kilter stories. (“For lunch—a huge potato and a glass of milk.”) You’ll also find masterful uses of the diary as a fictional device. The Brazilian writer Juliana Leite’s “My Good Friend,” translated by Zoë Perry, is an elderly widow’s apparently unremarkable Sunday-evening entry—“About the roof repair, I have nothing new to report”—that turns into a story of mostly unspoken decadeslong love. And James Lasdun’s “Helen” features excerpts from the journal of a woman who lives in what the narrator describes as a “state of incandescent, almost spiritual horror,” and whose crippling self-consciousness doesn’t protect her from humiliations the reader can see coming.
Also in issue no. 244, John Keene, in an Art of Fiction interview with Aaron Robertson, describes how blogging heralded his recovery as a writer after losing drafts of several of the stories that eventually became Counternarratives. And Sharon Olds, in an Art of Poetry interview, tells Jessica Laser about the need to keep one’s art and biography separate, especially when they are clearly not. Keeping a diary might be therapeutic, Olds explains, but “writing a poem to understand yourself better would be like making a cup with no clay, or maybe like having the clay but not making the cup.” She concludes, “If I had to choose between a poem being therapeutic and it being a better poem, I’d want it to be a better poem.”
Ahead of an exhibition of their work in London in September, we talk to Radiohead’s Thom Yorke and Stanley Donwood—who has created the artwork with Yorke for every Radiohead album since 1994, as well the visuals accompanying Thom’s solo records and side projects including the recent records by The Smile—about their collaboration.
A new work for the UK’s Royal Ballet by the choreographer Wayne McGregor premieres at the Royal Opera House in London on 9 June. Untitled, 2023 is a collaboration with the Cuban-American artist Carmen Herrera, developed before Herrera’s death last year at the age of 106. We talk to McGregor about the piece and the intersection between visual art and choreography.
And this episode’s Work of the Week is one of the most famous pictures in the world: Arrangement in Grey and Black, better known as Whistler’s Mother, by James Abbott McNeill Whistler. It’s part of an exhibition called The Artist’s Mother: Whistler and Philadelphia, curated by Jenny Thompson, and we speak to Jenny about the work and the show.
Opening in June 2023, the blockbuster Melbourne Winter Masterpieces® exhibition Pierre Bonnard presents the iridescent paintings of Bonnard within immersive scenography by Paris-based designer India Mahdavi
Pierre Bonnard (3 October 1867 – 23 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism.
Ashmolean Museum – Oxford University
The Japanese collection is now best known for its ceramics, in particular the collection of seventeenth- and eighteenth-century export porcelain which is one of the most comprehensive collections in the world. Ceramics for the Japanese market are also well represented, including fine examples of Arita, Nabeshima and Hirado porcelain, tea ceremony wares and Kyoto earthenwares.
Times Literary Supplement (June 9, 2023): Requiem for a dream – Aung San Suu Kyi’s fall from grace; Vindicating Mary Wollstonecraft; France on Trial; In search of Yeats, and more…
This short biography explains why the West misunderstood the Myanmar leader. Review by Richard Lloyd Parry
In humanity’s long history of toppled heroes, shattered reputations and honour besmirched, it is difficult to think of a more extreme case than that of Aung San Suu Kyi. A decade ago, the Myanmar leader was among the most adored and respected figures in the world — winner of the Nobel peace prize, long-term political prisoner, an emblem of peaceful, uncompromising democratic struggle. Her ascension to the national leadership felt like the vindication of precious hopes and principles; today, “the Lady”, as she used to be known, is face down in the mud.
THE AMERICAN SCHOLAR – SUMMER 2023 issue: What does Antoni van Leeuwenhoek have to do with Covid? Can a digital restoration of a supposed da Vinci be just as good as the real thing? What was it like to be a young journalist on one of François Truffaut’s sets?
Antoni van Leeuwenhoek’s discovery of microorganisms made possible the revolutionary advances in biology and medicine that continue to inform our Covid age
One night in 1677, a grizzled man in a wrinkled linen nightshirt rushed from his bemused wife’s bed with a candle in hand to examine the “remains of conjugal coitus, immediately after ejaculation before six beats of the pulse.” Using the candle to cast a pool of light in his dark study, he put a drop of the liquid into a tiny glass vial he had blown himself, attaching it to the back of a strange-looking device he had also constructed.
What a digital restoration of the most expensive painting ever sold tells us about beauty, authenticity, and the fragility of existence
I got the call late on a summer afternoon. Yanai Segal, an artist I’ve known for years, asked me whether I’d heard of the Salvator Mundi—the painting attributed to Leonardo da Vinci that was lost for more than two centuries before resurfacing in New Orleans in 2005. I told him that I’d heard something of the story but that I didn’t remember the details. He had recently undertaken a project related to the painting, he said, and wanted to tell me about it. I was eager to hear more, but first I needed to remind myself of the basic facts. We agreed to speak again soon.
Boomers Daily 