The New Yorker – June 19, 2023 issue: Edward Steed’s “A Loveliness of Ladybugs” – In his cover for the June 26, 2023, issue, Ed Steed heralds summer, depicting some colorful Coccinellidae—the scientific term for the family of small beetles colloquially known as the ladybug, a swarm of which is collectively called a loveliness. I talked to the artist about the joy of painting, an affection for the little things, and the luck of the ladybugs.
Sotheby’s (June 16, 2023) – Morning Crescent and J.Y.M. Seated II are two seminal paintings by Frank Auerbach that represent the artist’s celebrated investigation into the genres of portraiture and the cityscape.
Executed eighteen years apart, both works exemplify Auerbach’s expressive use and colour and a faultless display of decisive and heavily impasto brushwork. Mornington Crescent is an incredibly rare and large-scale example from Auerbach’s 1960s output, and belongs to his ambitious and highly acclaimed body of landscapes.
This work ranks among the largest paintings in Auerbach’s catalogue raisonné and possesses a chromatic register that is unsurpassed. J.Y.M. Seated II is an important portrait of one of Frank Auerbach’s most celebrated sitters, Juliet Yardley Mills.
Frank Helmut Auerbach is a German-British painter. Born in Germany, he has been a naturalised British subject since 1947. He is considered one of the leading names in the School of London, with fellow artists Francis Bacon and Lucian Freud.
Stephen King reviews S.A. Cosby’s latest novel, “All the Sinners Bleed.”
Titus Crown is an ex-F.B.I. agent who gets a sheriff’s job, almost by accident, in a rural Virginia community. He’s Black. Mr. Spearman teaches geography and wears a coat of many countries on Earth Day. He’s white. Given the name of the town and county where these two live — Charon — one can expect bad things to happen, and they certainly do. As in S.A. Cosby’s previous two novels, “Blacktop Wasteland” and “Razorblade Tears,” the body count is high and the action pretty much nonstop.
In Melissa Sevigny’s “Brave the Wild River,” we meet the two scientists who explored unknown terrain — and broke barriers.
Let’s start this story on a sun-blistered evening in August 1938. A small band of adventurers had just concluded a 43-day journey from Utah to Nevada — although perhaps “journey” is too tame a description for a trip that had required weeks of small wooden boats tumbling down more than 600 miles of rock-strewn rivers. The goal was twofold. First, to simply survive. And then, to chart the plants building homes along the serrated walls of the Grand Canyon.
The Art Newspaper (June 16, 2023): As her new series for the BBC, Africa Rising, takes Afua Hirsch to Morocco, Nigeria and South Africa, we talk to her about the artists and art scenes she encountered and what she took away from her experiences.
The Liverpool Biennial’s latest edition opened last weekend and has a South African curator, Khanyisile Mbongwa, and an IsiZulu title, uMoya: The Sacred Return of Lost Things. The Art Newspaper’s contemporary art correspondent, Louisa Buck, visited the biennial and reviews it for us. And it is Art Basel this week, in its original Swiss location, so this episode’s Work of the Week is one of the most notable works for sale at the fair.
Valentine was painted by Jean-Michel Basquiat in 1984 and given to his then girlfriend, Paige Powell, on Valentine’s Day. Jeffrey Deitch, who is selling the work at Art Basel, tells us its story.
Africa Rising: Morocco is on the BBC iPlayer now. The Nigeria episode is on BBC Two on 20 June at 9pm for UK viewers and on BBC iPlayer, and South Africa is broadcast on BBC Two at 27 June at 9pm. For listeners outside the UK, check your local listings.
VernissageTV (June 13, 2023) = The 2023 edition of Art Basel in Basel features 284 of the world’s leading galleries from across the globe. At Art Basel, the galleries present modern and contemporary art across all media including painting, sculpture, photography, and digital artworks. The art fair runs from June 15-18, 2023.
Château La Coste is a unique mix of contemporary art, architecture, and wine culture. A succulent cocktail for the eyes and the tastebuds.
Across 200 hectares (130 of which are full of grape vines), vineyards, chestnut forests, and olive tree fields spread as far as the eye can see into the Provençal horizon. It’s an invitation to take a walk for a veritable symphony of the senses, magnificent enough to have its own name – the Promande Art & Architecture.
The path – about a two-hour walk – will take you through a series of artworks and installations from contemporary artists invited to work on site. Just off the path, sitting atop a vast lake, admire the immense spider created by Franco-American artist Louise Bourgeois. Sitting at the top of the hill, next to the chapel created by Tadao Ando, raise your eyes and take in the great red Murano glass cross, imagined by Jean Michel Othonel.
The jaw-dropping surprises will lead you to the center of a forest, where you’ll find yourself face-to-face with foxes – but don’t worry! The creatures are cast in bronze, borne of the talent of American artist Michael Stipe.
Sotheby’s (June 12, 2023) – Hélène Leloup is one of the art world’s true pioneers, bringing together a spirit of adventure, a detailed anthropological approach and deep knowledge to become one of the foremost specialists in African and Oceanic art in Paris and New York.
Now aged 96, Hélène is regarded as France’s most important and passionate dealer of sub-Saharan and Oceanic art, an adventurer and explorer, ground-breaking gallerist and collector, and eminent specialist in Mbembe and Dogon art, ever since her first foray to Dakar in 1952.
The New Yorker – June 19, 2023 issue: Roz Chast’s “Fireworks Megastore”. The artist discusses stumbling across surprises while shopping, and rebelling against efficiency.
In September 21, 2021, my mother sent a message to my extended family’s WhatsApp group: “Neeti had a heart attack and suddenly passed away—too tragic!” Neeti was a daughter of her sister, and someone I’d known all my life. But my cousin and I inhabited different worlds. I was born and raised in suburban New Jersey; she was a lifelong Delhiite. To me, Neeti and her identical twin, Preeti, exuded an urban glamour. At weddings, they sported chic, oversized sunglasses and matching, pastel-colored Punjabi-style outfits. Their faces looked a lot like my mom’s: long, with prominent cheekbones and almond-shaped eyes.
Earlier this year, in a helicopter above the Mexican border, a team of Texas state troopers searched for people crossing into the United States. As they flew over a neighborhood west of El Paso, the radio crackled with the voices of Border Patrol agents on the ground below, calling out migrants who were evading them.
SISYPHUS MAGAZINE (SPRING 2023) – This issue explores the theories in society that subjectify truth, the influence of social media, philosophical pragmatism, the generational representations of societal ideals, the environmental impact of governmental and private sector choices, the factions of progressive arguments, and the evolution of Sisyphus.
In modern society, it’s difficult to discern what’s real and what’s not in news media’s contemporary platforms and discussions.
Truth is difficult to define but having a correct theory or definition is not the problem. We all know many truths and untruths, without knowing what philosophers have said, and without knowing that many still disagree with each other.
Once lost, the laws might be derived again When necessary, or so you’ve been told. You’re half asleep in January sun. Just out of sight, someone starts bugging you And Steller’s jays. Green hills, blue weather, — noon To bring out Panpipes, but it’s too damn cold.
Both Adam Smith and Karl Marx believed in progress.
The question, therefore, is what do we mean by progress? How do we understand it? How does it operate? How does progress correspond with progressivism? These questions have become important because progressivism has encountered an internal impasse. It has become mired in internal conflict.
On May 6, at the age of 74, Charles III was crowned king of England. A few weeks later, at 73, Martin Amis died at his home in Florida. One event seemed almost comically belated, the other tragically premature. Charles took over the family business well past normal retirement age, while Amis was denied the illustrious dotage that great writers deserve.
Reading Brandon Taylor’s new novel, “The Late Americans,” I thought more than once of the Bad Sex in Fiction Award that the English magazine Literary Review gave to decades of authors, many esteemed, before showing mercy in pandemic-chilled 2020. Not because the sex in Taylor’s novel is described badly, but because — described well! — so much of it is bad.
News, Views and Reviews For The Intellectually Curious