Living the Avant-Garde: The Triton Collection Foundation New York
On View in New York through 14 November
Art Collection Tours: ‘Living The Avant-Garde’
Tag Archives: Art
Previews: The New Yorker Magazine – Nov 13, 2023
Ridley Scott’s “Napoleon” Complex
Does the director of “Alien,” “Blade Runner,” and “Gladiator” see himself in the hero of his epic new film?
On the morning of the Battle of Waterloo, Napoleon Bonaparte was full of catastrophic confidence. His seventy-three thousand troops were camped on a ridge near a tavern called La Belle Alliance. His nemesis, the Duke of Wellington, occupied a slope across the fields, with a mere sixty-seven thousand troops. Over breakfast, Napoleon predicted, “If my orders are well executed, we will sleep in Brussels this evening.” When his chief of staff offered a word of caution, Napoleon snapped, “Wellington is a bad general and the English are bad troops. The whole affair will not be more serious than swallowing one’s breakfast.”
How Can Determinists Believe in Free Will?
Some people think that we can’t be held responsible for what we do, given that our actions are the inevitable consequence of the laws of nature. They’re only half right.
Eclipsed in his Era, Bayard Rustin Gets to Shine in Ours
The civil-rights mastermind was sidelined by his own movement. Now he’s back in the spotlight. What can we learn from his strategies of resistance?
By Adam Gopnik
Reinventing the Dinosaur“
Life on Our Planet,” a new Netflix nature documentary, renews our fascination with our most feared and loved precursors.
Art Exhibits: ‘A Foreigner Called Picasso’ (Gagosian)
A FOREIGNER CALLED PICASSO
November 10, 2023–February 10, 2024
Gagosian is pleased to present A Foreigner Called Picasso at its West 21st Street gallery in New York. The exhibition is curated by the eminent writer, biographer, and historian Annie Cohen-Solal together with art historian Vérane Tasseau. It is organized in association with the Musée national Picasso–Paris and the Palais de la Porte Dorée–Musée national de l’histoire de l’immigration, Paris.
Spanning the entirety of Pablo Picasso’s career in France from 1900 through 1973, the exhibition will feature loans of important works from private and public collections in the United States and Europe. It includes early self-portraits lent by the Museum of Modern Art and the Metropolitan Museum of Art in New York, as well as Cubist and Surrealist masterpieces from the Philadelphia Museum of Art and Fondation Beyeler, Riehen/Basel. The iconic sculpture Head of Fernande (1909) will be displayed, as will Man with a Lamb (1943)—Picasso’s forceful response to the aesthetics of Arno Breker (Adolf Hitler’s favorite artist), who exhibited in occupied Paris.
Art Tours: Michelangelo’s ‘Secret Room’ In Florence
The tiny space accessible via the New Sacristy in the Museum of the Medici Chapels contains charcoal drawings attributed to Buonarroti and will be open on an experimental basis to small groups of visitors until March 30, 2024.
Previews: The New Yorker Magazine – Nov 6, 2023
Why Maui Burned
Lahaina’s wildfire was the deadliest in the U.S. in more than a century. Now the community is grappling with the botched response as it tries to rebuild.
At 4 p.m. on August 8th, Shaun Saribay’s family begged him to get in their car and leave the town of Lahaina, on the Hawaiian island of Maui. The wind was howling, and large clouds of smoke were approaching from the dry hills above the neighborhood. But Saribay—a tattooist, a contractor, and a landlord, who goes by the nickname Buge—told his family that he was staying to guard their house, which had been in the family for generations. “This thing just gonna pass that way, downwind,” Saribay said. At 4:05 p.m., one of his daughters texted from the car, “Daddy please be safe.”
In the Cities of Killing
The Hamas massacre, the assaults on Gaza, and what comes after.
The only way to tell this story is to try to tell it truthfully and to know that you will fail.
On the evening of Wednesday, October 18th, with the entire Middle East in a state of mourning and outrage, I took a taxi to the information offices of the Israel Defense Forces, a heavily guarded compound in northwest Tel Aviv. Like many reporters, I’d accepted an invitation to see video evidence of the worst massacre of Jews in generations, certainly in the history of Israel—Hamas’s rampage through Kibbutz Kfar Aza, Kibbutz Be’eri, and other communities near the Gaza Strip, extending to an outdoor electronic-music festival, Nova. At last count, the attack throughout what Israelis call Otef Aza—“the Gaza envelope”—had claimed some fourteen hundred lives; thousands were wounded, and around two hundred and twenty people had been kidnapped and taken to the Gaza Strip. Hamas gave the operation a name, the Al-Aqsa Flood.
Previews: Holbein And The Renaissance In The North
Holbein and the Renaissance in the North
2 Nov 2023 – 18 Feb 2024
“The Städel Museum is prized far and wide for its major Old Masters exhibitions. After Rubens, Rembrandt and Reni, it now holds yet another exceptional show in store for the public. The Städel Museum is presenting the Renaissance in the North—a new and entirely unique style of painting that originated more than 500 years ago in the North of Europe at the threshold from the Middle Ages to the Early Modern period.“
Philipp Demandt, Director, Städel Museum
It brings together some 130 painting, drawings and prints by leading artists of the Northern Renaissance dating from the period of the 1480s through to the 1530s. These include two masterpieces by Holbein the Younger – the Solothurn Madonna (1522), on loan from the Kunstmuseum Solothurn, and The Madonna of Jacob Meyer zum Hasen (1526–28) from the Würth Collection.
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Arts & Literature: Ursula Magazine – FALL 2023
Ursula (FALL 2023): The new issue feature Takesada Matsutani, 86, who has lived and worked in Paris since the late 1960s, but he came of age as an artist in Osaka, Japan, as a member of the avant-garde Gutai movement. He has long worked in highly experimental ways with printmaking and artist’s books.
LIFE TO MATTER
Takesada Matsutani’s Paris
THE TOWN,
THE COUNTY,
THE DESERT,
THE DROP
Mark Bradford on history, painting and unstable places
Reviews: ‘The Week In Art’
The Week In Art Podcast (October 27, 2023): This week: the first Kyiv Biennial since Russia’s invasion of Ukraine last year is taking place in various locations across the wartorn country as well as a host of neighbouring European states.
We talk to the co-curator, Georg Schöllhammer, about this year’s event. As refugees and displaced people continue to dominate the news, a global sound art project, Migration Sounds, aims to explore and reimagine the sounds of human migration and settlement.
We speak to Stuart Fowkes, the founder of Cities and Memory, who has conceived the project with the University of Oxford’s Centre on Migration, Policy and Society (Compas). And this episode’s Work of the Week is Rebirth of a Nation, a mural made for Brixton Underground Station in London by the Ethiopian-Italian artist Jem Perucchini, which is unveiled next week. Jessica Vaughan, the senior curator of Art on the Underground, tells us about the commission.
The Kyiv Biennial continues to unfold into 2024, visit 2023.kyivbiennial.org
Cities and Memory’s Migration Sounds project, citiesandmemory.com/migration; compas.ox.ac.uk
Jem Perucchini: Rebirth of a Nation, Brixton Underground Station, London, from 2 November.
Literary Arts: Zyzzyva Magazine – Fall 2023
Fiction
“Thinking Ahead” by Joan Silber:
“How does a person behave when he knows he’s dying? There’s a myth that people go off and do what they’ve always wanted to do—sail to Spain, buy a horse, eat at the world’s most famous restaurant. ‘They never do that,’ my mother said, ‘that I’ve seen. They don’t even remember why they wanted to do it.”
“Seabreeze” by Korey Lewis:
Jojo and Jaz wait for The Defendant to pick them up from their mother’s place and take them to Seabreeze. “If Disney is where dreams come true, then Seabreeze is where they give up.”
“Eau de Nil” by Chloe Wilson:
“It was a website called Geriatrix. On it were women my age, in various states of undress. I saw breasts droopier and flatter than mine, necks that were crêpier, bellies that bulged and hung. But what really struck me was how happy they looked.”
“Country Furnishings” by Earle McCartney:
The equilibrium in a tetchy blue-collar workshop gets jostled with the arrival of Frank Wonderwood—future son-in-law of the business’s new co-owner and future woodworking graduate from Del Tech.
Poetry
Karen Leona Anderson, Stuart Dybek, Johanna Carissa Fernandez, Mike Good, Cleo Qian, Sarah Lynn Rogers, Joel M. Toledo
Nonfiction
Laura M. Furlan her birth parents, identity, and butterflies. Adam Foulds on the home-turned-museum of one of England’s greatest architects, Sir John Soane. Sam McPhee on the singular fascination hands have on his attention. Jessica Francis Kane on her lifelong affinity with the fascinating James Boswell. And Devon Brody’s “Beth”: “I’m glad to be with only Beth and her long hair that meets the hair on my arms, and the hair on her arms that meets the hair on my arms.”
In Conversation:
Ricardo Frasso Jaramillo delves with Justin Torres into Torres’s career and his new novel, Blackouts, a finalist for the National Book Award.
Art
Wangari Mathenge
International Art: Apollo Magazine – November 2023
Inside this issue:
Boomers Daily 