Category Archives: Fiction

THE PARIS REVIEW – FALL 2026

THE PARIS REVIEW : The latest features Interviews, Prose, Poetry and Art….

Svetlana Alexievich on the Art of Oral History: “If you cut straight to the part you need, which is what journalists do, it won’t be interesting, and it won’t be the truth, either. Not the whole truth.”

Donald Antrim on the Art of Fiction: “I deplored the idea that writing involves suffering, that it had to be a bloodletting. Later I found out that it would be, and maybe should be.”

Prose by Eka Kurniawan, Angie Sijun Lou, Brian Ma, Scott McClanahan, Sam McKinniss, Tomoka Shibasaki, and Woo Dayoung.

Poetry by Asha Futterman, Zakaria Mohammed, Geoffrey G. O’Brien, Vasko Popa, Diane Seuss, and Natalie Shapero.

Art by Gertrude Abercrombie, Silke Otto-Knapp, and Laura Owens; cover by Elizabeth Glaessner.

THE YALE REVIEW JOURNAL – FALL 2026 PREVIEW

Fall 2026 cover image

THE YALE REVIEW: The latest issue features….

Famous Writers School

My encounters with literary greats by Lucy Sante

How to Talk About Murder

Edgar Allan Poe’s stories are full of ghastly crimes, but the true horror lies in their confessions. By Emily Ogden

Moby-Dick and the Indefinite Sublime

On facing the white page by Tom McCarthy

THE PARIS REVIEW —- SUMMER 2026 ISSUE

THE PARIS REVIEW : The latest features Interviews, Prose, Poetry and Art….

Harryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.”

Yan Lianke on the Art of Fiction:  “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle. I was really writing about my own fear.”

Prose by Lucy Ellmann, Chad Fore, Daisy Hildyard, Chigozie Obioma, Daniel Saldaña París, and Shuang Xuetao.

Poetry by Zain Baweja, Jean Day, Hannah Piette, Frederick Seidel, Shamsher Bahadur Singh, Katana Smith, and Tran Hang My.

Art by Hadi Falapishi, Andrew Kuo, and Hannah Tishkoff; cover by Alex Da Corte.

THE YALE REVIEW JOURNAL – SUMMER 2026 PREVIEW

The Yale Review Store

THE YALE REVIEW (March 11, 2025): The latest issue features a central folio, “What Was AI?,” exploring artificial intelligence through essays from Lauren Oyler, Christopher Sorrentino, and Melanie Mitchell. The issue also includes new memoirs and essays from Annie Ernaux and Namwali Serpell, alongside a visual portfolio by Vera Molnár.

Jagged Intelligence

The dangerous unknowns at the heart of LLMs by Melanie Mitchell

Reading the Declaration of Independence as Holy Text

How the American creed emerged—and evolved—over 250 years by Kathryn Lofton

Is the Twenty-First Century a Creative Void?

Critics mourn a bygone cultural era. But nostalgia for the new isn’t new by Audrey Wollen

The Birthday Party No One Wants

Why Americans aren’t celebrating the semiquincentennial by Samuel Moyn

I am back in writing hell. As if each time I start writing, I have to go through the same hell again. Annie Ernaux Unpublished journal entries

Zyzzyva Magazine —– Spring 2026 Preview

ZYZZYVA Magazine: The latest issue features…

Nonfiction

“Saguaro in the Sea” by Sophia Acuña: on surfing and indigeneity in Southern California, told through collage.

“Care Directive” by Sarah Matsui: a daughter’s attempt to keep her aging father in Hawaii from all sorts of calamity, but having to monitor him from the mainland.

“Triptych: A Biographer’s Sketchbook” by Carolyn Burke: “The Baroness was lively, curious, and still blond at eighty-five. She received me in a flurry of franglais, the mingling of two languages in which we would converse, and put us at ease with pink champagne, her favorite.”

Fiction

“Decoys” by Will Boast: goofing around working at the town supermarket, burning through the days till it all comes to head.

“Lilac Mud” by Anita Felicelli: A Bay Area artist in Amsterdam is approached one night by a man claiming to be a former student, leading to a crisis of identity and purpose.

“Grote geplumaceerde” by Emily Nemens: “Afterward, staring hard at her phone, which was her radio, which was the bearer of bad news, she wondered what mattered at all.”

Poetry

Kevin Cantwell, Geraldine Jorge, Jonathon Keats, Caroline Kessler, and Noelani Piters.

In Conversation

Lydia Kiesling talks to acclaimed author Karen Russell about Russell’s latest novel, The Antidote, and about Russell’s “fascination with foundational myths, the things we choose to know, and the things we choose to ignore or forget.”

Art

Ian Everard

THE PARIS REVIEW-SPRING ’26

THE PARIS REVIEW : The Spring 2026 issue features Interviews, Prose, Poetry and Art….

  • Sarah Schulman on the Art of Nonfiction: “I like to have my say, obviously. And if people would have just let me talk, some of these books wouldn’t have had to be written.”
  • Darryl Pinckney on the Art of Nonfiction:  “There are moments when you run up against a white wall—there’s a white man, white man, white man, white man—and the story somehow has to be uncovered.”
  • Prose by Ingeborg Bachmann, Dan Bevacqua, Patrick Cottrell, Zans Brady Krohn, Tao Lin, David Szalay, and Yu Hua.
  • Poetry by Inger Christensen, Rachel Lapides, Enrique Lihn, Joyelle McSweeney, Nakahara Chuya, and Asiya Wadud.
  • Art by Cecily Brown, Tom Fairs, and Cauleen Smith; cover by Cecily Brown.

Zyzzyva Magazine – WINTER 2025-2026

ZYZZYVA Magazine: The latest issue features…

Nonfiction

“The Fighters” by Joe Donnelly: on being transplanted as a boy from New Jersey to Ireland, and the grim school days spent at Willow Park primary school in Dublin.

“Fire Watching” by Harmony Holiday: a mediation on Los Angeles, its devastating fires, and finding meaning.

“The Deer” by Raia Small: “I have never killed anyone, so I can say that I don’t understand. But I am getting to know my own cruelties …”

Fiction

“A Long Line of Violence” by Tomas Moniz: A duo travels from the Mission District to Lassen Volcanic National Park to return a rifle to its battleground.

“Plums” by Feroz Rather: A young man steals as much time as he can with his beloved among the orchards and buses of his town in Kashmir.

“Viable” by Suzanne Rivecca: “The person I call in situations like this is Colette, the city government version of me, an abstinent ex-junkie disliked by the mayor, with a soft spot for schizophrenics, a love for lancing abscesses, and zero work/life balance.”

Poetry

Brian Ang, Nica Giromini, Kelly Gray, Michael Kennedy Costa, Kayla Krut, Maw Shein Win, Jared Stanley, and John Yau.

In Conversation

Chris Feliciano Arnold talks to Venezuelan scholar, journalist, and poet Boris Muñoz about literature, authoritarianism, and the importance of cronistas.

THE PARIS REVIEW ———- WINTER 2025/2026

THE PARIS REVIEW : The latest issue features Art of Criticism, Art of Poetry, Prose, Poetry and Art…

Hélène Cixous on the Art of Criticism: “There’s a feminist discourse that women can’t do it all. This is what many women experience, and it’s very difficult. But I am not like that.”

Alice Oswald on the Art of Poetry: “You come at poetry with the momentum of having failed. It’s only when other communication is absolutely impossible that a poem has to exist.”

Prose by Eve Babitz, Marlene Morgan, Alec Niedenthal, Gwendoline Riley, and Elias Rodriques.

Poetry by Millicent Borges Accardi, Monzer Masri, Alice Oswald, Jana Prikryl, and Ed Roberson.

Art by Ali Banisadr, Pippa Garner, Joan Jonas, and Mieko Meguro; cover by Adebunmi Gbadebo.

The London Magazine – October/November 2025

THE LONDON MAGAZINE (April 2, 2025): The latest issue features…. 

Essay | The Aesthetic Life by Zsófia Paulikovics

Essays

‘Several broadly millennial acquaintances confess that reading the book made them feel a sort of sickening recognition.’

Essay | No Designated Venue: An Oral History of London’s Music and Poetry Scenes

Yasmina Snyder spoke to writers, poets, musicians and event organisers based in London about the connections between live music and poetry, and the spaces that host them.

Essay | Why Magazines Fail by Tristram Fane Saunders

‘There’s big trouble in the world of little magazines. In the last two years, an alarming number have vanished into that second-hand bookshop in the sky. Each leaves the world a little quieter, a little poorer.’