Tag Archives: Art

Previews: The New Yorker Magazine – Oct 30, 2023

Mark Ulriksens “Spooky Spiral”

The New Yorker – October 30, 2023 issue: The new issues cover features Mark Ulriksen’s “Spooky Spiral” – The artist discusses monsters, Halloween mishaps, and the frenzy surrounding the holiday.

China’s Age of Malaise

A giant statue crushing a Chinese city.
Few citizens believe that China will reach the heights they once expected. “The word I use is ‘grieving,’ ” one entrepreneur said.Illustration by Xinmei Liu

Party officials are vanishing, young workers are “lying flat,” and entrepreneurs are fleeing the country. What does China’s inner turmoil mean for the world?

By Evan Osnos

Twenty-five years ago, China’s writer of the moment was a man named Wang Xiaobo. Wang had endured the Cultural Revolution, but unlike most of his peers, who turned the experience into earnest tales of trauma, he was an ironist, in the vein of Kurt Vonnegut, with a piercing eye for the intrusion of politics into private life. In his novella “Golden Age,” two young lovers confess to the bourgeois crime of extramarital sex—“We committed epic friendship in the mountain, breathing wet steamy breath.” They are summoned to account for their failure of revolutionary propriety, but the local apparatchiks prove to be less interested in Marx than in the prurient details of their “epic friendship.”

Plundering the Planet’s Resources

Earth going through a funnel with oil dripping down.

Our accelerating rates of extraction come with immense ecological and social consequences.

By Elizabeth Kolbert

The town of Spruce Pine, North Carolina, doesn’t have a lot to say for itself. Its Web site, which features a photo of a flowering tree next to a rusty bridge, notes that the town is “conveniently located between Asheville and Boone.” According to the latest census data, it has 2,332 residents and a population density of 498.1 per square mile. A recent story in the local newspaper concerned the closing of the Hardee’s on Highway 19E; this followed an incident, back in May, when a fourteen-year-old boy who’d eaten a biscuit at the restaurant began to hallucinate and had to be taken to the hospital. Without Spruce Pine, though, the global economy might well unravel.

Reviews: ‘The Week In Art’

The Week In Art Podcast (October 20, 2023): This week: it’s the second year of Paris +, the event that has taken over from Fiac as the leading French art fair. How is Art Basel’s French flagship faring amid geopolitical turmoil and economic uncertainty, and is Paris still on the rise as a cultural hub?

We speak to Georgina Adam, an editor-at-large at The Art Newspaper, and Kabir Jhala, our deputy art market editor, who are in Paris, to find out. The largest ever exhibition of the work of the Japanese photographer Hiroshi Sugimoto opened last week at the Hayward Gallery in London, before travelling to Beijing and Sydney next year. We talk to its co-curator Thomas Sutton.

And this episode’s Work of the Week is La femme-cheval or the Horse-Woman, a painting made in 1918 by the French artist Marie Laurencin. She is the subject of a major survey, called Sapphic Paris, opening this week at the Barnes Foundation in Philadelphia in the US. Cindy Kang, who co-curated the exhibition, tells us more about this landmark work in Laurencin’s life.

Paris +, 20-22 October.

Hiroshi Sugimoto: Time Machine, Hayward Gallery, London, until 7 January 2023; UCCA Center for Contemporary Art, Beijing, 23 March-23 June 2024; The Museum of Contemporary Art, Sydney, Australia, 2 August-27 October 2024.

Marie Laurencin: Sapphic Paris, Barnes Foundation, Philadelphia, US, 22 October-21 January.

Exposition: A Tour Of The ‘Paris+ Par Art Basel 2023’

ART VISION TV / C&B JOURNAL (October 19, 2023) – The inaugural edition of Paris+ par Art Basel brought together 156 premier galleries from 30 countries and territories – including 61 exhibitors with spaces in France – in a new flagship event that further amplifies Paris’s international standing as a cultural capital.

Paris+ par Art Basel Paris 2023

Paris+ par Art Basel Paris 2023

A strong line-up of galleries from France was joined by exhibitors from across Europe, Africa, Asia, North and South America, and the Middle East for a global showcase of the highest quality. Reaching beyond the Grand Palais Éphémère, the fair presented an active cultural program from morning to night, all week, and throughout the city, through a robust program of collaborations with Paris’s cultural institutions and its city-wide sector Sites.

Exhibitions: Vertigo Of Color – Matisse, Derain, & The Origins Of Fauvism

Study for "Luxe, calme et volupté" (Etude pour “Luxe, calme et volupté”), Henri Matisse  French, Oil on canvas
Study for “Luxe, calme et volupté” – Henri Matisse – 1904

Vertigo of Color: Matisse, Derain, and the Origins of Fauvism

October 13, 2023–January 21, 2024

The Metropolitan Museum of Art (October 18, 2023) – Over an intense nine weeks in the summer of 1905 in the modest fishing village of Collioure on the French Mediterranean, Henri Matisse and Andre Derain embarked on a partnership that led to a wholly new, radical artistic language later known as Fauvism.

The Port of Collioure (Le port de Collioure), André Derain  French, Oil on canvas
The Port of Collioure – André Derain – 1905

Their daring, energetic experiments with color, form, structure, and perspective changed the course of French painting; it marked an introduction to early modernism and introduced Matisse’s first important body of work in his long career.

View of Collioure (Vue de Collioure), Henri Matisse  French, Oil on paper mounted on board
View of Collioure – Henri Matisse – 1905

This exhibition, which is co-organized by The Metropolitan Museum of Art and the Museum of Fine Arts, Houston, emphasizes as never before the legacy of that summer and examines the paintings, drawings, and watercolors of Matisse and Derain through sixty-five works on loan from national and international museums, including Musée National d’Art Moderne, Centre Pompidou; National Galleries of Scotland; National Gallery of Art, Washington, D.C.; San Francisco Museum of Modern Art; and the Museum of Modern Art, New York; as well as private collections.

Fishing Boats, Collioure (Bateaux, pêcheurs, Collioure), André Derain  French, Oil on canvas
Fishing Boats – André Derain – 1905

Previews: The New Yorker Magazine – Oct 23, 2023

Daniel Clowess “Quiet Luxury”

The New Yorker – October 23, 2023 issue: The new issues cover features Daniel Clowes’s “Quiet Luxury” – The artist discusses patronage, in-home pillars, and what he’d do with a billion dollars.

Beyond the Myth of Rural America

Grant Woods sister Nan Wood Graham and his dentist Byron McKeeby stand by the painting for which they had posed...

Its inhabitants are as much creatures of state power and industrial capitalism as their city-dwelling counterparts.

By Daniel Immerwahr

Demanding that your friend pull the car over so you can examine an unusual architectural detail is not, I’m told, endearing. But some of us can’t help ourselves. For the painter Grant Wood, it was an incongruous Gothic window on an otherwise modest frame house in Eldon, Iowa, that required stopping. It looked as if a cottage were impersonating a cathedral. Wood tried to imagine who “would fit into such a home.” He recruited his sister and his dentist as models and costumed them in old-fashioned attire. The result, “American Gothic,” as he titled the painting from 1930, is probably the most famous art work ever produced in the United States.

When Foster Parents Don’t Want to Give Back the Baby

In many states, lawyers are pushing a new legal strategy that forces biological parents to compete for custody of their children.

American ChroniclesBeyond the Myth of Rural America

Its inhabitants are as much creatures of state power and industrial capitalism as their city-dwelling counterparts.

What Happened to San Francisco, Really?

It depends on which tech bro, city official, billionaire investor, grassroots activist, or Michelin-starred restaurateur you ask.By Nathan Heller

The Great Cash-for-Carbon Hustle

Offsetting has been hailed as a fix for runaway emissions and climate change—but the market’s largest firm sold millions of credits for carbon reductions that weren’t real.

Reviews: ‘The Week In Art’

The Week In Art Podcast (October 13, 2023): The Frieze art fair has turned 20 this week, and is only growing in its ambitions, having acquired the Armory Show fair in New York and Expo Chicago.

So what should we make of Frieze’s continuing expansion and what’s the mood at Frieze London and Frieze Masters this year? We talk to Tim Schneider, The Art Newspaper’s acting art market editor, who is over from New York for the fairs. In Reykjavik in Iceland, the artist-run Sequences Biennial opens on Friday. A former curator of the event is Hildigunnur Birgisdóttir, who will represent Iceland at the Venice Biennale in 2024. Tom Seymour went to the Icelandic capital to talk to her about Venice, Sequences and the Icelandic scene.

And this episode’s Work of the Week is Open Window, Collioure (1905) by Henri Matisse. The painting is a highlight of the exhibition Vertigo of Colour: Matisse, Derain, and the Origins of Fauvism at the Metropolitan Museum of Art in New York. We speak to Dita Amory, co-curator of the show, about this landmark painting in Matisse’s career.

Frieze London and Frieze Masters, Regent’s Park, London, until 15 October.

The Sequences Biennial, entitled Can’t See, begins on 13 October and continues until 22 October 2023.

Vertigo of Color: Matisse, Derain, and the Origins of Fauvism, Metropolitan Museum of Art, New York, 13 October-21 January 2024; Museum of Fine Arts, Houston, 25 February-27 May 2024.

Previews: The New Yorker Magazine – Oct 16, 2023

Five people on a gondola drifting through New York's subway.

The New Yorker – October 16, 2023 issue: The new issues cover features Yonatan Popper’s “Service Changes” – the delightful and dreadful parts of riding the subway.

Jake Sullivan’s Trial by Combat

A photoillustration of Jake Sullivan with a map of Ukraine.

Inside the White House’s battle to keep Ukraine in the fight.

By Susan B. Glasser

On a Monday afternoon in August, when President Joe Biden was on vacation and the West Wing felt like a ghost town, his national-security adviser, Jake Sullivan, sat down to discuss America’s involvement in the war in Ukraine. Sullivan had agreed to an interview “with trepidation,” as he had told me, but now, in the White House’s Roosevelt Room, steps from the Oval Office, he seemed surprisingly relaxed for a congenital worrier. (“It’s my job to worry,” he once told an interviewer. “So I worry about literally everything.”)

The Crimes Behind the Seafood You Eat

Video of a squid ship from above

China has invested heavily in an armada of far-flung fishing vessels, in part to extend its global influence. This maritime expansion has come at grave human cost.

By Ian Urbina

In the past few decades, partly in an effort to project its influence abroad, China has dramatically expanded its distant-water fishing fleet. Chinese firms now own or operate terminals in ninety-five foreign ports. China estimates that it has twenty-seven hundred distant-water fishing ships, though this figure does not include vessels in contested waters; public records and satellite imaging suggest that the fleet may be closer to sixty-five hundred ships.

Museum Exhibition Tour: ‘Manet/Degas’ At The Met

The Metropolitan Museum of Art (October 6, 2023) – Stephan Wolohojian, John Pope-Hennessy Curator in Charge, and Ashley Dunn, Associate Curator, explore Manet/Degas. This exhibition examines one of the most significant artistic dialogues in modern art history: the close and sometimes tumultuous relationship between Édouard Manet and Edgar Degas.

Manet/Degas

September 24, 2023–January 7, 2024

Manet/Degas - Yale University Press London

Born only two years apart, Manet (1832–1883) and Degas (1834–1917) were friends, rivals, and, at times, antagonists who worked to define modern painting in France. By examining their careers in parallel and presenting their work side by side, this exhibition investigates how their artistic objectives and approaches both overlapped and diverged. Through more than 160 paintings and works on paper, Manet/Degas takes a fresh look at the interactions of these two artists in the context of the family relationships, friendships, and intellectual circles that influenced their artistic and professional choices, deepening our understanding of a key moment in nineteenth-century French painting. On view: September 24, 2023–January 7, 2024

Reviews: ‘The Week In Art’

The Week In Art Podcast (October 6, 2023): The looted Ethiopian icon, AI copyright debate in US, and the end of China’s museum boom.

The Art Newspaper’s London correspondent Martin Bailey tells us about the Kwer’ata Re’esu, a European painting of Christ that became a revered icon in Ethiopia before being looted by an agent for the British Museum in the 19th century. Martin’s colour photographs of the work—which has been stored in a vault in Portugal—might help us to identify its maker and prompt new calls for the icon’s return to Ethiopia. On Monday this week, campaigners in the US staged an AI Day of Action, amid mounting concerns over the exploitation of artists’ work by corporations behind powerful artificial intelligence tools.

We talk to our reporter Daniel Grant about renewed calls for the US Congress to enact a law that would ban corporations from copyrighting art made by AI. And as China’s economy struggles, some museums in the country are closing or scaling down their ambitions. We talk to our correspondent in China, Lisa Movius, about how the end of the Chinese economic miracle has hastened the end of its museum boom.

International Art: Apollo Magazine – October 2023

Image

Apollo Magazine – October 2023: The new issue features Getting ruff and ready with Frans Hals; Sophie Calle takes on Picasso; Can museums cope without dodgy donors?, and more…

Inside this issue

October 2023 | Apollo Magazine
October 2023 | Apollo Magazine
October 2023 | Apollo Magazine