In 1928 Maruni Wood Industry was born out of a fascination with the masterful carpentry in ancient shrines. Today its furniture is found in the Californian headquarters of Apple as well as airport lounges, galleries and restaurants around the world. We meet the company’s president to talk about the challenges of managing a family-run business.
Pioneering the industrial application of craft skills following establishment of the company in 1928
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From building structures such as Buddhist temples and Shinto shrines through to private dwellings and the tools that we use in our everyday lives, Japan is a nation that has for many centuries cultivated traditions based on wood that occupy an important position in our daily lives. Takeo Yamanaka, the founder of Maruni Wood Industry, spent his childhood at Miyajima in Hiroshima Prefecture, a place that has a rich heritage of traditional crafts based on the use of wood.
The Targa Florio was an open road 
The race was created in 
One of the toughest competitions in Europe, the first Targa Florio covered 3 laps equalling 277 miles (446 km) through multiple hairpin curves on treacherous mountain roads, at heights where severe changes in climate frequently occurred. Alessandro Cagno won the inaugural 1906 race in nine hours, averaging 30 miles per hour (50 km/h).
Underappreciated in her lifetime, the career of late Irish architect and designer Eileen Gray is the subject of a timely new exhibition at The Bard Graduate Center Gallery in New York. Jennifer Goff, curator of the Eileen Gray collection at the National Museum of Ireland, tells us more.
Alan Ross, for forty years 
almost five decades since his death of cancer in 1970, aged only forty-seven.
In February, 1925, Rea Irvin, The New Yorker’s first art editor, designed the cover of the magazine’s inaugural issue. That cover’s central character, a dandy peering at a butterfly through a monocle, would come to be known as Eustace Tilley, and he has graced the cover of the magazine nearly every February in the ninety-five years since. This is all a matter of historical record—but Barry Blitt, in this year’s Anniversary Issue, tells a different origin story. We recently talked to Blitt about drawing a familiar face.
of art history. Finamore is the curator of Maritime Art and History at the Peabody Essex Museum. Best known as lead guitarist of the famed rock band Metallica, Kirk Hammett is also an obsessive collector of visually arresting horror and sci-fi film art and has dedicated the last three decades to creating one of the world’s most important collections.
Beginning in the early 1960s, Peter Saul began to incorporate imagery borrowed from a range of pop-cultural sources into his exuberant, brightly colored paintings, adopting a style that has proven to be far ahead of its time. His work developed independently from concurrent art historical movements like Pop art, with which it shares some superficially similar concerns. Instead of the cool detachment of Andy Warhol and Roy Lichtenstein, however, Saul crafted his own unique blend of Surrealism, history painting, vernacular illustration, and the real-life shock and horror of current events.
He was the real thing, the last of the great middle-European intellectual journeyers, one with Benjamin and Cioran and the other exiles, for whom books were the one constant country and reading them a matter of life and death. With him gone, we can only reread his writing, determined to honor the intensity of his commitment by intensifying our own.
Boomers Daily 