Interactive immune systems are at the center of cancer and other diseases. Dr. Matthew Krummel explores how the immune system can regulate cancer progression. Recorded on 10/31/2019.
To read more: https://www.uctv.tv/shows/Understanding-and-Treating-Cancer-and-Other-Diseases-Through-the-Immune-System-35239
In this episode of The Way I See It, our radio collaboration with BBC, we’ve captured composer Steve Reich’s audible awe as he sees his friend Richard Serra’s monumental 2015 sculpture Equal for the first time. As Reich puts it, he and Serra are “in tune to the same frequencies,” so their meeting in Manhattan in the 1960s and subsequent friendship was both important and inevitable.
Working in sound and steel respectively, both Reich and Serra rejected traditional compositional structures—one of harmony and the other of form—to give shape to their work. Reich is the recipient of countless awards, including two Grammys, a Pulitzer, and, recently, the Golden Lion at the Venice Biennale. His works are performed in concert halls all over the world, and recently at Glastonbury Festival. Find “The Way I See It” on BBC Sounds or wherever you get your podcasts. https://www.bbc.co.uk/programmes/m000…
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Website: https://www.e-rv.com.au/
From an FTC online release:
The Social Security Administration (SSA) scam is the number one scam reported to the FTC right now.
As soon as a caller threatens you, or demands you pay them with a gift card or by wiring money. It’s a scam. Even if the caller ID tells you otherwise.
If you get a call from someone claiming to be from the Social Security Administration, hang up the phone and remember:
To read more: https://www.consumer.ftc.gov/blog/2019/12/getting-bombarded-scam-calls-youre-not-alone?utm_source=govdelivery
“The brief here was to make something that would fit very well into nature” explains Thorsteinsson in the video interview, which was shot by Dezeen at White City House in London on the day of the AHEAD Europe ceremony. “We wanted basically to have continuity between nature, the interior and exterior,” he continued.
Design Group Italia chief design officer Sigurdur Thorsteinsson explains how The Retreat at Blue Lagoon Iceland immerses guests in nature in this video produced by Dezeen for the AHEAD Awards.
The 62-room resort hotel is embedded in the lava formations and turquoise geothermal pools of Iceland’s Blue Lagoon complex, which is situated within the UNESCO Global Geopark.
The Retreat at Blue Lagoon Iceland was awarded in the Resort Hotel category at the AHEAD Europe hospitality awards, which took place in London in November.
Design Group Italia handled the project’s interiors, in collaboration with Icelandic firm Basalt Architects who were responsible for the architecture of the resort.
Looking back on nearly a century-long life, Herbert Lust can’t help but feel lucky. He has one of the finest collections of works by artists including Alberto Giacometti, Robert Indiana and Hans Bellmer, among others. But he didn’t just collect these influential artists — he learned from them, challenged them and perhaps most importantly, he had the chance to befriend them. In this episode of A Life Less Ordinary, Lust recounts a life of eccentric curiosity, from his youth in rural Indiana to his career as an investment banker and eventually to his status as one of the leading collectors of art in New York. The close relationships he formed with artists would transform the way Lust perceived and collected art, and today offer us a rare, intimate view into the minds of 20th century icons.
Parkinson’s disease is a neurological condition that affects the brain and other parts of the nervous system. The gradual loss of nerve cells leads to a suite of characteristic motor and non-motor symptoms.
What causes these cells to die and how the pathology develops in the nervous system are not yet clear but multiple lines of investigation are being pursued to answer these questions. In this animation, we explore some of the latest in Parkinson’s disease research.
Excerpts from The Revolutionary Seymour, By Steven Heller:
Seymour’s art was postmodern long before the term was coined. Yet it was resolutely modern in its rejection of the nostalgic and romantic representation, as in the acolytes of Norman Rockwell, that had been popular in mainstream advertising magazines at the time. Instead of prosaic or melodramatic tableau, Seymour emphasized clever concept. What makes the very best of his art so arresting, and so identifiable, is the tenacity of his ideas—simple, complex, rational, and even absurd ideas.
The illustrations for magazines, posters, advertisements, book jackets, record covers, product packages, and children’s books that he created after founding Push Pin Studios with Milton Glaser and Edward Sorel in 1954 directly influenced two generations (statistical fact) and indirectly inspired another two (educated conjecture) of international illustrators and designers to explore an eclectic range of stylistic an conceptual methods.
To read more: http://seymourchwastarchive.com/about/seymour/
From an Interactiongreen.com online release:
…the Yō no Ie re-imagines a life in suburban-rural areas, rather than urban-suburban. This reflects quiet yet significant social changes – or rather, shifts in life priorities of people and how they define happiness. In the 20th century, when society was excited about economic growth, everyone dreamed of living in cities, working at big companies by navigating a world of fierce competition, either spending an eye-popping amount of money on a small urban condo that quickly became a norm, or traveling hours to commute from a more affordable home in rapidly sprawling suburbs.
MUJI House released the “陽の家 (Yō no Ie, or Sun House)” in September, 2019, its 4th product since it debuted the “木の家 (Ki no ie, or Wood House) in 2004. Upon the release, they opened its model house at a glamping site called “Forest Living” in Isumi-City, Chiba which is about a 2-hour drive from Tokyo.
To read more: https://www.interactiongreen.com/muji-house-yo-no-ie-model-home/
From Wikipedia:
The 1963 Sting Ray production car’s lineage can be traced to two separate GM projects: the Q-Corvette, and perhaps more directly, Mitchell’s racing Sting Ray. The Q-Corvette, initiated in 1957, envisioned a smaller, more advanced Corvette as a coupe-only model, boasting a rear transaxle, independent rear suspension, and four-wheel disc brakes, with the rear brakes mounted inboard. Exterior styling was purposeful, with peaked fenders, a long nose, and a short, bobbed tail.
While Duntov was developing an innovative new chassis for the 1963 Corvette, designers were adapting and refining the basic look of the racing Sting Ray for the production model. A fully functional space buck (a wooden mock-up created to work out interior dimensions) was completed by early 1960, production coupe styling was locked up for the most part by April, and the interior, instrument panel included was in place by November. Only in the fall of 1960 did the designers turn their creative attention to a new version of the traditional Corvette convertible and, still later, its detachable hardtop. For the first time in the Corvette’s history, wind tunnel testing helped refine the final shape, as did practical matters like interior space, windshield curvatures, and tooling limitations. Both body styles were extensively evaluated as production-ready 3/8-scale models at the Caltech wind tunnel.
To see more photos and listing: https://www.classicdriver.com/en/car/chevrolet/corvette/1963/724523
Boomers Daily 