.@Spahaha living the Paris dream here at Madame Reve (though very disappointingly saying 'non merci' to cheesecake suzette)https://t.co/6yYhxqOsrW
— Liz Edwards (@lizjedwards) November 13, 2021

Istanbul has no shortage of spectacular hotels, from former sultans’ palaces to intimate boutique properties. The crème de la crème is the Çırağan Palace Kempinski, the oldest remaining part of which was built as Sultan Abdülaziz’s palace in 1871.
Napoleon Bonaparte once said, “If the earth were a single state, Istanbul would be its capital.” Spend a week there and you’ll begin to understand why. This massive metropolis of 15 million people quite literally bridges Europe and Asia. It has witnessed the rise and fall of empires, from the Roman Empire to the Byzantine Empire to the Ottoman Empire, each of which has left its trace on the city. For this reason, Istanbul is a playground for design lovers, who can gaze upon incredible palaces and mosques, shop for ceramics and textiles in the Grand Bazaar, drink and dine in stylish restaurants and bars, and sleep in some of the world’s most luxurious hotels.
An improbably narrow, six meter wide site is envisaged for a 100m tower in the downtown area of Sydney near its central station.
Our proposal embraces this extraordinary attenuated quality, proposing a ‘column’ tower on a low scale podium.
The podium references the delicacy and detail of its heritage neighbours, using the language of grand arching brickwork. A three story urban room houses multiple levels of lobby, cafe & lounge, visible through a large scale keyhole window. A walled courtyard garden for shared use overlooks the street.
The tower simulates the compression and extension of a column, through a continuous abstraction of the elements of a column: base, shaft and capital.
The facade begins with compressed horizontal screening, slowly transforming into exaggerated verticals at the top. Horizontals begin wide and flush with the outside frame, slowly thinning and receding at the height of the tower. Each horizontal is at the height of the slab, handrail and door head height.
The capital is joyfully expressed as a flying balcony and shell curves of a rooftop sundeck, pool and “hammam” spa. The soffit of the curved ceiling is brightly tiled, visible from both the street below and the city beyond.
Each floor houses compact hotel rooms, gathering light from the street, rear court or internal shapely voids. The voids are tiled to reflect light and colour into the rooms. Key hole windows provide a framed vignette of the seamless tiled surface.
Testing the boundaries of construction and design, the ‘pencil’ tower adds both a generous street room and a heroic skyline to its neighbourhood.
Going deeper than mere decoration, London-based interior designer Maria Katsarou Vafiadis and her team have accomplished a broad range of exclusive projects around the world, from leading hotel groups to unique residential properties. MKV Design is distinguished by its distinct vision for exciting and intelligent designs that move people emotionally.
Showcasing the designer’s extensive understanding of the hospitality industry, this comprehensive volume explores MKV Design’s most prominent projects to date, highlighting the balance between commercial demands and artistic integrity. Design Alchemist brings together an impressive array of signature works, elegantly capturing the creative trajectory of an innovative and far-reaching design practice.
Dominic Bradbury is a writer, journalist, lecturer and consultant specializing in architecture and design, as well as property and travel. He has written over twenty books, including Mid-Century Modern Complete, The Iconic House and The Iconic Interior (Thames & Hudson) and Winch Design (Assouline). Bradbury is also a contributor to The Financial Times, The Times, The Telegraph, House & Garden, World of Interiors, Wallpaper, Vogue Living, Architectural Digest and Elle Décor.
The “Cocoon Hotel & resort”, Tulum, Mexico– a new concept of eco-tourism, and a great opportunity of connection with Nature, Community, Ourselves, inspired by the sea and the exotic forest. The project consists of 46.181 m2 offering 3 residential and 2 hotel buildings “COCOON” with 204 apartments and 167 rooms as well as 16 private villas.Every feature serves to give a unique experience and create a magical place for the guest, at the same time making him identify what is Mexico.
The complex offers luxury community spaces integrated into nature such as jungle gardens, magical outdoor living spaces-villas, multipurpose pavilion, indoor community spaces, leisure areas, restaurant, and a panoramic Nest with unrestricted and breath-taking views. All to achieve a wide vocabulary of visual elements to mutate into designing language, in materials and shapes, for a bio-mimicry architecture.
The idea was to create “Cenotes”- natural freshwater ponds, to which the Mayans gave a sacred use, thus allowing to experience the real Mayan´s rituals. The project makes an emphasis on sustainability concept respecting ecosystem and biodiversity, contributing to the usage of natural materials that minimizes the impact of building and generation of waste. The water collection concept is also respected and represents a recovery of rainwater for sewage treatment. The solar panels are implemented to achieve sustainable electricity.
Finally, the “dry” construction system is used, meaning no wet binders, shorter execution time, and increased safety and sustainability. Source by dna Barcelona.
A As Architecture – Discover Architecture http://aasarchitecture.com/
French architect Jean Nouvel has revealed plans for a subterranean resort and hotel that would be hidden within the rock dwellings of AlUla, a natural region of north-west saudi arabia. located deep within the sharaan nature reserve, the project references the nearby hegra — a famous archaeological location that forms the country’s first UNESCO world heritage site. set to be completed by 2024, the development will include 40 guest suites and three villas. meanwhile, a retreat summit center nearby will feature 14 private pavilions.
SWEETS hotel is an initiative and co-creation of the Amsterdam based architecture office Space&Matter (known for De Ceuvel in Amsterdam), project development partner Grayfield and Seven New Things (Suzanne Oxenaar, Otto Nan and Gerrit Groen, founders of Lloyd Hotel & Cultural Embassy (world’s first 1- to 5-star hotel in Amsterdam – sold in 2018), Llove Hotel (pop-up hotel in Tokyo) and Hotel The Exchange (fashion hotel in Amsterdam)).
First initiated in 2012 as an urban space project, SWEETS hotel is now 8 years in the making. 20 bridge houses are currently available for reservations, with more coming soon.
For 100 years Amsterdam’s bridge houses accommodated the city’s many bridge keepers who were responsible for opening these impressive structures for passing boat traffic. However, with the introduction of a centralised bridge control system the bridge houses became redundant.
In 2012 the initiators of SWEETS hotel presented a plan to the city of Amsterdam to transform the city’s bridge houses into tiny hotel suites. The vision: to introduce travellers to new neighbourhoods and unexpected experiences in the city.
The 12-storey Oscar Seppeltsfield hotel will have 70 rooms, each with a private balcony. The design of the building, which was conceived by Intro Architecture, is said to be inspired by the history of the winery and the wine barrels in its Centennial Cellar, which contains barrels of fortified wine dating back to 1878.
It will be constructed in the middle of Seppeltsfield’s Great Terraced Vineyard, which contains 60 to 80-year-old Grenache bush vines.
The hotel is named after winemaker and viticulturalist Oscar Benno Seppelt (1873-1963), a member of the family that founded the winery.
From a Gentleman’s Journal article (March 26, 2020):
Studio 54. You had to be there. And even if you were, you’d scarcely believe it. Studio 54! The club that changed nightlife forever, where the crowds were so big they had to call in the fire brigade, where the brightest stars of the 1970s — Michael Jackson, Mick Jagger, Debbie Harry, Grace Jones and Andy Warhol, to name a handful …
Schrager and Rubell achieved an all-American comeback. The duo stormed back into Nightworld with Palladium, another runaway hit of a club, and Morgans, their first hotel. “It took off like a bat out of hell,” Schrager says. (One of his favorite memories of opening day is Andy Warhol with his nose pushed up against the window, waiting anxiously for the door to open.)
Morgans, and then the Royalton, followed by the Paramount, were the boutique hotels that invented the boutique hotel — a design and business paradigm that has thousands of imitators today.
Ian Schrager (born July 19, 1946) is an American entrepreneur, hotelier and real estate developer, often associated with co-creating the “boutique hotel” category of accommodation. Originally, he gained fame as co-owner and co-founder of Studio 54.
“The brief here was to make something that would fit very well into nature” explains Thorsteinsson in the video interview, which was shot by Dezeen at White City House in London on the day of the AHEAD Europe ceremony. “We wanted basically to have continuity between nature, the interior and exterior,” he continued.
Design Group Italia chief design officer Sigurdur Thorsteinsson explains how The Retreat at Blue Lagoon Iceland immerses guests in nature in this video produced by Dezeen for the AHEAD Awards.
The 62-room resort hotel is embedded in the lava formations and turquoise geothermal pools of Iceland’s Blue Lagoon complex, which is situated within the UNESCO Global Geopark.
The Retreat at Blue Lagoon Iceland was awarded in the Resort Hotel category at the AHEAD Europe hospitality awards, which took place in London in November.
Design Group Italia handled the project’s interiors, in collaboration with Icelandic firm Basalt Architects who were responsible for the architecture of the resort.