How politics destroyed contemporary art by Dean Kissick
The past and future of hot-rodding in America by Rachel Kushner
A small town faces down climate disaster by Gary Greenberg
Sudden glimpses of urban artistry. By Françoise MoulyArt by Javier Mariscal
The agency, known for listening, is getting into the (extremely vetted) talking game, with “No Such Podcast.”
Sotheby’s (November 17, 2024):In late September of 1925, Pablo Picasso, his wife Olga and their young son Paolo returned to Paris from their annual summer holiday in the South of France.
The summers were beginning to blend together for Picasso, who was tiring of the swell set he and Olga socialized with. The home they returned to at 23 rue la Boetie was a changed one. After lengthy negotiations, Picasso had acquired an additional floor of the building to be used as his studio.
He set about immediately modifying the space: removing doors from their hinges, bringing in his copious art supplies (and a limited amount of furniture) and stripping back most of the existing wallpaper. After years of jostling with his elegant and socially aspirational wife for space in their apartment on the floor below he relished a place to colonize as his own.
THE NEW YORK TIMES BOOK REVIEW (November 17, 2024): The latest issue features ‘Who’s Johnny?’…
Johnny Carson dominated late-night television for decades, but closely guarded his privacy. Bill Zehme’s biography, “Carson the Magnificent,” tries to break through.ent,’ by Bill Zehme
Rankings on weekly lists reflect sales for the week ending November 2, 2024.
The tools Glaze and Nightshade are giving artists hope that they can fight back against AI that hoovers internet data to train. Are they enough?
A new system could help train robots entirely in generated worlds.
Rapid advances in applying artificial intelligence to simulations in physics and chemistry have some people questioning whether we will even need quantum computers at all.
0:15 AI robot zaps weeds while saving crops – It’s called Concentrated Light Autonomous Weeding and Scouting or CLAWS for short. CLAWS uses AI-powered image processing to identify the crops, then targets weeds around the crop with blasts of concentrated light. This gets rid of unwanted intruders without damaging either crops or soil.
1:52 5 ways bioeconomy affects daily living – The bioeconomy uses renewable resources from land or sea to produce food, energy, and other resources. It focuses on leveraging nature’s processes and products to create sustainable economic outputs. The bioeconomy is already a part of our daily lives, influencing various sectors and industries.
6:08 Iceland sees benefit of a 4-day work week – The Nordic nation of 380,000 is rolling out a new way of working. Between 2020 and 2022, 51% of Iceland’s workers accepted an offer of shorter hours, such as a 4-day week for no loss of pay. The shift has had a positive impact on work-life balance and personal stress, new research shows.
8:17 Restored Amazon ecosystems beat logging – Amazon Sacred Headwaters Alliance is fighting to safeguard 35 million hectares of rainforest through a collaboration between 30 Indigenous nations of the Amazon basin. There’s an economic case for protecting the Amazon, says Atossa Soltani, Director of Global Strategy, Amazon Sacred Headwaters Alliance.
BARRON’S MAGAZINE (November 9, 2024): The latest issue features ‘The Nvidia Way’.
Nvidia’s CEO turned a struggling upstart into the world’s most valuable company. It took 30 years.
If prices start rising again, copper, corn, and oil could offer protection.
Barron’s interviewed more than a dozen senior executives across the world’s most important tech companies. Here’s why they remain bullish on the long-term opportunity for AI. Plus, the stocks to buy now.
DW Documentary (November 15, 2024): The 17th century was the zenith of painting, in the Netherlands. In no other era were artists so productive. Never before had so many painters tried to make a living from their art. Demand was huge.
People from all walks of life began to enthusiastically collect paintings. New genres were born. And both the art market and the profession of art dealer emerged. Exceptional artists such as Rembrandt van Rijn, Jan Vermeer and Frans Hals created masterpieces that still inspire us today.
One reason for the cultural heyday and its glut of paintings was an enormous surplus of capital, generated by speculative money transactions and trade, which was also based on the exploitation of the colonies and the ideal conditions that shipping found in the Netherlands. The film traces a period in which art, too, became an economic factor. In a way, the 17th century can be seen as the origin of our current art system.
After all, this was when auction houses were first established, leading to emergence of professional art dealers and wealthy collectors. Art was democratized. This documentary film explores an era when business and art entered into a marriage for the first time. How did such an artistic flourishing come about? What art-historical innovations do we owe to this period? And what significance does it have for our view of art and our approach to art today?
On the art of Ade Darmawan and Timoteus Anggawan Kusno By Hung Duong
With every odd stacked against it, Venice rises to the surface as Italy’s art capital By Travis Jeppesen
By Mateus Nunes
Boomers Daily 