Out on the lake, fishermen catch féra, a delicate fish that Michelin-starred chef Jean Sulpice is particularly fond of working with. The forests that surround the lake are also a source of inspiration for the chef, who never misses an opportunity to stroll through them in search of new flavours.
Africa & Byzantium
Metropolitan Museum of Art, New York
19 November 2023 – 3 March 2024
Bringing together the art and culture of Byzantium and Africa, this ambitious New York exhibition looks in a new way at their importance to the development of the premodern world.
Africa & Byzantium comprises over 200 objects, from frescoes and mosaics to jewelry and manuscripts borrowed from many of the great collections, spanning over ten centuries of complex cultural exchange and influence.
Modigliani: Modern Gazes
Staatsgalerie Stuttgart
24 November 2023 – 17 March 2024
Modigliani: Modern Gazes focuses on the 20th-century Italian artist’s portraits of modern women From bohemian Paris who stare unapologetically at the viewer, defiant and – as the director of the Staatsgalerie, Christiane Lange puts it – “emancipated”.
Works by German-speaking contemporaries Paula Modersohn-Becker, Jeanne Mammen, Egon Schiele, Gustav Klimt and Wilhelm Lehmbruck also feature, in a show that places Modigliani in the wider cultural context of the young European avant-garde.
Mark Rothko: Paintings on Paper.
National Gallery of Art, Washington DC
19 November 2023 – 31 March 2024
Rothko exhibitions have always focused on his canvases but the artist drew no distinction between them and his paintings on paper – some of which were up to seven feet tall.
Forming the basis of Mark Rothko: Paintings on Paper, a ground-breaking show at the National Gallery of Art in Washington, many of the watercolors, acrylics and oil paintings on paper have never been seen before.
Botticelli Drawings
19 November 2023 – 11 February 2024
Legion of Honor, San Francisco
Although his reputation dwindled until the Pre-Raphaelites rediscovered his work in the 19th century, Sandro Botticelli is now one of the most revered of the Renaissance masters.
There has, however, never been a significant exhibition of his drawings so Botticelli Drawings – an admirable and important project – will give us the chance to trace his artistic journey in a more intimate way than ever before.
An Atlas of Es Devlin
Cooper Hewitt, New York
18 November 2023 – 11 August 2024
Devlin is a polymath and then some, with a wide ranging practice that incorporates stage design from La Scala in Milan to the Super Bowl. She is utterly compelling but hard to classify, which is why it is appropriate that Devlin herself will install her 30 year archive.
An Atlas of Es Devlin – featuring over 300 sketches, paintings, cutouts, and maquettes – will also stage a replica of her London studio along with giant film installations, a library programme including collective readings and the chance to participate in a cumulative artwork.
Geoffrey Hinton has spent a lifetime teaching computers to learn. Now he worries that artificial brains are better than ours.
In your brain, neurons are arranged in networks big and small. With every action, with every thought, the networks change: neurons are included or excluded, and the connections between them strengthen or fade. This process goes on all the time—it’s happening now, as you read these words—and its scale is beyond imagining. You have some eighty billion neurons sharing a hundred trillion connections or more. Your skull contains a galaxy’s worth of constellations, always shifting.
Too often, a facial-recognition search represents virtually the entirety of a police investigation.
By Eyal Press
On March 26, 2022, at around 8:20 a.m., a man in light-blue Nike sweatpants boarded a bus near a shopping plaza in Timonium, outside Baltimore. After the bus driver ordered him to observe a rule requiring passengers to wear face masks, he approached the fare box and began arguing with her. “I hit bitches,” he said, leaning over a plastic shield that the driver was sitting behind. When she pulled out her iPhone to call the police, he reached around the shield, snatched the device, and raced off. The bus driver followed the man outside, where he punched her in the face repeatedly. He then stood by the curb, laughing, as his victim wiped blood from her nose.
Coding has always felt to me like an endlessly deep and rich domain. Now I find myself wanting to write a eulogy for it.
By James Somers
Through Jan 13, 2024
Ruscha, now 85, talks with correspondent David Pogue about collecting much of his life’s work into one retrospective; the cryptic nature of many of his paintings; and his use of unusual materials (like chocolate and axle grease).
“I don’t have any Seine River like Monet,” Ed Ruscha once said. “I’ve just got US 66 between Oklahoma and Los Angeles.” ED RUSCHA / NOW THEN will feature over 200 works—in mediums including painting, drawing, prints, photography, artist’s books, film, and installation—that make use of everything from gunpowder to chocolate. Exploring Ruscha’s landmark contributions to postwar American art as well as lesser-known aspects of his more than six-decade career, the exhibition will offer new perspectives on a body of work that has influenced generations of artists, architects, designers, and writers.
In 1956, Ruscha left his hometown of Oklahoma City and drove along interstate highway 66 to study commercial art in Los Angeles, where he drew inspiration from the city’s architecture, colloquial speech, and popular culture. Ruscha has recorded and transformed familiar subjects—whether roadside gasoline stations or the 20th Century Fox logo—often revisiting motifs, sites, or words years later. Tracing shifts in the artist’s means and methods over time, ED RUSCHA / NOW THEN underscores the continuous reinvention that has defined his work.
Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.
By Annie Cohen-Solal
I have been interested in the issue of immigration ever since I entered the art world. I began my career as an intellectual historian: I was a scholar of Jean-Paul Sartre and wrote his first biography. It was quite unexpected that I would fall into the orbit of the art world, let alone so fast, but two days after I arrived in New York City, in 1989—I had just been nominated cultural counselor to the French Embassy in the United States—I met Leo Castelli at a dinner. Out of the blue, Leo told me, “You don’t look like your predecessors.” (I was the first woman in the position.) “You’ll take New York city by storm and I’ll teach you American art. Come to the gallery tomorrow, I have a show with Roy [Lichtenstein]. Come for the opening and stay for the dinner.”
The American Surrealist photographer Lee Miller is the subject of the exhibition Seeing Is Believing at Gagosian, New York. Here we present a conversation on the stewardship of Miller’s legacy, her photography and writing from the frontlines of war to the pages of Vogue, and the intertwined lives of her friends, lovers, and the many artists she knew.
At 60 years old, Doctor Who, the BBC show following the adventures of the regenerating Time Lord, continues to be highly enjoyable fiction. But it’s science fiction. The Gallifreyan takes science seriously… so we take a closer look at some of the science of Doctor Who, from time travel and the TARDIS to invading Cybermen and rogue planets.
The expense and prestige involved in sending landers and rovers to the Moon means you can’t afford for them not to work when they get there. But the lunar landscape is like nothing here on Earth. So how, and where do you test equipment that’s bound for the Moon?
BARRON’S MAGAZINE – November 13, 2023 ISSUE:
The three biggest areas of dispute are spending priorities, worries about running out of money, and legacy questions.4 min read
Stocks related to wind, solar and other forms of renewable energy have fallen by a third this year. Only a handful may be ready to rebound.
Since early 2021, Koch’s environment picks have posted an average loss of 58% on a cap-rated basis, Barron’s calculates.Long read
CEO Jane Fraser is cutting jobs and downsizing globally. With a 5% yield and cheap stock, Citi could pay off.3 min read
THE NEW YORK TIMES BOOK REVIEW (November 12, 2023): This week’s issue features ‘Fear of Flying’ turns 50 – With its feminist take on sexual pleasure, Erica Jong’s novel caused a sensation in 1973; The 2023 New York Times/New York Public Library Best Illustrated Children’s Books, and more…
With its feminist take on sexual pleasure, Erica Jong’s novel caused a sensation in 1973. But the revolution Jong promoted never came to pass.
By Jane Kamensky
Fifty years ago last month, Erica Jong published a debut novel that went on to sell more than 20 million copies. “Fear of Flying,” a book so sexually frank that you may have found it hidden in your mother’s underwear drawer, broke new ground in the explicitness of writing by and for women. Jong’s heroine, Isadora Wing, was a live wire. She was also a dead end, certainly for Jong, and maybe for feminism, too.
Recommended reading from the Book Review, including titles by John Edgar Wideman, Yasunari Kawabata, Allegra Goodman and more.
THE NEW YORK TIMES MAGAZINE (November 10, 2023): The latest issue features A Beginner’s Guide to Looking at the Universe; What Does the U.S. Space Force Actually Do? – Inside the highly secretive military branch responsible for protecting American interests in a vulnerable new domain; Their Final Wish? A Burial in Space. – Why some people decide to send their remains into orbit.
A stunning advancement in a long history of stargazing, the James Webb telescope reveals light where once we saw only darkness. Our view of the universe will never be the same.
By KATE LARUE
Boomers Daily 