8000 years ago—long before farming arrived—people in Siberia built defensive structures
AI-powered discovery could lead to revolutions in electronics, batteries, and solar cells
Chinstrap penguins fall asleep thousands of times per day in the wild
Around the rich world, wage gaps are shrinking
Few ideas are more unshakable than the notion that the rich keep getting richer while ordinary folks fall ever further behind. The belief that capitalism is rigged to benefit the wealthy and punish the workers has shaped how millions view the world, whom they vote for and whom they shake their fists at. It has been a spur to political projects on both left and right, from the interventionism of Joe Biden to the populism of Donald Trump. But is it true?
Can it survive the Gaza war?
Old stereotypes are haunting the Middle East once more. The biggest butchery of Israeli civilians since the state’s creation, carried out on October 7th, has been followed by a slaughter of Palestinian civilians. America, which has funded, armed and defended Israel is again an object of ire. So are its Western allies. Together they are blamed for facilitating Gaza’s pummelling and the displacement of its people. A truce which began on November 24th, and which was set to expire as The Economist went to press, had led to the release of 81 hostages and 180 Palestinian detainees as of November 28th.
The promises and failures of the American twentieth century suffuse Ben Lerner’s new book of poems and Tom Piazza’s new novel.
The Lights by Ben Lerner
The Auburn Conference by Tom Piazza
Imagine a festive dinner near Topeka during the fall of 1879 to celebrate the twenty-fifth anniversary of the founding of the Kansas Territory, with Walt Whitman as a featured speaker. Partially paralyzed by a stroke and described as “reckless and vulgar” by The New York Times—Leaves of Grass was soon to be banned for indecency by the Boston district attorney—Whitman, who had just turned sixty, may well have wondered why he, instead of some respectable graybeard like Emerson, was invited. Was it because he had defended John Brown, the hero of free-soil Kansas? Or was it hoped that a visit might inspire something like his 1871 “Song of the Exposition,” in which Whitman admonished the Muse:
Migrate from Greece and Ionia,
Cross out please those immensely overpaid accounts,
That matter of Troy and Achilles’ wrath…
For know a better, fresher, busier sphere, a wide, untried domain awaits, demands you.
Nature documentary has of late become a haunted genre. Not so Prehistoric Planet, which revels in portraying that which is already dead and gone, no longer our responsibility.
Prehistoric Planet a BBC Studios series streaming on Apple TV+
Otherlands: A Journey Through Earth’s Extinct Worlds by Thomas Halliday
One early myth about the dinosaurs was that they would return. In 1830 Charles Lyell—earth scientist, Scot—gazed into the far future and posited as much in his Principles of Geology, arguing that since the planet’s climate was cyclical (or so he believed), vanished creatures could yet be revived, along with their habitats, when the right conditions came back around: “The huge iguanodon might reappear in the woods, and the ichthyosaur in the sea, while the pterodactyl might flit again through umbrageous groves of tree-ferns.” As to whether people would get to witness the spectacle of this resurrected bestiary—well, if Lyell was never drawn to that question, it was because the answer was not up for debate. His was an age in which the prospect of Earth bereft of human occupancy was too abominable, too sacrilegious, to contemplate.
The extra ingredient would explain why the Universe is expanding so fast now — but conflicts with data from ancient quasars.
Smoke from record-breaking fires in 2020 travelled all the way to Cyprus, where it helped to trigger cloud formation.
A bird of prey called the striated caracara can figure out puzzles that are a struggle for Goffin’s cockatoos, which are known for their intelligence.
The Guardian Weekly (November 29, 2023) – The new issue features the ceasefire between Israel and Hamas may have been weeks in the making – as detailed this week by Julian Borger and Ruth Michaelson – and led to the release of dozens of hostages on either side, but behind the scenes there was little expectation that it would lead to a longer-term pause in hostilities.
In a special report, almost two months after the deadliest attack on Israel in its 75-year history and as the world focuses on its retaliatory bombardment of Gaza that has seen around 14,000 people killed, Jonathan Freedland finds a country still convulsed with rage and sorrow, unable to see the pain of its Palestinian neighbours as it faces an uncertain future. As one senior Israeli military figure remarked: “It’s not yet post-traumatic stress disorder. We’re still in it.”
The far-right politician Geert Wilders stunned onlookers by finishing well ahead of the field in the Dutch election last week. But race riots in Ireland, a country previously thought immune to such extremism, were equally shocking. Rory Carroll, Lisa O’Carroll and Jon Henley report on contrasting manifestations of the rise of the far right across Europe.
Times Literary Supplement (December 1, 2023): The new issue features Godzilla returns! – Japan’s nuclear nightmare; Fear of flying at 50; Woolf and the Monuments woman; The lure of Vesuvius, Christmas Books and more…
Country Life Magazine – November 29, 2023: The latest issue features seasonal wine, medieval homes and our annual Christmas gift guide…
Embrace the festive spirit, with bells on, in Amie Elizabeth White’s magical A to Z of Christmas
There’s always a reason to biscuit, discovers Katy Birchall
Catch up on the etiquette of for-mal dining with Annunciata Elwes
Accessories to aid your festive entertaining, with Amelia Thorpe
Flambé is back on the menu as Tom Parker Bowles argues for the return of tableside cooking
Nicola Arcedeckne-Butler has a tipple idea for every occasion
A puzzled Ben Lerwill explores the enduring appeal of the jigsaw
Octavia Pollock finds a pig in a poke has gone for a burton
Hetty Lintell’s perfect present picks for everyone in your life
Country Life’s section editors reveal their festive fancies
The Nature writer selects a work in praise of the Southdown sheep
Tiffany Daneff marvels at floral creations from Rachel Siegfried
How did marzipan take Britain by storm, asks Matthew Dennison
Mary Miers on fears for the craft of stained-glass window making
Jeremy Musson explores the houses of Henry James novels
Kate Green on Aylesbury ducks
Among the art-gallery going public, is anyone still unaware that there have always been women artists, even before the 19th century? Perhaps a few still think that women first picked up their paintbrushes around the time they started campaigning for the vote. Certainly, the further back you go, the more surprising it may seem – given the limitations placed on women – that some were nonetheless able to build successful artistic careers. But beginning in earnest with the National Gallery’s blockbuster Artemisia Gentileschi exhibition of 2019, a flurry of shows has put the names of various Renaissance women in lights. Just this year, we have had ‘Lavinia Fontana: Trailblazer, Rule Breaker’ at the National Gallery of Ireland, ‘Mary Beale: Experimental Secrets’ at Dulwich Picture Gallery, ‘Artemisia Gentileschi: coraggio e passione’ at the Palazzo Ducale in Genoa, and ‘Sofonisba Anguissola: Portraitist of the Renaissance’ at the Rijksmuseum Twenthe in Enschede, to name only a few.
An underground nuclear arsenal in Israel dwarfs the tunnels alleged at a Gaza hospital.
It’s one thing to burrow beneath the ground, digging to construct a tunnel for refuge, a passage of goods, or to store weapons during a time of war. It’s quite another for a small child to use one hand to dig their way out of the rubble that has collapsed on them.
Words from populist author, public speaker, and radio commentator Jim Hightower.
Editor’s Note for the October/November 2023 issue.
A variety of young candidates are signing up to run for elected office at local, state, and national levels.
The company’s C.E.O. bet it all on a new kind of chip. Now that Nvidia is one of the biggest companies in the world, what will he do next?
By Stephen Witt
The revelation that ChatGPT, the astonishing artificial-intelligence chatbot, had been trained on an Nvidia supercomputer spurred one of the largest single-day gains in stock-market history. When the Nasdaq opened on May 25, 2023, Nvidia’s value increased by about two hundred billion dollars. A few months earlier, Jensen Huang, Nvidia’s C.E.O., had informed investors that Nvidia had sold similar supercomputers to fifty of America’s hundred largest companies. By the close of trading, Nvidia was the sixth most valuable corporation on earth, worth more than Walmart and ExxonMobil combined. Huang’s business position can be compared to that of Samuel Brannan, the celebrated vender of prospecting supplies in San Francisco in the late eighteen-forties. “There’s a war going on out there in A.I., and Nvidia is the only arms dealer,” one Wall Street analyst said.
The conduct of the trials, their fairness, and their possibly damning verdicts will be at the center of the 2024 election. Transparency is crucial.
On November 6th, Donald Trump emerged from a New York City courtroom, where he had testified in a civil trial alleging that he and others in the Trump Organization had committed fraud, and gave himself a great review. “I think it went very well,” he told reporters. “If you were there, and you listened, you’d see what a scam this is.” He meant that the case was a scam and not that his company was. “Everybody saw what happened today,” he went on. “And it was very conclusive.”
The German actress Sandra Hüller probes characters with unusual depth. But to portray a Fascist wife, in “The Zone of Interest,” she reversed her usual approach—and withheld her empathy.
By Rebecca Mead
In “Anatomy of a Fall,” Hüller stars as a successful novelist accused of murdering her husband. The camera often lingers on her face as it shifts like quicksilver between playfulness, defiance, and evasion.Photograph by Mark Peckmezian for The New Yorker
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