Country Life Magazine – September 6, 2023:The new issue features Labour’s Sir Keir Starmer’s vision for the countryside; Chelsea Physic Garden and motoring on at Goodwood; Remembering Elizabeth II and more…
Labour’s vision for rural Britain
Sir Keir Starmer promises a new politics of partnership and respect for rural communities
Not your average Fiesta
As Goodwood revs up for its Revival, the Duke of Richmond tells Octavia Pollock about 75 years of motorsport on his estate
Feudal splendours
In the second of two articles, John Martin Robinson steps inside Arundel Castle in West Sussex
Phillips (September 5, 2023) – From Phillips’ London photo studio, Head of Sale Rebecca Tooby-Desmond uncovers the masterful manipulation of perspective that characterizes David Hockney’s work.
DAVID HOCKNEYHotel Acatlán: Second Day, from Moving Focus, 1984-85
DAVID HOCKNEYPembroke Studio Interior, from Moving Focus, 1984
Crispr, which may be the single most transformative biological technology of the twenty-first century, is a natural phenomenon, evolved over billions of years. It was first observed in the nineteen-eighties, when researchers noticed unexplained sequences of viral DNA in E. coli. Eventually, they realized that these sequences played a role in the bacteria’s immune system: they could find and destroy other pieces of viral DNA.
Literature bores me, especially great literature,” the narrator of one of John Berryman’s “Dream Songs” says. George Eliot sometimes bores me, especially the George Eliot draped in greatness. Think of the extremities of nineteenth-century fiction: labile Lermontov; crazy, visionary Melville; nasty, world-hating Flaubert; mystic moor-bound Brontës; fanatical, trembling Dostoyevsky; explosive Hamsun. There’s enough wildness to destroy the myth of that stable Victorian portal “classic realism.” It was not classic—certainly not then—and not always particularly “real.”
The Warner Bros. Discovery CEO has a big salary and a big task at the parent company for CNN and Max: turning around a media giant saddled with high debt and multiple challenges
Just as they threatened to do, the hedge fund and private equity industries are challenging new rules imposed on them by the Securities and Exchange Commission. Trade groups for those private fund advisers filed their petition Friday in the U.S. Court of Appeals for the Fift…
THE NEW YORK TIMES MAGAZINE (September 3, 2023) – The 9.3.23 Issue features Michael Steinberger on how the war in Ukraine turned tennis into a battlefield; Keri Blakinger on the Dungeons and Dragons players on death row; Jennifer Szalai on Naomi Klein’s new book about her doppelganger; and more.
For Ukrainian players, as well as those from Russia and its allies, the unceasing conflict at home has bled into the game. Now they face off at the U.S. Open.
By Michael Steinberger
It was a few days before the start of Wimbledon this summer, and Elina Svitolina, just off a flight from Geneva, had come to the All England Lawn Tennis and Croquet Club to check in for the tournament. She was returning after a year’s absence. “It feels like it has been 10 years,” she said as she got out of the car. A lot had happened since she last competed at Wimbledon, in 2021. She had given birth to a daughter named Skaï, the first child for her and her husband, the French player Gaël Monfils. Also, her country, Ukraine, had been invaded by Russia.
In June, the Canadian journalist and activist Naomi Klein was sitting in the dark gray booth of a recording studio in Lower Manhattan. Dressed simply for the New York City heat — white linen top, light cropped pants, white sneakers — she was reading from a script, and there was a line that was giving her a bit of trouble.
THE NEW YORK TIMES BOOK REVIEW (September 3, 2023): The new issue features “THE EXHIBITIONIST“, a barbed comic novel about a midwardly mobile London family by Charlotte Mendelson; “THE GUEST“, by Emma Cline, “about one woman’s week of lying, scamming and conning her way through the Hamptons; CROOK MANIFESTO, the sequel to Colson Whitehead’s 2021 novel “Harlem Shuffle” (and the middle volume of a planned trilogy), and more….
Foreign Policy Magazine – Fall 2023: The new issue features The G-7 Becomes a Power Player – Russia’s war and China’s rise are turning a talking shop into a fledgling alliance of democracies; Vivek Ramaswamy’s Foreign Policies Raise Eyebrows in Washington – The GOP’s rising star offers up a grab bag of ideas cribbed from Eminem to Richard Nixon and more…
Russia’s war and China’s rise are turning a talking shop into a fledgling alliance of democracies.
By G. John Ikenberry, a professor of politics and international affairs at Princeton University.
Time and again over the last century, the United States and the other liberal democracies in Europe, East Asia, and elsewhere have found themselves on the same side in grand struggles over the terms of the world order. This political grouping has been given various names: the West, the free world, the trilateral world, the community of democracies. In one sense, it is a geopolitical formation, uniting North America, Europe, and Japan, among others. It is an artifact of the Cold War and U.S. hegemony, anchored in NATO and Washington’s East Asian alliances.
End American dependence on Taiwan’s semiconductor factories. Declare economic independence from China. Give India an AUKUS-like submarine deal. And stage a dramatic visit to Moscow to broker a deal to end Russia’s full-scale invasion of Ukraine.
The Week In Art Podcast (August 31, 2023): In the first episode of this new season of The Week in Art, we talk to Martin Bailey, The Art Newspaper’s London correspondent, about the thefts scandal at the British Museum and its implications for the museum in the future.
The artist Grada Kilomba is one of four curators of this year’s Sāo Paulo biennial, called Choreographies of the Impossible, and she joins our host Ben Luke to discuss the show. And this episode’s Work of the Week is Village Square at Céret, a painting made in 1920 by Chaïm Soutine. It features in the exhibition Against the Current, which opens this week at K20 in Düsseldorf, Germany. The exhibition’s co-curator, Susanne Meyer-Büser, tells us about the picture.
The Sāo Paulo biennial: Choreographies of the Impossible, Ciccillo Matarazzo Pavilion, Sāo Paulo, Brazil, 6 September-10 December.
Chaïm Soutine: Against the Current, K20 Düsseldorf, 2 September until 14 January next year; Louisiana Museum of Modern Art, Humlebæk, Denmark, 9 February-14 July 14 2024; Kunstmuseum Bern, Switzerland, 16 August-1 December 2024.
Science Magazine – September 1, 2023: The cover features a drone photograph, taken near the town of Kahramanmaraş, of the surface rupture produced by the first mainshock of the 2023 Turkey earthquake sequence shows agricultural fields offset by the fault slip.
Human and environmental health are inextricably linked. Yet ocean ecosystem health is declining because of anthropogenic pollution, overexploitation, and the effects of global climate change. These problems affect billions of people dependent on oceans for their lives, livelihoods, and cultural practices. The importance of ocean health is recognized by scientists, managers, policy-makers, nongovernmental organizations, and stakeholders including fishers, recreationalists, and cultural practitioners. So why are the oceans still degrading?
The New York Review of Books (September 21, 2023) – The Fall Books issue features Michael Gorra on Zadie Smith, Anahid Nersessian on Joyce Mansour’s Surrealist poetry, Osita Nwanevu on the Democrats, Colin Grant on Margo Jefferson, Fintan O’Toole on fascists in the family tree, Karan Mahajan on Williamsburg rock, Ben Tarnoff on the depredations of Silicon Valley, and more…
The Fraud, Zadie Smith’s first historical novel, asks if we might all be frauds of some sort, wearing masks and performing as people who are not quite ourselves.
A groundbreaking show at the Metropolitan Museum displays, among other treasures from India, works of Buddhist art that bear the mark of ancient animist cults that long preceded the teachings of Siddhartha Gautama.
Catalog of the exhibition by John Guy; Metropolitan Museum of Art, 343 pp.
In 2003 Indian archaeologists working on a remote hilltop in the southern state of Telangana uncovered a remarkable early Buddhist monastic complex. Phanigiri, “the snake-hooded hill,” had clearly been one of the most important Buddhist monasteries in India. All around were found spectacular fragments of sculpture, including substantial sections of elaborately carved ceremonial gateways and a torso now judged to be one of the masterworks of Buddhist art. Many of the statues had been dismantled and carefully buried in soft earth for their protection after the monastery was abandoned in the fifth century CE, and they were found in almost mint condition.
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