For her performances in over sixty films and forty theatrical productions, Ariane Ascaride has notably been awarded the César for best actress in Marius and Jeannette (1998) and the Coppa Volpi for lead actress at the Venice mostra for Gloria Mundi (2019), two films directed by Robert Guédiguian. She is also a director and a screenwriter.
Les raboteurs de parquet (English title: The Floor Scrapers) is an oil painting by French Impressionist Gustave Caillebotte. The canvas measures 102 by 146.5 centimetres (40.2 in × 57.7 in). It was originally given by Caillebotte’s family in 1894 to the Musée du Luxembourg, then transferred to the Musée du Louvre in 1929. In 1947, it was moved to the Galerie nationale du Jeu de Paume, and in 1986, it was transferred again to the Musée d’Orsay in Paris, where it is currently displayed.
In dialogue with Van Eyck’s contemporaries
Watch Episode 1, “Looking back to look forward,” in which Met image archivist Stephanie Post, educator and former-Project Runway host Tim Gunn, and New York City Ballet dancer Silas Farley share how their encounters with history and the Museum inform their sense of self and their creative practices.
The science center is an adolescent among museum types, one whose main growth spurt was in recent memory. Over the past 40 years, they went from a sparse to a ubiquitous presence, now found in almost every major city. Their emergence stretched the ontological essence of the museum: They present not objects, but concepts. Many science centers define themselves explicitly this way and possess slim to no permanent collections.
of the artist’s expansive and materials-focused practice from the 1970s to the present.
Charles Arnoldi was a young man from Dayton, Ohio who had seen little of the world when he arrived in Southern California in the mid 1960s. Following stints at a local community college and Chouinard Art Institute, Arnoldi won LACMA’s New or Young Talent Award in 1969 and thus began his ever-evolving career which continues to this day in his sprawling Venice studio.
Hailed as “a towering figure in the world of experimental theater” by the New York Times Waco, Texas-born Robert Wilson has created singular works in the realms of opera, performance, video art, glass, architecture, and furniture design since 1963. Prolific yet exacting in his approach to staging, light, and direction, Wilson has been honored with numerous awards for excellence including a Pulitzer Prize nomination, the Golden Lion of the Venice Biennale, and an Olivier Award. He is also the founding director of The Watermill Center, a laboratory for the arts and humanities in Water Mill, New York.
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