DAMIAN ELWES is a British/American artist with studios in Santa Monica and Colombia.
Elwes chooses a moment in time when an artist is at their most inventive and then examines what was going on in their studios.
12 October 2022 – 5 February 2023
Think you know about the Impressionists? Louvre Abu Dhabi, in partnership with the Musée d’Orsay, invites you to think again with Impressionism: Pathways to Modernity, one of the most significant Impressionist exhibitions ever to be held outside France.
Featuring pioneering works by Manet, Degas, and Monet, Pissarro, Renoir, and Cézanne, the exhibition brings together more than 150 masterpieces alongside etchings, costumes, film and photography to explore why Impressionism was considered so shocking in the 19th century and how it paved the way for the artistic revolutions that were to come.
Born at a time of profound social, political, and cultural upheaval, Impressionism was more than mere artistic rebellion. It saw some of history’s bravest and most visionary painters embrace and extoll new ways of seeing, making art, and living. They celebrated this thrilling new reality, representing truthful observations of nature and modern life.
The result was a fundamentally new and different kind of art, unburdened by artistic and academic convention or tradition, whose radicalism, honesty, and bravery continues to inspire artists to this day.
This week: Georgina Adam joins Ben Luke to discuss the intriguing story of the bankrupt entrepreneur and art collector, the museum scholar and a host of Old Master paintings given new attributions.
We talk to Suzanne Pagé, the curator of Monet-Mitchell, an exhibition bringing together the Impressionist Claude Monet and the post-war American abstract painter Joan Mitchell, at the Fondation Louis Vuitton in Paris.
And this episode’s Work of the Week is a 1583 painting of Elizabeth I of England, known as the Sieve Portrait, which is one of the highlights of the Metropolitan Museum of Art in New York’s exhibition The Tudors: Art and Majesty in Renaissance England. The show’s curators, Elizabeth Cleland and Adam Eaker, tell us about this richly layered picture.
Monet-Mitchell, Joan Mitchell retrospective, Fondation Louis Vuitton, Paris, until 27 February 2023. Joan Mitchell: Paintings, 1979-85, David Zwirner, New York, 3 November-17 December.The Tudors: Art and Majesty in Renaissance England, Metropolitan Museum of Art, New York, 10 October-8 January 2023 Hosted on Acast. See acast.com/privacy for more information.
The exhibitions “Monet – Mitchell” create an unprecendented “dialogue” between the works of two exceptional artists, Claude Monet (1840-1926) and Joan Mitchell (1925-1992).
“The dialogue Claude Monet – Joan Mitchell” will be introduce by the “Joan Mitchell Retrospective”, enabling the public in France and Europe to discover her work.
The “Monet – Mitchell” exhibitions present each artist’s unique response to a shared landscape, which they illustrate in a particularly immersive and sensual manner. In his last paintings, the Water Lilies, Monet aimed to recreate in his studio the motifs he observed at length on the surface of his water lily pond in Giverny. Joan Mitchell, on the other hand, would explore a memory or a sense of the emotions she felt while in a particular place that was dear to her, perceptions that remained vivid beyond space and time. She would create these abstract compositions at La Tour, her studio in Vétheuil, a small French village.
Exhibition – 05.10.2022 to 27.02.2023
The Norwegian capital Oslo is getting a new national museum for classical and modern art, architecture and design. The museum’s collection includes around 100,000 objects, ranging from medieval tapestries to modern design classics and contemporary artworks.
There will be rooms dedicated to, among others, the works of Edvard Munch , including “The Scream,” 19th-century landscape painting, royal robes worn by the Norwegian queens, as well as works by prominent artists, such as Gustav Vigeland, Hannah Ryggen, Claude Monet, Vincent Van Gogh and Ida Ekblad.
Giverny is a village in the region of Normandy in northern France. Impressionist painter Claude Monet lived and worked here from 1883 until his death in 1926. The artist’s former home and elaborate gardens, where he produced his famed water lily series, are now the Fondation Claude Monet museum. Nearby, the Musée des impressionnismes Giverny highlights the Impressionist art movement.
Painted along the banks of the Seine, Le bassin d’Argenteuil captures the rise of the middle class and the founding tenants of Impressionism Painted in 1874, Le bassin d’Argenteuil provides a glimpse into the ‘golden’ era of Impressionism. During this time, Claude Monet and his fellow Impressionists, including Pierre-Auguste Renoir, Edouard Manet and Alfred Sisley, codified their ideas while painting along the banks of the Seine. Expressing the dynamism of nature and the modernity of the Third Republic, Le bassin d’Argenteuil combines light and leisure to evoke the excitement of a new visual language. The painting, which brings together the artist most synonymous with Impressionism and the town identified with its origins, will be sold at Christie’s on 11 November as part of The Cox Collection: The Story of Impressionism. Learn More: https://www.christies.com/features/cl…
Musée Marmottan Monet features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet, including his 1872 Impression, Sunrise. Marmottan Museum’s fame is the result of a donation in 1966 by Michel Monet, Claude’s second son and only heir.
The Fondation Claude Monet is a nonprofit organisation that runs and preserves the house and gardens of Claude Monet in Giverny, France, where Monet lived and painted for 43 years. Monet was inspired by his gardens, and spent years transforming them, planting thousands of flowers.
Experience the highly acclaimed exhibition “Monet and Chicago” with this virtual tour led by Gloria Groom, Chair and David and Mary Winton Green Curator of Painting and Sculpture of Europe. Learn more about Monet and Chicago on our exhibition page: https://www.artic.edu/exhibitions/903…
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