
Times Literary Supplement (March 22, 2024): The latest issue features ‘All the Lonely People’ – Charles Foster on a modern-day epidemic; Shakespeare and Bloomsbury; D.H. Lawrence, cuckhold; Marilynne Robinson’s god; Paul Theroux’s Orwell…

Times Literary Supplement (March 22, 2024): The latest issue features ‘All the Lonely People’ – Charles Foster on a modern-day epidemic; Shakespeare and Bloomsbury; D.H. Lawrence, cuckhold; Marilynne Robinson’s god; Paul Theroux’s Orwell…
The Globalist (March 20, 2024): As negotiations in Doha resume, we discuss the likelihood of a temporary truce in Gaza after months of devastating war.
Plus: protests in Argentina, US domestic politics and why Slovakia’s forthcoming presidential election is crucial for the EU.
The legislation targets “external interference” and the theft of state secrets, with implications for businesses, journalists, civil servants and others.
The law, which empowers local officials to arrest and deport migrants who enter the country without authorization, was challenged by the Biden administration as an affront to federal power.
Six officers pleaded guilty last year to assaulting two Black men and shooting one of them in the mouth during a raid on their home.


Country Life Magazine – March 20, 2024: The latest issue features:
James Alexander-Sinclair hails the remarkable revival of the gardens at Dowdeswell Court, Gloucestershire, the charming Cotswolds home of Jade Holland Cooper and Julian Dunkerton

In the second of a series of articles, Oxfordshire flower grower Anna Brown shares her tips on creating a floral spring spectacular
Growing sweet violets has been a family passion since 1866 at Groves Nursery in Bridport, Dorset, as Tilly Ware discovers
Service dogs and horses risk life and limb to keep us safe. Katy Birchall salutes the work of a charity supporting these animal heroes in retirement

The Nature writer lauds a work by a masterful wildlife painter
Dairy farmer Jamie Blackett is heartened to witness cattle worship on a trip to Rajasthan
In the third instalment of this new series, Kate Green celebrates the Revd John Russell’s role in the emergence of the terrier
James Clarke visits the magical Malvern Hills to explore a land-scape that so inspired Tolkien

Amelia Thorpe picks garden pots that make a sizeable statement
Hetty Lintell ushers in spring with a selection of floral favourites
Soak up the style with an array of elegant bathroom fittings and furnishings from Amelia Thorpe
Fresh spring onions steal the show, says Melanie Johnson
The restored Cluny Castle in Aberdeenshire is equipped for a future as prosperous as its colourful past, finds John Goodall

Whitby jet and mourning go hand in hand, but is it time to reassess this beautiful heritage gemstone, asks Harry Pearson
Michael Billington puts himself in the director’s chair as he ponders spectacular remakes of plays by Ibsen and Chekhov
What is it about cryptic crosswords that has kept us racking our brains for the past 100 years? Rob Crossan has all the answers

Paris Review Spring 2024 — The new issue features interviews with Jhumpa Lahiri and Alice Notley, prose by Joy Williams and Eliot Weinberger, poetry by Mary Ruefle and Jessica Laser, art by Chris Oh and Farah Al Qasimi, two covers by Nicolas Party, and more…
Jhumpa Lahiri on the Art of Fiction: “My question is, What makes a language yours, or mine?”
Alice Notley on the Art of Poetry: “Writing is not therapy. That’s the last thing it is. I still have my grief.”
Prose by Elijah Bailey, Julien Columeau, Joanna Kavenna, Samanta Schweblin, Eliot Weinberger, and Joy Williams.
Poetry by Gbenga Adesina, Elisa Gabbert, Jessica Laser, Maureen N. McLane, Mary Ruefle, Julian Talamantez Brolaski, and Matthew Zapruder.
Art by Farah Al Qasimi and Chris Oh.
The Local Project (March 19, 2024) – The philosophical intent of The Folly by Chesire Architects is to provide a gentle cabin retreat for its owners. As such, the architect is concerned about employing a built interior quality of calm and repose to the cabin. Positioned on a clifftop in Takapuna, New Zealand,
Video timeline: 00:00 – Introduction to The Secluded Cabin 00:44 – A 25-year Long Process 01:35 – Incorporating Considered Luxury 02:22 – The Cabin Floor Plan 03:17 – A Warm Material Palette 04:30 – The Collaborative Process 05:11 – Inspired by Personal Memories
The Folly is an end piece of a project that started near thirty years prior and is a single house with steps down the clifftop. To complement the original luxurious home, the architect built The Folly on the far northern edge of the landscape to embrace the sun and views. With each Chesire Architects projects there is an element of managed revelation, so that when one arrives there is hint of something before the reveal is slowly rolled out. Designed to look like a modern yet rusted shed, The Folly can be seen across the landscape from the main home, yet it isn’t until approach that its charm is revealed.
Following the house tour through the entry, there is a realisation that there is a level of consideration and luxury provided through the choice of materials, decor and interior design. The cabin appears to look casual and informal yet, through its meticulously planned interior design and architecture, a certain level of luxurious indulgence is felt. The floor plan of the cabin is kept quite simple as the architect has built it to serve two functions. One half is the garden shed and the other is the retreat and guesthouse with kitchen. The inside of the home is rectangular in shape and everything, such as the kitchen, lounge space and two-way fireplace, is visible upon entrance. Outside is an open-air terrace where one can sit and look out to the ocean.

The Economist SPECIAL REPORTS (March 17, 2024): The latest issue features ‘The long goodbye’ – The next 50 years will be different, argues Vijay Vaitheeswaran in a special report…

Fly west across the United Arab Emirates from Fujairah, a tanker-filled port on the Gulf of Oman, towards the Persian Gulf and you get a sense of the vulnerability arid lands have to climate change. The farms around Dhaid provide a splash of green, but homegrown food is scarce, homegrown staples next to non-existent. Drinkable water comes mostly from desalination plants. The heat is growing inhumane; outside work is banned during the hottest hours of summer afternoons.
The Globalist (March 19, 2024): Israel denies the EU’s accusation that it is using starvation as a weapon of war.
Plus, Hong Kong’s Article 23 security legislation nears a vote and Mark Galeotti introduces the Kremlin elite of the future.
The justices tried to distinguish between persuading social media sites to take down posts, which is permitted, and coercing them, which violates the First Amendment.
Many Russians say they back their president, but it is far less clear what they might do if they were given alternatives.
The warning came amid an Israeli raid on Al-Shifa Hospital. Prime Minister Benjamin Netanyahu also agreed to send military and humanitarian officials to Washington to hear the Biden administration’s concerns.

The New Yorker (March 18, 2024): The new issue‘s cover features Klaas Verplancke’s “On the Grid” – The artist blends the preferred pastimes and stylish attire of New York’s commuters. By Françoise Mouly with Art by Klaas Verplancke.

As the art market cools, Julien’s Auctions earns millions selling celebrity ephemera—and used its connections to help Kim Kardashian borrow Marilyn Monroe’s J.F.K.-birthday dress.
The sidewalks of Lower Broadway in downtown Nashville are filled with people moving among neon-lit venues owned by celebrity musicians: Kid Rock’s Big Ass Honky Tonk & Rock ‘n’ Roll Steakhouse, Jason Aldean’s Kitchen & Rooftop Bar, Miranda Lambert’s Casa Rosa. The Hard Rock Café, which opened in 1994, when the neighborhood could still reasonably be called eclectic, sits at the far edge of the strip, overlooking the Cumberland River. One evening last November, Julien’s Auctions took over a private room at the restaurant for a three-day sale in honor of the company’s twentieth anniversary. There was a spotlighted stage full of objects that musicians had worn or touched or played: a scratched amber ring that Janis Joplin wore onstage at the Monterey Pop Festival, in 1967; Prince’s gold snakeskin-print suit, small enough to fit on an adolescent-size mannequin; ripped jeans that had belonged to Kurt Cobain.

Though he has adopted a “nerd constitutional-law guy” persona, he is in lockstep with the law-flouting former President.
The Capitol Hill Club, in a white brick town house a few blocks from the House of Representatives, is a social institution exclusively for Republicans. One evening in October, Representative Mike Garcia was eating there alone when Representative Mike Johnson stopped to chat. Garcia is a first-generation immigrant and a retired Navy pilot from a Democratic-leaning district in Southern California. His predecessor, a Democrat, resigned after a scandal four years ago, and Garcia highlighted disagreements with his party to win reëlection in 2022. He was also a loyalist to former House Speaker Kevin McCarthy, a fellow-Californian who had just been ousted by a small band of hard-line conservative rebels annoyed at his willingness to compromise on budget disputes. Garcia had formally nominated McCarthy as Speaker at the beginning of 2023, and his removal deprived Garcia of a patron.