Ursula (FALL 2023): The new issue feature Takesada Matsutani, 86, who has lived and worked in Paris since the late 1960s, but he came of age as an artist in Osaka, Japan, as a member of the avant-garde Gutai movement. He has long worked in highly experimental ways with printmaking and artist’s books.
THE NEW YORK TIMES BOOK REVIEW (October 29, 2023): This week’s issue features “A Haunting on the Hill,” by Shirley Jackson; ‘I Feel a Human Deterioration’ – making sense of the violence and loss in Israel; Is It Time to Pull Up Stakes and Head for Mars? – Probably not, Kelly and Zach Weinersmith argue in “A City on Mars”….
Apparitions, black hares and time warps festoon the pages of Elizabeth Hand’s “A Haunting on the Hill,” set in the same moldering mansion as Shirley Jackson’s classic horror novel.
The Israeli writer Etgar Keret has spent the last few weeks trying to make sense of the violence and loss around him. So far, he can’t.
Probably not, Kelly and Zach Weinersmith argue in “A City on Mars.”
By W. M. Akers
A CITY ON MARS: Can We Settle Space, Should We Settle Space, and Have We Really Thought This Through?, by Kelly and Zach Weinersmith
Face it, folks. Earth is finished. It’s overheated, overcrowded, overregulated. It’s the ultimate fixer-upper, a dump we inherited from our parents that we’d be cruel to pass on to our children. It’s time to pull up stakes. It’s time for Mars.
Or maybe not.
Lighting out for the solar system is an appealing fantasy, but “A City on Mars,” an exceptional new piece of popular science by the “Soonish” authors Kelly and Zach Weinersmith, suggests we shouldn’t be so quick to give up on Earth. Forceful, engaging and funny, it is an essential reality check for anyone who has ever looked for home in the night sky.
The Week In Art Podcast (October 27, 2023): This week: the first Kyiv Biennial since Russia’s invasion of Ukraine last year is taking place in various locations across the wartorn country as well as a host of neighbouring European states.
We talk to the co-curator, Georg Schöllhammer, about this year’s event. As refugees and displaced people continue to dominate the news, a global sound art project, Migration Sounds, aims to explore and reimagine the sounds of human migration and settlement.
We speak to Stuart Fowkes, the founder of Cities and Memory, who has conceived the project with the University of Oxford’s Centre on Migration, Policy and Society (Compas). And this episode’s Work of the Week is Rebirth of a Nation, a mural made for Brixton Underground Station in London by the Ethiopian-Italian artist Jem Perucchini, which is unveiled next week. Jessica Vaughan, the senior curator of Art on the Underground, tells us about the commission.
The Kyiv Biennial continues to unfold into 2024, visit 2023.kyivbiennial.org
Cities and Memory’s Migration Sounds project, citiesandmemory.com/migration; compas.ox.ac.uk
Jem Perucchini: Rebirth of a Nation, Brixton Underground Station, London, from 2 November.
Fiction
“Thinking Ahead” by Joan Silber:
“How does a person behave when he knows he’s dying? There’s a myth that people go off and do what they’ve always wanted to do—sail to Spain, buy a horse, eat at the world’s most famous restaurant. ‘They never do that,’ my mother said, ‘that I’ve seen. They don’t even remember why they wanted to do it.”
“Seabreeze” by Korey Lewis:
Jojo and Jaz wait for The Defendant to pick them up from their mother’s place and take them to Seabreeze. “If Disney is where dreams come true, then Seabreeze is where they give up.”
“Eau de Nil” by Chloe Wilson:
“It was a website called Geriatrix. On it were women my age, in various states of undress. I saw breasts droopier and flatter than mine, necks that were crêpier, bellies that bulged and hung. But what really struck me was how happy they looked.”
“Country Furnishings” by Earle McCartney:
The equilibrium in a tetchy blue-collar workshop gets jostled with the arrival of Frank Wonderwood—future son-in-law of the business’s new co-owner and future woodworking graduate from Del Tech.
Poetry
Karen Leona Anderson, Stuart Dybek, Johanna Carissa Fernandez, Mike Good, Cleo Qian, Sarah Lynn Rogers, Joel M. Toledo
Nonfiction
Laura M. Furlan her birth parents, identity, and butterflies. Adam Foulds on the home-turned-museum of one of England’s greatest architects, Sir John Soane. Sam McPhee on the singular fascination hands have on his attention. Jessica Francis Kane on her lifelong affinity with the fascinating James Boswell. And Devon Brody’s “Beth”: “I’m glad to be with only Beth and her long hair that meets the hair on my arms, and the hair on her arms that meets the hair on my arms.”
In Conversation:
Ricardo Frasso Jaramillo delves with Justin Torres into Torres’s career and his new novel, Blackouts, a finalist for the National Book Award.
Art
Wangari Mathenge
Country Life Magazine – October25, 2023: The new issue features Native Breeds – celebrating the noble Shire horse; Taken by storm – artists from Rembrandt to J.M.W. Turner in the eye of the storm; Lighting-up time – Magical autumn colours make Leonardslee Gardens in West Sussex….
‘England’s past has been borne on his back’: Kate Green cele-brates the noble Shire horse, a gentle and patient servant
Michael Prodger examines the artist in the eye of the storm, from a gale-tossed Rembrandt to a J. M. W. stomach-Turner
More than a century after The Wind in the Willows was written, the exploits of Ratty, Mole and Toad continue to entertain, as Matthew Dennison discovers
Riding a Victorian high wheeler for 400 miles across war-torn Ukraine was a real eye-opener for adventurer Neil Laughton
Kitchens can be so much more than mere functional spaces, as three leading interior designers reveal to Arabella Youens
Magical autumn colours make Leonardslee Gardens in West Sussex a place for all seasons, suggests Charles Quest-Riston
The Guide Dogs for the Blind chairman selects his favourite characterful animal painting
Mary Miers finds that the spirit of the Arts-and-Crafts Movement is alive and well as she visits Ballone Castle, a remarkable Scottish tower-house restoration
Simon Lester endeavours to untangle the natural wonder that is the spiderweb—gossamer thin, but stronger than steel
John Lewis-Stempel conquers the timeless Sussex Downs, before an October storm forces him to beat a hasty retreat
Hetty Lintell explores bespoke eyewear, Penhaligon’s potions and remedies, and the life and legacy of Coco Chanel, Prof Tim Spector shares his favourite things, plus beautiful and practical navigation watches
Melanie Johnson welcomes pumpkins to her autumn kitchen
The Israeli government is taking a leaf out of Ariel Sharon’s playbook to try to undo what it regards as Sharon’s biggest mistake. This essay is on the ‘regime change’ planned for Gaza, and the carnage it entails.
Party officials are vanishing, young workers are “lying flat,” and entrepreneurs are fleeing the country. What does China’s inner turmoil mean for the world?
By Evan Osnos
Twenty-five years ago, China’s writer of the moment was a man named Wang Xiaobo. Wang had endured the Cultural Revolution, but unlike most of his peers, who turned the experience into earnest tales of trauma, he was an ironist, in the vein of Kurt Vonnegut, with a piercing eye for the intrusion of politics into private life. In his novella “Golden Age,” two young lovers confess to the bourgeois crime of extramarital sex—“We committed epic friendship in the mountain, breathing wet steamy breath.” They are summoned to account for their failure of revolutionary propriety, but the local apparatchiks prove to be less interested in Marx than in the prurient details of their “epic friendship.”
Our accelerating rates of extraction come with immense ecological and social consequences.
The town of Spruce Pine, North Carolina, doesn’t have a lot to say for itself. Its Web site, which features a photo of a flowering tree next to a rusty bridge, notes that the town is “conveniently located between Asheville and Boone.” According to the latest census data, it has 2,332 residents and a population density of 498.1 per square mile. A recent story in the local newspaper concerned the closing of the Hardee’s on Highway 19E; this followed an incident, back in May, when a fourteen-year-old boy who’d eaten a biscuit at the restaurant began to hallucinate and had to be taken to the hospital. Without Spruce Pine, though, the global economy might well unravel.
THE NEW YORK TIMES BOOK REVIEW (October 22, 2023): This week’s issue features “Hunting the Falcon,” on this week’s cover, Tina Brown, who reviewed it, calls it “a fierce, scholarly tour de force,” adding: “The authors, a husband-and-wife historian team, are a dream pairing.”
In “Hunting the Falcon,” the historians John Guy and Julia Fox take a fresh look at an infamous Tudor marriage — and find there is indeed more to know.
By Tina Brown
HUNTING THE FALCON: Henry VIII, Anne Boleyn, and the Marriage That Shook Europe, by John Guy and Julia Fox
Anne Boleyn glanced over her shoulder repeatedly as she waited at the Tower of London for her executioner, a specialist swordsman who had been summoned from France. Would Henry VIII, who could spare lives as casually as he snuffed them out, spare her life on the scaffold as he’d been known to do before?
In “The Halt During the Chase,” by Rosemary Tonks — first published in 1972, and newly reissued — a young woman goes in search of herself.
By Mary Marge Locker
THE HALT DURING THE CHASE, by Rosemary Tonks
From the first page of this clever, fishy little novel, our narrator, Sophie, is the kind of woman whose laughter is a weapon. She could scare off an assailant with one well-timed whack of her tongue. Originally published in 1972, “The Halt During the Chase” is the second Rosemary Tonks novel to be reissued by New Directions in as many years, bringing a new audience to her charming and imperfect heroines, who are all voice, half poetry and half snarl.
The Week In Art Podcast (October 20, 2023): This week: it’s the second year of Paris +, the event that has taken over from Fiac as the leading French art fair. How is Art Basel’s French flagship faring amid geopolitical turmoil and economic uncertainty, and is Paris still on the rise as a cultural hub?
We speak to Georgina Adam, an editor-at-large at The Art Newspaper, and Kabir Jhala, our deputy art market editor, who are in Paris, to find out. The largest ever exhibition of the work of the Japanese photographer Hiroshi Sugimoto opened last week at the Hayward Gallery in London, before travelling to Beijing and Sydney next year. We talk to its co-curator Thomas Sutton.
And this episode’s Work of the Week is La femme-cheval or the Horse-Woman, a painting made in 1918 by the French artist Marie Laurencin. She is the subject of a major survey, called Sapphic Paris, opening this week at the Barnes Foundation in Philadelphia in the US. Cindy Kang, who co-curated the exhibition, tells us more about this landmark work in Laurencin’s life.
Paris +, 20-22 October.
Hiroshi Sugimoto: Time Machine, Hayward Gallery, London, until 7 January 2023; UCCA Center for Contemporary Art, Beijing, 23 March-23 June 2024; The Museum of Contemporary Art, Sydney, Australia, 2 August-27 October 2024.
Marie Laurencin: Sapphic Paris, Barnes Foundation, Philadelphia, US, 22 October-21 January.
Boomers Daily 