Tag Archives: Arts & Literature

Book Of The Year: “James Gillray – A Revolution in Satire” By Tim Clayton

Apollo Magazine (November 23, 2023) Political satire is by its nature ephemeral: it reacts to events and personalities and moves quickly on. Yet James Gillray’s (1756–1815) excoriating attacks on William Pitt, Charles James Fox, George III, the Prince Regent and a whole cavalcade of Georgian public figures retain their sting more than two centuries after he dreamed them up. In his sumptuously illustrated study of Gillray, Tim Clayton explains why.

Gillray was, shows Clayton, as much an artist as a caricaturist – his fertile wit and invention were equalled by his facility with an etching needle. His images reveal a man of learning, liberal with allusions in his prints to Shakespeare, Milton and the classics, who developed a style that combined the literary and the visual. His seven years at the Royal Academy, meanwhile, helped shape him into one of the most accomplished draughtsmen of the early 19th century.

Although Clayton takes Gillray from his early training as a letter engraver through his time as a travelling player and into his pomp and then the madness that blighted his later years, this is not a biography in the traditional sense. There are few documentary sources relating directly to Gillray, so Clayton skilfully reveals his man through examining the ‘business of satire’. He looks at Gillray’s often overlapping professional and personal relationships, at the intricacies of Georgian print culture, and the ebbs and flows of politics.

Reviews: Top Historical Fiction Books Of 2023

The New York Times Book Review (November 21, 2023): Each year, we pore over thousands of new books, seeking out the best novels, memoirs, biographies, poetry collections, stories and more. Here are the standouts, selected by the staff of The New York Times Book Review.

Top Historical Fiction Books of 2023

AFTER SAPPHO by Selby Wynn Schwartz

AFTER SAPPHO by Pan

Inspired by Sappho’s work, Schwartz’s debut novel offers an alternate history of creativity at the turn of the 20th century, one that centers queer women artists, writers and intellectuals who refused to accept society’s boundaries.

THE COVENANT OF WATER by Abraham Verghese

Verghese’s first novel since “Cutting for Stone” follows generations of a family across 77 years in southwestern India as they contend with political strife and other troubles — capped by a shocking discovery made by the matriarch’s granddaughter, a doctor.

FORBIDDEN NOTEBOOK by Alba de Céspedes

A best-selling novelist and prominent anti-Fascist in her native Italy, de Céspedes has lately fallen into unjust obscurity. Translated by Ann Goldstein, this elegant novel from the 1950s tells the story of a married mother, Valeria, whose life is transformed when she begins keeping a secret diary.

THE FRAUD by Zadie Smith

Based on a celebrated 19th-century trial in which the defendant was accused of impersonating a nobleman, Smith’s novel offers a vast panoply of London and the English countryside, and successfully locates the social controversies of an era in a handful of characters.

A HISTORY OF BURNING by Janika Oza

This remarkable debut novel tells the story of an extended Indo-Ugandan family that is displaced, settled and displaced again.

KAIROS by Jenny Erpenbeck

This tale of a torrid, yearslong relationship between a young woman and a much older married man — translated from the German by Michael Hofmann — is both profound and moving.

KANTIKA by Elizabeth Graver

Inspired by the life of Graver’s maternal grandmother, this exquisitely imagined family saga spans cultures and continents as it traces the migrations of a Sephardic Jewish girl from turn-of-the-20th-century Constantinople to Barcelona, Havana and, finally, Queens, N.Y.

LONE WOMEN by Victor LaValle

The year is 1915, and the narrator of LaValle’s horror-tinged western has arrived in Montana to cultivate an unforgiving homestead. She’s looking for a fresh start as a single Black woman in a sparsely populated state, but the locked trunk she has in stow holds a terrifying secret.

NORTH WOODS by Daniel Mason

Mason’s novel looks at the occupants of a single house in Massachusetts over several centuries, from colonial times to present day. An apple farmer, an abolitionist, a wealthy manufacturer: The book follows these lives and many others, with detours into natural history and crime reportage.

NOT EVEN THE DEAD by Juan Gómez Bárcena

An ex-conquistador in Spanish-ruled, 16th-century Mexico is asked to hunt down an Indigenous prophet in this novel by a leading writer in Spain, splendidly translated by Katie Whittemore. The epic search stretches across much of the continent and, as the author bends time and history, lasts centuries.

THIS OTHER EDEN by Paul Harding

In his latest novel, inspired by the true story of a devastating 1912 eviction in Maine that displaced an entire mixed-race fishing community, Harding turns that history into a lyrical tale about the fictional Apple Island on the cusp of destruction.

THE UNSETTLED by Ayana Mathis

This novel follows three generations across time and place: a young mother trying to create a home for herself and her son in 1980s Philadelphia, and her mother, who is trying to save their Alabama hometown from white supremacists seeking to displace her from her land.

Preview: London Review Of Books – Nov 30, 2023

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London Review of Books (LRB) – November 30, 2023: The latest issue features Jaqueline Rose on violence and its origins; Zain Samir reporting from Southern Lebanon; Clare Bucknell – Rescuing Lord Byron; David Trotter – Werner Herzog’s Visions, and more….

‘You made me do it’

Jacqueline Rose on violence and its origins

In response​ to the destruction of Gaza, it seems to be becoming almost impossible to lament more than one people at a time. When I signed Artists for Palestine’s statement last month, I looked for mention of the atrocities committed by Hamas against Israeli Jews on 7 October, and then decided to settle for the unambiguous condemnation of ‘every act of violence against civilians and every infringement of international law whoever perpetrates them’. 

The Unnecessary Bomb

Andrew Cockburn

‘Little Boy’ exploded over Hiroshima at 8.15 a.m. on 6 August 1945, wiping most of the city off the face of the earth and killing eighty thousand people instantly. But the ‘shock’ to the leadership in Tokyo envisaged by the former US secretary of war Henry Stimson failed to materialise. 

Previews: The New Yorker Magazine – Nov 27, 2023

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The New Yorker – November 27, 2023 issue: The new issue‘s cover features Chris Ware’s “Harvest” – The artist discusses the rituals of gathering and building memories.

Joyce Carol Oates’s Relentless, Prolific Search for a Self

A blackandwhite photograph of Joyce Carol Oates by Andrea Modica.

In more than a hundred works of fiction, Oates has investigated the question of personality—while doubting that she actually has one.


By Rachel Aviv

hen Joyce Carol Oates was thirty-four, she started a journal. “Query,” she wrote on the first page. “Does the individual exist?” She felt that she knew little about herself—for instance, whether she was honest or a hypocrite. “I don’t know the answer to the simplest of questions,” she wrote. “What is my personal nature?”

Barbra Streisand’s Mother of All Memoirs

A portrait of Barbra Streisand. Photograph by Irving Penn  © Cond Nast.

In “My Name Is Barbra,” the icon takes a maximalist approach to her own life, studying every trial, triumph, and snack food of a six-decade career.

By Rachel Syme

Seventy years ago, before she was galactically famous, before she dropped an “a” from her first name, before she was a Broadway ingénue, before her nose bump was aspirational, before she changed the way people hear the word “butter,” before she was a macher or a mogul or a decorated matron of the arts, Barbra Streisand was, by her own admission, “very annoying to be around.” She was born impatient and convinced of her potential—the basic ingredients of celebrity, and of an exquisitely obnoxious child. When Streisand was growing up in Brooklyn, in the nineteen-forties, she used to crawl onto the fire escape of her shabby apartment building and conduct philosophical debates with her best friend, Rosyln Arenstein, who was a staunch atheist. 

The New York Times Book Review – November 19, 2023

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THE NEW YORK TIMES BOOK REVIEW (November 19, 2023): This week’s issue features Fuchsia Dunlop’s seductive new exploration of Chinese cuisine, “Invitation to a Banquet”; Michael Lewis Tells His Own Story of Sam Bankman-Fried; He Carried the Bags (and the Secrets) for the Beatles – A new biography resuscitates the colorful, tragic life of Mal Evans: roadie, confidant, procurer, cowbell player…

A History of Chinese Food, and a Sensory Feast

A photograph of assorted dim sum, including green steamed dumplings, rice rolls, shumai and other items.

Fuchsia Dunlop’s “Invitation to a Banquet” is a cultural investigation of an impossibly broad and often misunderstood cuisine.

By Dwight Garner

INVITATION TO A BANQUET: The Story of Chinese Food, by Fuchsia Dunlop

“A really good cookbook,” Jan Morris wrote, “is intellectually more adventurous than the Kama Sutra.” Fuchsia Dunlop’s masterly new book, “Invitation to a Banquet: The Story of Chinese Food,” is not a cookbook per se. But it has an earthiness that calls to mind Morris’s comment.

AUDIOBOOKS

Listen to a Wellness-Culture Satire That Delves a Few Levels Deeper

In Jessie Gaynor’s debut novel, “The Glow,” read by Gabra Zackman, a P.R. rep immerses herself in the woo-woo world of a cultlike “spiritual retreat,” and its enigmatic leader.

Reviews: The Best Literary Non-Fiction Books Of 2023

Financial Times (November 16, 2023): Best books of 2023 — Literary non-fiction. Carl Wilkinson selects his must-read titles.

Ian Fleming: The Complete Man

Amazon.com: Ian Fleming: The Complete Man eBook : Shakespeare, Nicholas:  Kindle Store

by Nicholas Shakespeare (Harvill Secker) 

Shakespeare, renowned biographer of Bruce Chatwin, reveals a story worthy of a Bond novel in his life of Ian Fleming. The painstakingly researched yet fast-paced book explores Fleming’s childhood, dramatic war years and complex personal life and reveals how they shaped his hugely successful books.  

The Secret Life of John le Carre

by Adam Sisman (Profile/Harper)

The Secret Life of John le Carre: Sisman, Adam: 9780063341043: Amazon.com:  Books

A follow-up to his 2015 biography of le Carré, who died in 2020, Sisman’s latest book exposes the great spy writer’s duplicitous and deceitful relationships with the women in his life, providing new insights into the secret life of the man behind George Smiley. A fascinating, revelatory appendix to Sisman’s fuller life.

Osip Mandelstam: A Biography

 by Ralph Dutli, translated by Ben Fowkes (Verso)

This life of “legendary literary saint”, Osip Mandelstam, provides a timely reminder of both the long history of repression in Russia and the powerful role that literature can play when in the right hands. Dutli’s rounded portrait of the Russian poet unafraid to speak truth to power brings to life the man and his time.

Wifedom: Mrs Orwell’s Invisible Life 

by Anna Funder (Viking/Knopf)

Funder, author of Stasiland, her prizewinning account of the East German secret police, takes six letters written by Eileen O’Shaughnessy, George Orwell’s first wife, as the imaginative springboard for a deep dive into their relationship and her impact on his writing and legacy. A haunting, tragic and revealing book.

The Dictionary People: The Unsung Heroes who Created the Oxford English Dictionary

by Sarah Ogilvie (Chatto & Windus)

A former editor of the Oxford English Dictionary herself, Ogilvie has written a “people’s history” of the great literary endeavour. Begun in 1879, the OED is an epic, crowdsourced attempt to pin down slippery, evolving language and this book tells the fascinating story of the eclectic and unsung contributors to this living monument to language.

A Day in the Life of Abed Salama

by Nathan Thrall (Allen Lane/Metropolitan Books)

This quietly heartbreaking work of non-fiction reads like a novel. At its centre is a tragic road accident outside Jerusalem in the West Bank from which Thrall, a Jewish American journalist, carefully traces the labyrinthine lives of those involved and the tangled web of politics, history and culture that ensnare them all.

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Previews: Country Life Magazine – Nov 15, 2023

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Country Life Magazine – November 15, 2023: The latest issue features the annual Georgian Group Architecture Awards; Horns of plenty – The Bull, monarch of the meadow has been a key mythological figure since ancient times; the sensitive restoration of Somerton Castle in Lincolnshire, a once-neglected medieval stronghold; the great thatching renaissance, and more…

Here’s to the Georgians

Imaginative restoration, from Stowe House to Stroud canal, is lauded in the annual Georgian Group Architectural Awards

No, you’re not going batty

Jane Wheatley investigates the development pitfalls of finding a pipistrelle on your property

Back to the strawing board

The art of thatching is enjoying a renaissance as architects are drawn to its eco credentials, as Sarah Langford discovers

Horns of plenty

The monarch of the meadow has been a key mythological figure since ancient times. Ian Morton takes the bull by the horns

The toast of the town

Jonathan Self finds comfort in every crunchy, buttery mouthful and asks: how do you like yours?

Buried treasures

Christopher Stocks goes under-ground to examine the centuries-long allure of glittering grottos

The great country-house revival

Director-general Ben Cowell celebrates Historic Houses and half a century of achievement

Sir David Hempleman-Adams’s favourite painting

The explorer chooses a work that demonstrates the beauty and colour of the natural world

Hebridean overtures

Jamie Blackett runs the gauntlet of the ‘Grand National’ in pursuit of ever-elusive South Uist snipe

From ruin to rebirth

Nicholas Cooper marvels at the sensitive restoration of Somerton Castle in Lincolnshire, a once-neglected medieval stronghold

Native breeds

Kate Green meets the docile and floppy-eared British Lop

The good stuff

Need a sparkling conversation starter? Hetty Lintell picks out a fistful of fabulous cocktail rings

Dressed to impress

The sartorial centre of Savile Row provided the perfect setting for our Gentleman’s Life party

Interiors

Painting a floor is a fun way to add colour and pattern to a room, finds Amelia Thorpe

A touch of glass

Victorian glasshouses are feats of engineering that deserve a new lease of life, says Lucy Denton

Big apple

Charles Quest-Ritson is wowed by the display of trained apples in the 18th-century walled garden at The Newt in Somerset

Kitchen garden cook

Melanie Johnson savours the sweet earthiness of a chestnut

Shakespeare, but not as we know it

Sir Kenneth Branagh’s Lear may be off beam, but Michael Billington is buoyed by a stirring portrayal of the Bard’s wife

And much more

Previews: The New Yorker Magazine – Nov 20, 2023

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The New Yorker – November 20, 2023 issue: The new issue features The A.I. Issue – Joshua Rothman on the godfather of A.I., Eyal Press on facial-recognition technology, Anna Wiener on Holly Herndon, and more…

Why the Godfather of A.I. Fears What He’s Built

Geoffrey Hinton has spent a lifetime teaching computers to learn. Now he worries that artificial brains are better than ours.

By Joshua Rothman

In your brain, neurons are arranged in networks big and small. With every action, with every thought, the networks change: neurons are included or excluded, and the connections between them strengthen or fade. This process goes on all the time—it’s happening now, as you read these words—and its scale is beyond imagining. You have some eighty billion neurons sharing a hundred trillion connections or more. Your skull contains a galaxy’s worth of constellations, always shifting.

Does A.I. Lead Police to Ignore Contradictory Evidence?

A profile of a face overlaid with various panels.

Too often, a facial-recognition search represents virtually the entirety of a police investigation.


By Eyal Press

On March 26, 2022, at around 8:20 a.m., a man in light-blue Nike sweatpants boarded a bus near a shopping plaza in Timonium, outside Baltimore. After the bus driver ordered him to observe a rule requiring passengers to wear face masks, he approached the fare box and began arguing with her. “I hit bitches,” he said, leaning over a plastic shield that the driver was sitting behind. When she pulled out her iPhone to call the police, he reached around the shield, snatched the device, and raced off. The bus driver followed the man outside, where he punched her in the face repeatedly. He then stood by the curb, laughing, as his victim wiped blood from her nose.

Personal HistoryA Coder Considers the Waning Days of the Craft

Coding has always felt to me like an endlessly deep and rich domain. Now I find myself wanting to write a eulogy for it.

By James Somers

Art Reviews: Gagosian Quarterly – Winter 2023

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Gagosian Quarterly (Winter 2023) – The new issue features Annie Cohen-Solal who writes about the exhibition A Foreigner Called Picasso, at Gagosian, New York, detailing the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological. Connecting the dots among the Surrealist milieu, including Picasso, a conversation on the underrecognized photographer Lee Miller sets the stage for a New York show about her work, friendships, and collaborations with fellow artists.

A FOREIGNER CALLED PICASSO

Dora Maar, Portrait de Picasso, Paris, studio du 29, rue d’Astorg, winter 1935–36

Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.

By Annie Cohen-Solal

I have been interested in the issue of immigration ever since I entered the art world. I began my career as an intellectual historian: I was a scholar of Jean-Paul Sartre and wrote his first biography. It was quite unexpected that I would fall into the orbit of the art world, let alone so fast, but two days after I arrived in New York City, in 1989—I had just been nominated cultural counselor to the French Embassy in the United States—I met Leo Castelli at a dinner. Out of the blue, Leo told me, “You don’t look like your predecessors.” (I was the first woman in the position.) “You’ll take New York city by storm and I’ll teach you American art. Come to the gallery tomorrow, I have a show with Roy [Lichtenstein]. Come for the opening and stay for the dinner.”

LEE MILLER AND FRIENDS

Lee Miller, Fire Masks, 21 Downshire Hill, London, England 1941, 1941

The American Surrealist photographer Lee Miller is the subject of the exhibition Seeing Is Believing at Gagosian, New York. Here we present a conversation on the stewardship of Miller’s legacy, her photography and writing from the frontlines of war to the pages of Vogue, and the intertwined lives of her friends, lovers, and the many artists she knew.

Art Exhibitions: ‘Gerhard Richter – Engadin’, Hauser & Wirth St. Moritz Gallery

Hauser & Wirth – Art Gallery (November 11, 2023) = Gerhard Richter, born in 1932, is one of the most important and celebrated artists of our time. His works can be found in international collections and have been exhibited in numerous museums and galleries in Europe and the United States. Richter first vacationed in the Swiss Alpine village Sils, located in the Upper Engadin region, in 1989, a location he has regularly visited during both summer and winter holidays for over 25 years.

Silsersee (Lake Sils) – Gerhard Richter 1995

GERHARD RICHTER
ENGADIN

St. Moritz

16 December 2023 – 13 April 2024

25.3.15 – Gerhard Richter

Curated by Dieter Schwarz and presented across three venues in the Upper Engadin—Nietzsche-Haus, the Segantini Museum and Hauser & Wirth St. Moritz—this momentous exhibition is the first to explore Gerhard Richter’s deep connection with the Engadin’s alpine landscape. More than seventy works from museums and private collections—including paintings, overpainted photographs, drawings and objects—are testament to the artist’s fascination with the Upper Engadin. Opening 16 December 2023, ‘Engadin’ will be on view through 13 April 2024.

The work connecting the three exhibition venues is a steel sphere that Richter had produced as an edition, on view at each site. He first presented it at Nietzsche-Haus in 1992, in an exhibition curated by Hans Ulrich Obrist. Each unique sphere bears the name of a mountain in the Upper Engadin. The matte, subtly reflective, almost surreal sphere delicately reflects all that surrounds it. It symbolizes the sublime yet inhospitable manifestations of nature, which are especially conspicuous in the mountains.

St. Moritz – Gerhard Richter – 1992

Kugel III (Piz Fora) [Sphere III (Piz Fora)] – Gerhard Richter – 1992

On view at the Segantini Museum and Hauser & Wirth are paintings that Richter created from photographs taken during his hikes in the Upper Engadin. These works mark a new chapter in his landscape painting—a genre that had always appealed to him for its supposed untimeliness. Richter’s Engadin landscapes are exemplary of the ambiguity in his painting, oscillating between a seductive transfiguration of nature and a reflection of its alienness. Particularly noteworthy is the painting ‘Wasserfall (Waterfall)’ (1997) from Kunst Museum Winterthur, a work that clearly traces Richter’s engagement with 19th-century painting, from romanticism to realism. The artist later overpainted some of the Engadin motifs, including depictions of Piz Materdell and Lake Sils, transforming them into abstract paintings with a melancholic atmosphere that responds to impressions of the landscape.