From Christie’s online magazine (May 2020):
Rodin travelled to Italy in 1875, a trip described by the late art historian Kirk Varnedoe as, ‘one of the seminal events in modern art’.
Here, in his mid-thirties, he fell under the spell of the Renaissance master, Michelangelo. His monumental, exaggerated nude figures would have a deep and lasting influence on the artist. ‘My liberation from academicism was via Michelangelo,’ Rodin later recalled. ‘He is the bridge by which I passed from one circle to another.’
Auguste Rodin (1840-1917) is renowned for breathing life into clay, creating naturalistic, often vigorously modelled sculptures which convey intense human emotions: love, ecstasy, agony or grief. Breaking the rules of academic convention and classical idealism, Rodin ushered in a new form of highly expressive sculpture that went on to influence generations of artists that followed.
Read full article at Christie’s
Alex currently lives in Paris with his film editor wife, Tiffany, and enjoys discovering the hidden corners of the city that sketching and plein air painting allow. He uses the language of cinema to inform his images, moving beyond what one sees, and depicting what he wants others to see. He believes that in our too-crowded lives, sketching and plein air painting invite us to move at a more deliberate pace… a true sense of place, and sometimes unexpected stories are revealed.
Manet called him “the greatest painter of all.” Picasso was so inspired by his masterpiece Las Meninas that he painted 44 variations of it. Francis Bacon painted a study of his portrait of Pope Innocent X. Monet and Renoir, Corot and Courbet, Degas and Dalí…for so many champions of art history, the ultimate soundboard was—and remains—Diego Rodríguez de Silva y Velázquez (1599-1660).
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