From a Genetic Engineering & Biotechnology News release:
“This proof of concept study demonstrates a new paradigm that measurement of blood proteins can accurately deliver health information that spans across numerous medical specialties and that should be actionable for patients and their healthcare providers,” said Peter Ganz, MD, co-leader of this study and the Maurice Eliaser distinguished professor of medicine at UCSF and director of the Center of Excellence in Vascular Research at Zuckerberg San Francisco General Hospital and Trauma Center.
Specific patterns of protein levels in our blood could be used to provide a comprehensive “liquid health check” that gives a snapshot of health and potentially an indication of the likelihood that we will develop certain diseases or health risk factors in the future, according to research by scientists in the U.S. and U.K. working with SomaLogic. The results of their proof-of-concept study involving more than 16,000 participants, and published in Nature Medicine, showed that while the accuracy of models based on specific protein expression patterns varied, they were all either better predictors than models based on traditional risk factors, or would constitute more convenient and less expensive alternatives to traditional testing.
Study published in Nature Medicine: https://www.nature.com/articles/s41591-019-0665-2
The result is a testimony to the true meaning of haute couture – this car doesn’t need to impress or be flashy. It’s first and foremost superb craftsmanship, which has been married to extreme refinement. Next time you venture into Paris and notice a dark blue Eden Roc being driven by a young and elegant tattooed man, don’t hesitate to look closer and try to spot Leroy’s intricate tailor-made feathery details.
Maxime Leroy is anything but your typical classic car collector. He is a visionary creator with a strong personality whose adult life has been devoted to showcasing feathers. He discovered the art of plumasserie at school thanks to two of his professors. At that time, the school was the last school in France dedicated to teaching this dying art. And thanks to Leroy, who now spends two days a week there teaching, it still is.
Richard Powers, author of our November pick for the NewsHour-New York Times book club, Now Read This, joins Jeffrey Brown to answer reader questions on “The Overstory,” and Jeff announces the December book selection.
In this episode of “The Way I See It,” Janna Levin brings her celestial expertise to Vincent van Gogh’s star-filled vision, in conversation with senior curator of Drawing and Prints Jodi Hauptman. Levin helps us see how certain
features of the night sky, including “turbulent air,” the light from a star, and the planet Venus, are rendered visible by Van Gogh’s brush. She also points out that her approach is not so different from Van Gogh’s: “People who observe the world, whether they are artists or scientists, are always on the cusp of what they see and then what is internal.”
Amy Walter of the Cook Political Report and Domenico Montenaro of NPR join Yamiche Alcindor to discuss the latest political news, including shifting dynamics in the 2020 Democratic presidential primaries, how congressional Democrats and Republicans view the facts of the impeachment investigation differently, political pressure on moderates and how impeachment could affect the 2020 race.
BOTANY AT THE BAR
In a WTOP-FM interview, Health Affairs Editor-In-Chief Alan Weil assesses how consumers may (or may not) benefit from two long-anticipated rules, recently unveiled by the Trump Administration, that increase price transparency for both hospitals and insurers.
Most notable is Toogood’s sensitive approach to materials. She offers two different, equally alluring solutions to the exterior cladding and the internal finishes. Both external cladding options, raw galvanised steel and dark charred timber, are suggestive of industrial or agricultural structures, making it something of a thrill to see them in a domestic setting. The building clad in raw galvanised steel will have a refined, cream-coloured interior, whilst the structure clad in dark charred timber will have an exposed plywood interior finish.
