The American Scholar (July 14, 2023):In his new book, ‘Under the Eye of Power’, Colin Dickey asks, “What if paranoia, particularly a paranoia of secret, subversive societies, is not just peripheral to the functioning of democracy, but at its very heart?”
The litany of contemporary conspiracy theories runs long: Pizzagate, QAnon, chemtrails, “jet fuel can’t melt steel beams,” “birds aren’t real.”
Some of these are funny—the rumor that Avril Lavigne and/or Paul McCartney have been replaced by doppelgängers—and some have deadly consequences, like the mass murders motivated by replacement theory or the Chronicles of the Elders of Zion.
We might like to think this is a recent phenomenon, but the first American president to espouse a conspiracy theory was actually George Washington, a freemason who believed that the Illuminati caused the French Revolution.
Christie’s (July 10, 2023) – Iconic British fashion designer Sir Paul Smith, in his legendary chock-full studio, talks about bringing out “Picasso’s playful side” in a stylish new exhibition at the Musée National Picasso-Paris: Picasso Celebration: The Collection in a New Light.
Sir Paul Smith, guest artistic director at the Musée National Picasso-Paris.
It is fifty years since Pablo Picasso died, on 8 April 1973 at Notre-Dame-de-Vie, his home in Mougins. The body of work that he left behind had a profound impact on the entire 20th century.
For this anniversary year, the Musée National Picasso-Paris has invited the British designer Sir Paul Smith, known for his work with colour, tailoring and unexpected details, to lead the artistic direction of an exceptional exhibition showcasing the museum’s collection.
The American Scholar (June 9, 2023):The idea of “Western civilization” looms large in the popular imagination, but it’s no longer taken seriously in academia.
In her new book, The West: A New History in Fourteen Lives, historian Naoíse Mac Sweeney examines why the West won’t die and, in the process, dismantles ahistorical concepts like the “clash of civilizations” and the notion of a linear progression from Greek and Roman ideals to those of our present day—“from Plato to NATO.”
Through biographical portraits of figures both well-known and forgotten—Herodotus and Francis Bacon, Livilla and Phyllis Wheatley, Tullia d’Aragona and Abu Yusuf Yaqub ibn Ishaq al-Kindi—Mac Sweeney assembles a history that resembles less of a grand narrative than a spiderweb of influence. Successive empires (whether Ottoman, Holy Roman, British, or American) built up self-mythologies in the service of their expansionist, patriarchal, or, later, racist ideologies.
Mac Sweeney joins the podcast to talk about why the West has been such a dominant idea and on what values we might base a new vision of contemporary “western” identity.Go beyond the episode:Naoíse Mac Sweeney’s The West: A New History in Fourteen LivesWe have covered Greece and Rome in previous episodes, as well as Njinga of AngolaIn our Summer 2023 issue, Sarah Ruden considers how modern biographers distort VergilTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books.
Wall Street Journal (June 3, 2023) – Ukrainian President Volodymyr Zelensky spoke with Wall Street Journal editor in chief Emma Tucker in Odesa ahead of his meeting with European leaders to press for membership in NATO and as the world waits for Ukraine’s counteroffensive against Russia.
Video timeline:0:00 Ukraine’s counteroffensive 0:50 Ukraine’s long-term security and Western allies 2:23 U.S. election’s effect on Ukraine 4:03 Ukrainian weapons 5:44 NATO and Ukraine 7:05 Zelensky’s thoughts on China 7:38 How Zelensky is personally dealing with the war
“This is going to change the world as we know it.”
“The pictures are a documentation of the brutality within the conflict itself. It’s about civilians and civilian casualties because they are the ones hit the hardest. “
“The Russians are terrorizing the civilian population. They are hitting civilian infrastructure, may it be water, electricity, or heating. That brutality is extremely important to show. For me, it is about getting as close to these people as possible.”
Grarup is convinced that the ongoing war in Ukraine will mark the beginning of a new area that will isolate Russia from the Western World for generations to come: “I have been covering wars and conflicts for the last 35 years – just about every conflict you can imagine. In many ways, the brutality of the genocide in Rwanda in 1994 is second to none. But the war in Ukraine comes really, really close. It’s basically a country which is desiring democracy and freedom and independence – and because of that, its people are killed.”
Grarups also reflects upon his feelings covering the war, such as his general discomfort with silence as “you can be sure that something is about to happen.” On the other hand, he sees the necessity to document the war for future generations and the possible prosecution of war crimes. “What I like about black-and-white photography is its timelessness. We think in our part of the world that the world has changed, developed, and moved far away from what we have seen historically.
But the fact is: It hasn’t. It’s still the same atrocities. It’s still the same victims.” Jan Grarup was born in Denmark in 1968 and is today regarded as one of the leading and most experienced war photographers globally. Already in 1991, the year of his graduation, he won the prestigious Danish Press Photographer of the Year Award, a prize he would receive on several further occasions. In 1993, he moved to Berlin for a year, working as a freelance photographer for Danish newspapers and magazines. Afterwards, Grarup covered many wars and conflicts worldwide, including the Gulf War, the Rwandan genocide, the siege of Sarajevo and the Palestinian uprising against Israel in 2000.
His coverage of the conflict between Palestine and Israel led to two series: The Boys of Ramallah, which earned him the Pictures of the Year International World Understanding Award in 2002, followed by The Boys from Hebron. His book, Shadowland (2006), presents his work during the 12 years he spent in Kashmir, Sierra Leone, Chechnya, Rwanda, Kosovo, Slovakia, Ramallah, Hebron, Iraq, Iran, and Darfur. In the words of Foto8’s review, it is “intensely personal, deeply felt, and immaculately composed.”
His second book, Darfur: A Silent Genocide, was published in 2009. In 2017 he released the prizewinning bestseller And Then There Was Silence. He is currently working on a follow-up called While We Bleed with Danish author Adam Holm about the war in Ukraine. Jan Grarup has won numerous prizes for his dedicated work, for example eight World Press Awards, the Pictures of the Year International World Understanding Award, the UNICEF Children Photo of the Year Award, Visa d’Or, Leica Oskar Barnack Award, to mention a few of the more prestigious ones. Jan Grarup was interviewed by Marc-Christoph Wagner in Copenhagen, Denmark.
The interview took place at the Danish War Museum in March 2023 on the occasion of Grarup’s exhibition One Year With War. Camera: Jakob Solbakken Edited by: Helle Pagter Produced by: Marc-Christoph Wagner
The Metropolitan Museum of Art (March 19, 2023) – Go behind the scenes with artist Cecily Brown, who discusses the inspiration and making of Cecily Brown: Death and the Maid, the first full-fledged museum survey of Brown’s work in New York since she made the city her home.
Cecily Brown: Death and the Maid assembles a select group of some fifty paintings, drawings, sketchbooks, and monotypes from across her career to explore the intertwined themes of still life, memento mori, mirroring, and vanitas—symbolic depictions of human vanity or life’s brevity—that have propelled her dynamic and impactful practice for decades. On view April 4th, 2023 through December 3rd, 2023.
Dezeen (March 16, 2023) – Japanese architect Shigeru Ban explains how his egg-shaped music auditorium acts as a western gateway to Paris in the last instalment of Dezeen’s Concrete Icons series produced in collaboration with Holcim.
The video features La Seine Musicale, a music complex that houses a large multipurpose concert hall and a smaller auditorium. The musical facility is located on the Ile Seguin island near Paris’s western suburbs, occupying a third of French architect Jean Nouvel’s mixed-use masterplan of the island.
Additional footage courtesy of La Seine Musicale, by Arthur Maneint, Hensli Sage and Noesys Prod.
How the media failed Julian Assange – Every year on the first of December, the Committee to Protect Journalists publishes its global prison census, documenting the number of journalists behind bars around the world. The 2022 edition set a grim record: 363 jailed journalists.
@Shakespeare_Co Podcast, December 2, 2022: The Hunchback of Notre-Dame Special Podcast! To celebrate our exclusive S&Co edition of The Hunchback of Notre-Dame, Adam is joined by Krista Halverson, S&Co Publishing Director, and artist @neiljgower to discuss this classic of French literature.
CBS Sunday Morning – Since opening its doors in 1884, New York City’s Chelsea Hotel has welcomed artists, writers and cutting-edge thinkers who shaped America’s cultural landscape. Today, the storied landmark is being developed into a luxury boutique hotel.
Correspondent Alina Cho talks with residents, and with “Inside the Dream Palace” author Sherill Tippins, about the Chelsea’s unique history; and with developer Sean MacPherson about his determination to approach the Hotel Chelsea’s restoration with reverence.
News, Views and Reviews For The Intellectually Curious
Boomers Daily 