EMS LANDSCAPES 65 : LAS VEGAS 2021.
Las Vegas, officially the City of Las Vegas and often known simply as Vegas, is the 25th-most populous city in the United States, the most populous city in the state of Nevada, and the county seat of Clark County.
In this virtual art opening and gallery walk-through, Getty curator Virginia Heckert guides you through two exhibitions of photography: Mario Giacomelli: Figure/Ground and The Expanded Landscape. The galleries reveal Giacomelli’s stunning, high-contrast black and white images made in and around the photographer’s hometown of Senigallia on the Adriatic coast of Italy in the late 20th century. Also presented are works in The Expanded Landscape, which focuses on contemporary photographers whose innovative approaches and insightful observations expand concepts of “landscape.” Learn more about the exhibition: https://www.getty.edu/art/exhibitions…
“Some of the largest and most wonderful creatures in Africa have become very dear to me over the years,” Schmeisser writes. His book of portraits carries two messages. “It [is] a homage and warning at the same time—a visual message with the aim of sharpening our clouded view of the one, infinitely complex and vulnerable nature and to recognize which treasures we are about to irretrievably lose,” he writes.
There are exactly two black rhinos left in the world, a subspecies of the white rhino, the very last of their kind. In this deeply poignant tribute, photographer Joachim Schmeisser presents these rhinos as well as other wild animals in the Amboseli National Park in Kenya, where Maasai tribespeople ensure that nobody endangers them. With his breathtaking black-and-white images, Schmeisser brings us up close to these extraordinary and endangered creatures, creating a powerful document of nature’s splendor and fragility.
Filmmaker Brendon Tyree
The word Smithy is a middle English word from Old Norse Smithja : meaning a blacksmith’s workshop or forge. In Sheffield and other parts or Northern England, blacksmiths themselves are often referred to as smithies.
Follow this Smithy on his gloomy walk to work and witness the dark forces, skill and energy that go into giving a new blade its shape, form and life. Filmed using a mixture of 16mm film and digital.
The feel and sound tip their cap to the old world view of the craft but in reality the subject is a non fictional blacksmith working at his beautiful old forge today in Sheffield.
Blacksmith David Southgate
Soundscape Jordan Hatfield
Atmospheres GYerro & Max H
Locations Sheffield UK
In the early nineteenth century, Indiana was at the intersection of ideas from the East and the frontier – resulting in a unique opportunity to express creative adaptions of residential architectural styles in America.
Industrialization later in the century created a new wealth to build extraordinary houses outside of cities; by the early twentieth century, Americans had created their own distinctive residential architecture with the Prairie Style.
This 288 page compendium includes over ninety houses in Indiana which are representative of the finest American residential architecture, from the Federal and Classical Revival style to Modern. The fascinating story of the evolution of residential architecture elaborates on the character defining features of each period, including the exterior form, massing, details as well as interiors – all beautifully illustrated in large format black and white photographs.
Authors: Craig Kuhner and Alan Ward
American Residential Architecture
Oscar Riera Ojeda Publications
Photographs of the Evolution of Indiana Houses
Following his career-spanning monograph The Big Picture, Arthur Elgort pays homage to his first love and eternal muse in this new collection of photographs. While glimpsing ballet through Elgort’s lens we are taken not to the front of the stage but behind the scenes, where the hard work is done.
On this journey through the hallways and rehearsal spaces of some of the world’s most distinguished ballet schools, including the New York City Ballet and the Vaganova Academy of Russian Ballet, we see previously unpublished images of legends such as Balanchine, Baryshnikov and Lopatkina. The perfection of the prima ballerina disappears in these quiet photographs where the viewer is able to witness the individual dancers’ natural glamor as they work to perfect their craft.
Elgort’s snapshot style allows the pain and pleasure of one of the world’s most beloved forms of expressive dance to be seen with beauty.
Born on the Isle of Man in 1946, Chris Killip was a Professor of Visual and Environmental Studies at Harvard University where he had taught from 1991.
Since 2012 he has held solo exhibitions at Museum Folkwang, Essen; Le Bal, Paris; Tate Britain, London; Museo Reina Sofia, Madrid; and the J. Paul Getty Museum, Los Angeles. Killip’s works are held in the permanent collections of institutions including the Museum of Modern Art, New York; George Eastman House, Rochester; and the Victoria and Albert Museum, London. His books with Steidl are ‘Pirelli Work’ (2006), ‘Seacoal’ (2011), ‘Arbeit / Work’ (2012), ‘Isle of Man Revisited’ (2015), ‘In Flagrante Two’ (2016) and most recently ‘The Station’ (2020).
Chris Killip (born 11 July 1946) is a Manx photographer who worked at Harvard University in Cambridge, from 1991 to 2017, as a Professor of Visual and Environmental Studies. Killip is well known for his gritty black and white images of people and places.
Killip is the recipient of numerous awards, including the Henri Cartier-Bresson Award(for In Flagrante). He has exhibited all over the world, written extensively, appeared on radio and television, and has curated many exhibitions.
His work has been exhibited in art galleries in London’s Mayfair and his photographs hang in countless homes in countries and continents around the world.
In 2014 he won the Panasonic Lumix Videographer Of The Year for his underwater film Red Sea.
Matt has been around cameras all his life due his father’s photographic passion.His images are strong, bold and with an attitude and style that pulls the viewer into the scene. He is influenced more by cinematographers and directors rather than photographers and as such his images have an almost cinematic feel to them.
From a AnselAdams.com online release:
Making the Special Edition Photographs is an assignment I continue to this day, with Ansel’s vision and standards always in mind as I work. The prints are still made directly from Ansel’s negatives and in the “traditional” way: in a wet darkroom with amber safelights, chemicals and running water. The prints are still silver-gelatin prints, meaning that the image-forming element is literally metallic silver. Precious.
And after nearly 40 years, I can honestly say that I never tire of seeing these images come up in the developing tray. It’s an honor and privilege to play a small part in continuing Ansel’s legacy.
This collection, entitled the Yosemite Special Edition Photographs, proved immensely popular and over the years, Ansel added more images to the set until the total was capped at 30 at the time of his passing in 1984.
Today, Best’s Studio is known as the Ansel Adams Gallery, and continues as a family-run business. Ansel’s Special Edition Photographs of Yosemite are a mainstay of the Gallery’s offerings and heritage. Each print is still made by hand directly from Ansel’s original negatives, using his approach and methodology to ensure strict adherence to his standards and aesthetic.