CNBC (April 2, 2023) – An apartment building boom is unfolding in cities across the U.S. Many of the new units come with “luxury” amenities, like pools and fast-access to transportation. Experts say the uptick in supply is welcome news, but won’t ease rent inflation anytime soon.
As a result, many cities remain stuck in a price-elevating housing shortage. Washington lawmakers are now scrutinizing regulations that slow the pace of homebuilding, in an attempt to slow rent inflation.
Americans spent 53 billion hours on TikTok last year, according to one Wall Street estimate. If the service is banned in the U.S., much of that time could go to Meta, YouTube, and Snap. What it all means for stocks.
With high concentrations of commercial real estate loans, these midsize lenders could come under pressure. But they look to be managing the risks well.
Edinburgh calls to readers, its pearl-grey skies urging them to curl up with a book. Maggie O’Farrell, the author of “Hamnet,” suggests reading that best reflects her city.
The Burlington Magazine – April 2023: Few paintings capture the exhilaration of the arrival of spring as powerfully as Vincent van Gogh’s ‘Orchard in blossom, bordered by cypresses’, a detail of which is on the cover of our newly published April issue.
The manifold collections of the Rijksmuseum, Amsterdam, include rich holdings of the decorative arts, international in scope, with a natural bias towards the Netherlands. But unlike the Victoria and Albert Museum, London, the Museum für angewandte Kunst, Vienna, and the Musée des Arts Décoratifs, Paris, products of the nineteenth-century campaign to improve design, the Rijksmuseum, a national museum of art and history, had no strong motive to collect design drawings (although the Rijksprentenkabinet, housed in the museum, contains one of the world’s great assemblages of engraved ornament).
An air of anticipation has greeted the fourth anniversary of the fire that broke out on 15th April 2019 and destroyed the medieval roof of Notre-Dame, Paris, together with its flèche, designed by Eugène Viollet-le-Duc in 1859. The main controversies surrounding the restoration having been settled – as reported in this Magazine, in July 2020 the French government announced that the roof and flèche will be rebuilt as they were, using the same materials as the original – attention has turned to the discoveries being made and to the restoration process.
The New Review (April 2, 2023) – How running helped me navigate the strange terrain of grief An extract from @drrachelhewitt’s memoir, In Her Nature @ChattoBooks.
An actor returns to Palestine and joins a local production of Hamlet in this richly layered and elegant examination of memories and oppression
The West Bank town of Jenin: ‘what could offer a more febrile union of the personal and the political than Palestine?’ Photograph: Jaafar Ashtiyeh/AFP/Getty Images
Aesthetica Magazine (April/May 2023) – Inside this issue, we consider identity, relationships and the impact of technology. We discuss the persistence of images and their ability to embed themselves in collective memory in Thomas Demand’s retrospective,
The Stutter of History. Refik Anadol speaks to us about the relationship between humans and machines, exploring the influence of art and creativity, as we rely more and more on AI to guide us through our lives. What does the future look like in this new world? Should we embrace it or fear it? Also, I am pleased to bring you an overview of this year’s shortlisted artists for the Aesthetica Art Prize 2023.
Memory Investigated
Thomas Demand highlights the fiction beneath attempts to document the truth, questioning the power and responsibility behind art and its maker.
A Sense of Wonder
Gareth Iwan Jones’ fascination with woodland ecocystems inspired enchanting scenes that document the beauty and mystery of forests.
March 31, 2023: The Art Newspaper’s annual report on museum visitor figures around the world has been published.
We talk to Lee Cheshire, who co-edited the report, and to Charles Saumarez Smith, a former director or chief executive of three London museums and galleries—the National Portrait Gallery, National Gallery and Royal Academy of Arts—about how important the figures are to museums and whether they are a valid gauge of institutions’ success.
The exhibition Manet/Degas opened at the Musée d’Orsay in Paris this week, before travelling later in the year to the Metropolitan Museum of Art in New York. Ben Luke visits the show in Paris and speaks to Laurence des Cars, the former director of the Musée d’Orsay and now president-director of the Musée du Louvre, and Stéphane Guégan, the co-curator of the exhibition.
And in London, a show of the paintings of Berthe Morisot, the pioneering Impressionist with artistic and familial connections to Manet and Degas, has opened at the Dulwich Picture Gallery.
This episode’s Work of the Week is Morisot’s Woman at Her Toilette (1875-80). Lois Oliver, the curator of the exhibition in Dulwich, tells us about this pivotal picture.Manet/Degas, Musée d’Orsay, Paris, until 23 July; Metropolitan Museum of Art, New York, 24 September-7 January 2024Berthe Morisot: Shaping Impressionism, Dulwich Picture Gallery, London, until 10 September, Musée Marmottan Monet later in 2023 (dates to be announced).
Just like relationships between people, relationships between countries can all too easily be built on a foundation of unintentional misunderstandings, faulty assumptions and predigested truths. In her forthcoming, at times provocative and disquieting book, “The New China Playbook,” Keyu Jin, a professor at the London School of Economics and a board member at Credit Suisse, is trying to rework the foundation of what she sees as the West’s deeply flawed understanding of China’s economy, its economic ambitions and its attitude toward global competition.
Randi Schofield is the sole provider for an ailing father and, at the same time, for her own children — a situation now common among Americans in their 30s and 40s.
Science Magazine – March 31, 2023 issue: A new analysis shows that Great Plains tribes acquired horses much earlier than some historians had thought, consistent with Indigenous descriptions of a long and enduring partnership with the horse. This petroglyph, from the Tolar site in southern Wyoming, probably dates from soon after the modern horse became widespread in North America in the early 17th century.