MGM (September 16, 2023) – Enjoy some of Jack Lemmon’s most iconic scenes in this crafted compilation:
Irma La Douce (1963) – Produced and Directed By: Billy Wilder Screenplay By: Billy Wilder and I.A.L. Diamond
Some Like It Hot (1959) – Directed By: Billy Wilder Screenplay By: Billy Wilder and I.A.L. Diamond Cast: Marilyn Monroe, Tony Curtis, Jack Lemmon, George Raft, Pat O’Brien, Joe E. Brown
The Apartment (1960) – Directed By: Billy Wilder Written By: Billy Wilder & I.A.L. Diamond Cast: Jack Lemmon, Shirley MacLaine, Fred MacMurray, Ray Walston, Jack Kruschen, David Lewis, Joan Shawlee, Naomi Stevens, Hope Holiday, and Edie Adams
Avanti! (1972) – Produced and Directed By: Billy Wilder Screenplay By: Billy Wilder and I.A.L. Diamond Based on the Play By: Samuel Taylor Cast: Jack Lemmon, Juliet Mills, Clive Revill, Edward Andrews
The Fortune Cookie (1966) – Produced and Directed By: Billy Wilder Written By: Billy Wilder and I.A.L. Diamond Cast: Jack Lemmon, Walter Matthau, with Ron Rich, Cliff Osmond, and Judi West
THE NEW YORK TIMES MAGAZINE (September 17, 2023): The 9.17.23 Issue features Emily Bazelon on abortion rights being won through state ballots after the Dobbs decision; Audra D.S. Burch on the death of Elijah McClain in Aurora, Colorado and the city’s deep divide over policing; Teju Cole on Greek tragedies; Dan Brooks on the Italian rock band Måneskin; and more.
One by one, the five men — three police officers and two paramedics — walked up before the judge one afternoon this January. Their lawyers stood beside them, and the wooden benches of the Colorado courtroom were filled with family, friends and fellow police officers and paramedics.
The defense contractor spent heavily on acquisitions, then struggled during the pandemic. Now with new senior leadership working to fix its operational problems, its shares could fly.
With a full range of investment and planning services at their fingertips, independent financial advisors are managing more of America’s wealth. Here’s how they do it.
THE NEW YORK TIMES BOOK REVIEW (September 17, 2023): The new issue features An Illustrated Guide to Toppling the Patriarchy, New Thrillers, Appalachian Literature, The Good Virus, and more…
In its first half-century, Ms. magazine upended norms, disrupted the print world and made trouble. It was a start.
By Anna Holmes
50 YEARS OF MS.: The Best of the Pathfinding Magazine That Ignited a Revolution, edited by Katherine Spillar and the editors of Ms.
I had my first conscious interaction with Ms. magazine as a small child when I read — or rather, had read to me — a story-poem called “Black Is Brown Is Tan.”
Part of the magazine’s delightful kids’ section, “Black Is Brown Is Tan” is about a mixed-race family not unlike my own who go about their daily routines like any other Americans. Though I was young, I remember the illustrations, by Emily Arnold McCully, with acute clarity: the rosy cheeks of the white dad, the short Afro and hoop earrings of the Black mom, and, perhaps most important, the sense of safety and warmth that permeated every page. In our house, where my mother was careful about the messaging of the media and toys we consumed, the “Stories for Free Children” section was always welcome. As for the magazine they appeared in? Well, it was canon.
In Diana Evans’s new novel, “A House for Alice,” a woman who immigrated to Britain for marriage must decide whether or not to return to her country of origin after her husband dies.
By Tiphanie Yanique
A HOUSE FOR ALICE, by Diana Evans
Houses in Diana Evans’s new novel, “A House for Alice,” are a metaphor for family. They’re filled with rooms for sleeping, lovemaking, fighting; contain corridors that lead to areas of welcome and comfort; shelter spaces that hold secrets. And like a house, a family can be burned to nothing and rebuilt anew.
The Week In Art Podcast (September 15, 2023): A Unesco conference and archeological summit in Saudi Arabia are the latest examples of the country’s increasing focus on culture as part of the so-called Vision 2030 programme.
We look at Saudi Arabia’s unprecedented and lavishly funded focus on contemporary and ancient culture and how that relates to ongoing concerns about artistic freedom and human rights abuses in the kingdom. Alia Al-Senussi, a cultural strategist, and senior advisor at Art Basel and to the Saudi Ministry of Culture, joins host Ben Luke to discuss the contemporary art scene, and Melissa Gronlund, a reporter on the Middle East for The Art Newspaper, tells us about the push to reveal hitherto underexplored Saudi heritage.
The Sierra Leone-born, London-based artist and poet Julianknxx this week unveiled a new project at London’s Barbican Centre, Chorus in Rememory of Flight. The multi-screen installation features performers and choirs from the African diaspora who Julianknxx met on a 4,000-mile trip around European cities with colonial histories, from Lisbon via Marseille, Rotterdam and Berlin to London. We talk to him about this epic endeavour. And this episode’s Work of the Week is among the greatest works on paper ever made: Michelangelo’s studies in red chalk for the Libyan Sibyl, one of the most distinctive figures on his Sistine Chapel ceiling. The drawing features in Michelangelo and Beyond at the Albertina in Vienna and one of its curators, Constanze Malissa, tells us more about it.
Art in Saudi Arabia: A New Creative Economy? by Rebecca Anne Proctor, with Alia Al-Senussi, published 30 November, Lund Humphries, £19.99.
Julianknxx: Chorus in Rememory of Flight, The Curve, Barbican Centre, London, and online on WePresent, until 11 February 2024; Julianknxx is in A World in Common: Contemporary African Photography, Tate Modern, until 14 January 2024.
Michelangelo and Beyond, Albertina, Vienna, 15 September-14 January 2024.
The Economist Magazine (September 16, 2023): The latest issue reviews How AI can revolutionize science; Donald Trump will “never” support Putin, says Volodymyr Zelensky; The hard right is getting closer to power all over Europe, and more…
Debate about artificial intelligence (ai) tends to focus on its potential dangers: algorithmic bias and discrimination, the mass destruction of jobs and even, some say, the extinction of humanity. As some observers fret about these dystopian scenarios, however, others are focusing on the potential rewards. ai could, they claim, help humanity solve some of its biggest and thorniest problems. And, they say, ai will do this in a very specific way: by radically accelerating the pace of scientific discovery, especially in areas such as medicine, climate science and green technology.
In the next decade regional tensions will build in India
The world has been seeing the bright side of India. In August it landed a spacecraft on the Moon. In the latest quarter gdp grew at an annual rate of 7.8%, making it the world’s perkiest big economy. Narendra Modi, the prime minister, has just hosted a g20 summit where other leaders, including Joe Biden, courted Asia’s rising behemoth. Yet inside India the talk has turned to whether Mr Modi’s hunger for power and dreams of national renewal could lead him to bend the constitution.
Times Literary Supplement (September 15, 2023): The new issue features what connects the novelist William Harrison Ainsworth, the Tichborne Trial and life on a sugar plantation in Jamaica? In a New Yorker essay Zadie Smith spelt out the preoccupations of The Fraud, her novel set in the Victorian era, as “fake identities, fake news, fake relationships, fake histories”. Ainsworth, in Smith’s view, was a fraud as a historical novelist.
Science Magazine – September 15, 2023: Blue jays, similar to other corvid songbirds, are known for their impressive cognitive abilities, presumably due to their relatively large brains.
The New York Review of Books (October 5, 2023) – The new issue features Jennifer Wilson on Ludmilla Petrushevskaya’s unsettlingly funny tales of domestic un-bliss, Tim Judah on the new normal in Ukraine, Daniel M. Lavery on Jacques Pépin, E. Tammy Kim on the 1941 Disney animators’ strike, Christopher Benfey on John Constable, Bill McKibben on a planet smothered in asphalt, Lynn Hunt on the revolutions of 1848, Noah Feldman on the Supreme Court’s conservative bloc, A.E. Stallings on Simonides, poems by Devin Johnston and Claire DeVoogd, and much more.
Some months ago I was having dinner with a writer from Moscow. I told him I was thinking of reviewing a new translation of Ludmilla Petrushevskaya’s Kidnapped, a Bollywood-inspired novella that pays homage to the Soviets’ love of Indian cinema. “Don’t do it,” he—a friend of hers—warned me. “If she doesn’t like what you write, she will turn you into a character in one of her stories—the stupid girl in New York who doesn’t know anything.” Being a longtime admirer of Petrushevskaya, I wasn’t too worried: realism is not her thing.
On August 8 I went to the Jellyfish Museum in Kyiv. During my previous visits to the city, it had been closed because of the war. Now it has reopened. In the gloom the fantastical creatures drifted about in their tanks while couples, friends, and families drifted about happily looking at them. In Kharkiv, in eastern Ukraine close to the Russian border, the Half an Hour café, where I wrote for a couple of days before Russia launched its full-scale invasion on February 24, 2022, has also just reopened.
News, Views and Reviews For The Intellectually Curious
Boomers Daily 