CBS Sunday Morning – One hundred years ago the Detroit Institute of Arts became the first museum in the U.S. to buy a work by Vincent Van Gogh, the Dutch Post-Impressionist who died in 1890. Now, the DIA honors the centenary of that landmark acquisition by presenting “Van Gogh in America,” featuring 74 works from around the world, which explores America’s introduction to the artist. Correspondent Rita Braver reports.
Detroit Institute of Arts – “Van Gogh in America“ celebrates the Detroit Institute of Art’s status as the first public museum in the United States to purchase a painting by Vincent van Gogh, his Self-Portrait (1887). On the 100th anniversary of its acquisition, experience 74 authentic Van Gogh works from around the world and discover the fascinating story of America’s introduction to this iconic artist, in an exhibition only at the DIA.
Vincent Van Gogh was a master of creating sumptuous still lifes. In this latest Expert Voices, Sotheby’s specialist Simon Stock describes how his painting “Nature Morte: Vase Aux Glaïeuls”, offered in Sotheby’s upcoming Modern Art Evening Sale (9 October | Hong Kong), perfectly captured the essence of the artist’s first summer in Paris in 1886. Discover how the artist infused his inspiration of Japanese wood block prints into his paintings, and how he painstakingly captured the joy of living in his still lifes, but also the transience of life.
In his lifetime, however, the fame of Johannes Vermeer (1632–1675) barely extended beyond his native Delft and a small circle of patrons. After his death, his name was largely forgotten, except by a few Dutch art collectors and dealers.
Despite numbering at just 35, his works have prompted a New York Times best seller; a film starring Scarlett Johansson and Colin Firth; record visitor numbers at art institutions from Amsterdam to Washington, DC; and special crowd-control measures at the Mauritshuis, The Hague, where thousands flock to catch a glimpse of the enigmatic and enchanting Girl with a Pearl Earring, also known as the “Dutch Mona Lisa”.
Outside of Holland, his works were even misattributed to other artists. It was not until the mid-19th century that Vermeer came to the attention of the international art world, which suddenly looked upon his narrative minutiae, meticulous textural detail, and majestic planes of light, spotted a genius, and never looked back.
This 40th anniversary edition showcases the complete catalog of Vermeer’s work, presenting the calm yet compelling scenes so treasured in galleries across Europe and the United States into one monograph of utmost reproduction quality. Crisp details and essays tracing Vermeer’s career illuminate his remarkable ability not only to bear witness to the trends and trimmings of the Dutch Golden Age but also to encapsulate an entire story in just one transient gesture, expression, or look.
After completing his studies of art history and archaeology at the University of Vienna, Karl Schütz joined the staff of the Gemäldegalerie of the city’s Kunsthistorisches Museum, serving from 1972 as a curator and from 1990 to 2011 as its director. His particular scholarly interests include Netherlandish and Flemish painting, early-16th-century German painting, courtly portraiture, and the history of the Gemäldegalerie collection.
n this week’s episode of “Cocktails with a Curator,” Deputy Director and Peter Jay Sharp Chief Curator Xavier F. Salomon discusses “The Three Soldiers” by Pieter Bruegel the Elder, one of only a few works by the artist outside Europe. Bruegel is best known for his lively and often comical peasant scenes, but here he takes as his subject three landsknechts, or German mercenary foot soldiers.
Currently on view on the second floor of Frick Madison, this grisaille painting shows a drummer, a standard-bearer, and a fifer outfitted in flamboyant costume (and presumably urging their fellow soldiers into battle). This week’s complementary cocktail is the Radler, a mixture of lemonade and lager favored in German-speaking lands north of the Alps.
A painting has to be an experience for 52-year old Dutch Painter Simeon Nijenhuis, it needs to “live” and touch your senses. If you look at a painting of chestnuts, you should be able to smell the autumn. In order to meet its own standards, Simeon Nijenhuis must therefore work thorough.
Each new topic means many studies before and he is continually exploring new possibilities. He is not only concerned to master the technique, but also to develop his own vision. And it may be said that Simeon Nijenhuis has more than succeeded in this. His paintings are compelling, contemporary and very personal. And my senses at least ask for more.
Join exhibition curators Desmond Shawe-Taylor and Isabella Manning as they tour the highlights of the exhibition ‘Masterpieces from Buckingham Palace’. With an introduction from Director of the Royal Collection Tim Knox.
The exhibition brings together some of the most important paintings in the Royal Collection from the Picture Gallery at Buckingham Palace. Usually on public view during the annual Summer Opening of the Palace, the paintings will be shown in The Queen’s Gallery while Reservicing works are carried out to protect the historic building for future generations. The Picture Gallery was originally designed by the architect John Nash for George IV to display his collection of Dutch, Flemish and Italian Old Master paintings. Artists represented in the exhibition include Titian, Guercino, Guido Reni, Vermeer, Rembrandt, van Dyck, Rubens, Jan Steen, Claude and Canaletto.
The eventful history of Vincent van Gogh’s Sunflowers, which have changed hands many times since they were painted for Paul Gauguin’s arrival in Arles.
Van Gogh’s paintings of Sunflowers are among his most famous. He did them in Arles, in the south of France, in 1888 and 1889. Vincent painted a total of five large canvases with sunflowers in a vase, with three shades of yellow ‘and nothing else’.