Times Literary Supplement @TheTLS (May 5, 2023) – This week’s @TheTLS features Bruno Schulz – a writer from another Europe; Patrick O’Brian’s bleak vision; Vermeer – a great but flawed exhibition; extreme fandom and Derek Parfit, eccentric genius.
How Bruno Schulz found freedom on the periphery of life By Boris Dralyuk
It’s more than a little discomfiting to read the great Polish novelist Witold Gombrowicz’s description, in his diary from the early 1960s, of his not-quite-friend Bruno Schulz: “A tiny gnome with enormous head, appearing too scared to dare exist, he was rejected by life and slouched along its peripheries”. Written for publication two decades after Schulz was gunned down by a Nazi just outside the ghetto of his occupied native town of Drohobych in November 1942, these words cannot help but seem impious.
The Mysteries of the Universe by Anna Badkhen: “I see now what this is about. I’m a professor and author in America, she’s in a war zone: to her, I’m rich and happy. How is she supposed to know about the cancer, the medical debt, Ksyusha’s student loans? So, I try to deflect.”
Encyclopedia of Botany by Jane Marchant: A daughter’s closely observed catalog of the flora around her Bay Area home, and of her family’s complex history of identity.
Glint of Sport by Angie Sijun Lou: “I don’t know if this story is true. You can’t divide truth from kitsch in this place…”
Eulogy by William Hawkins: In the wake of a funeral, a dead father’s legacy hangs over his surviving adult sons as they trudge into the lukewarm waters of the lake by the family pier.
The Eye by Elodie Saint-Louis: “When Theo spoke, she thought, you could see all of these places on his body. Vyros, Hymettus, Loutro, Parnitha. The land was in him. It was the river running out of his mouth. The words that bumped into each other gently but never spilled over, petering out into a gentle sway.”
Plus more fiction by Perry Janes, David Hayden (there be strange happenings in a dilapidated insurance building in Chicago), and Wendy Elizabeth Wallace.
Nonfiction
Jane Marchant on the flora around her Bay Area home—and her family’s complex history of identity.
Poetry
Jason Allen-Paisant, Dan Alter, Allison Benis White, Ricardo Cázares, E.G. Cunningham, Peter LaBerge, Joyce Mansour, Maria Zoccola
Sotheby’s (May 1, 2023) – Returning each season to live and paint in Truro elevated Hopper’s art, allowing him to concentrate on the simplification of forms and the depth of both light and color woven into the surrounding landscape.
Both his technical approach to painting and his perception of the world from 1930 onwards are greatly informed by the Cape. Cobb’s Barns, South Truro derives its bright palette and topographical features from Hopper’s immediate environment, and is emblematic of the profound influence that life in South Truro had on his manner of painting.
Group of Houses, dated 1923-24, stems from a pivotal stage in the development of Edward Hopper’s career. Residential homes occupy much of Hopper’s subject matter in these early watercolors, and Group of Houses is no exception. These charming saltbox houses are typical for the Cape Ann region, whose architectural style reflects its coastal New England atmosphere.
The Battery, Charleston, S.C., dated 1929, is the result of Hopper’s three-week stay in the charming southern city, which is renowned for its Georgian-style architecture and cobblestone streets lined with lush palm trees. His Charlestown pictures possess an inherently tropical feeling, which sets them apart from his otherwise New England-focused oeuvre.
Red Barn in Autumn Landscape is among the limited number of watercolors that Hopper completed during the fall of 1927 in Vermont, and embodies the rustic quality of the New England scenery that drew Hopper to this region in the first place. Hopper routinely sketched his surroundings in coastal towns on the Cape or along the Maine shore, but Red Barn in Autumn Landscape is quite unique in that it captures a specific fall moment as the leaves gradually fade from green to burnt orange and red. The present work is emblematic of the simplicity and charm that characterize Hopper’s New England watercolors.
When in 1960 I first came across Osip Mandelstam’s poetry, nobody in the USSR had enjoyed access to his work since the early 1930s and few even knew of his existence, let alone of his death, as he had predicted, in Stalin’s Gulag. His books had been removed from libraries and bookshops.
‘Winnie and Nelson: Portrait of a Marriage’ By Jonny Steinberg
Under apartheid, aspiring South African writers frequently marketed themselves to the world as committed and heroic anti-apartheid activists. The enormous success of Alan Paton’s Cry, the Beloved Country (fifteen million copies sold and counting) showed the way, though Paton was the real McCoy, a committed liberal who suffered for his beliefs.
Art Trip (April 30, 2023) – A tour of the new exhibition – ‘Jaune Quick-to-See Smith: Memory Map’, at the Whitney Museum of American Art. The first New York retrospective brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date.
This exhibition is the first New York retrospective of Jaune Quick-to-See Smith (b. 1940, citizen of the Confederated Salish and Kootenai Nation), an overdue but timely look at the work of a groundbreaking artist. Jaune Quick-to-See Smith: Memory Map brings together nearly five decades of Smith’s drawings, prints, paintings, and sculptures in the largest and most comprehensive showing of her career to date.
Smith’s work engages with contemporary modes of making, from her idiosyncratic adoption of abstraction to her reflections on American Pop art and neo-expressionism. These artistic traditions are incorporated and reimagined with concepts rooted in Smith’s own cultural practice, reflecting her belief that her “life’s work involves examining contemporary life in America and interpreting it through Native ideology.” Employing satire and humor, Smith’s art tells stories that flip commonly held conceptions of historical narratives and illuminate absurdities in the formation of dominant culture. Smith’s approach importantly blurs categories and questions why certain visual languages attain recognition, historical privilege, and value.
CBS Sunday Morning (April 30, 2023) – Bill Blackbeard was something of a superhero. During his lifetime, he collected and preserved 2.5 million ephemeral artifacts of comic strip art, including newspapers and Sunday color sections dating as far back as 1893.
Treasures from his collection are now featured in a new exhibit, “Man Saves Comics,” at the Billy Ireland Cartoon Library & Museum at Ohio State University. Correspondent Luke Burbank reports.
As Prince of Wales, Charles was always ready with an opinion. Now, with his coronation at hand, his job is to have none.
“My great problem in life is that I do not really know what my role in life is,” Charles once said, adding, “I must find one.”Photo illustration by Alma Haser for The New Yorker; Source photographs from Getty
The artist discusses being young and adrift in London, and gives King Charles tips for painting with watercolors.
New Yorker covers don’t always reflect current events, but some staged proceedings, both anachronistic and immemorial, can be catnip for cartoonists and commentators alike. King Charles III automatically acceded to the throne when his mother, Queen Elizabeth II, died on September 8, 2022. Charles, the longest-serving heir apparent in Britain’s history, spent seven decades preparing for the role of monarch. He became the next in line to reign over the United Kingdom at three years old, when Elizabeth became queen, in 1952.
BERRY CAMPBELL GALLERY (April 30, 2023): An exhibition of Abstract Expressionist Ethel Schwabacher (1903-1984). Schwabacher joins the gallery’s stable of women artists whose ambitious, independent, and insightful art is essential to a complete historical understanding of the ‘downtown’ art scene in the 1950s.
Many of the thirteen works have not been on view since they were shown at one of her five solo exhibitions at Betty Parsons Gallery, including the large-scale center piece to the show entitled, Prometheus (1959). Ethel Schwabacher: Woman in Nature(Paintings from the 1950s) focuses on Schwabacher’s unique brand of abstraction, which is characterized by both automatic drawing and sweeping brushstrokes that swirl across the surface of the canvas and which explores themes of motherhood, landscape, and creativity.
As part of the resurgence of women artists, Ethel Schwabacher was one of the twelve women artists included in the landmark traveling exhibition Women of Abstract Expressionism organized by the Denver Art Museum in 2016. Concurrently with the Berry Campbell exhibition, Action! Gesture! Paint! is on view at the Whitechapel Gallery in London featuring 91 international women artists, including a major Ethel Schwabacher painting from the 1950s.
Sotheby’s (April 28, 2023) –Looking for some inspiration for your next museum visit? This month, we’re taking a tour of six of the world’s most exciting and innovative museum exhibitions with Tim Marlow, Director of the Design Museum, London.
Doris Salcedo – Fondation Beyeler, Riehen, 21 May–17 September 2023 – Salcedo is a Colombian-born artist, whose central subject is human trauma and tragedy. Though much of her work emanates from the violent conflict over the last three decades in her native land, its resonance is universal. Doris Salcedo presents eight major series of works from across her career – from untitled pieces of wooden furniture filled with concrete to the remarkable Palimpsest in which the names of over 300 refugees and migrants who died at sea quite literally weep before our eyes.
Vincent van Gogh 2023 marks the 170th anniversary of Vincent van Gogh. Three exhibitions opening this month look set to enhance our understanding of the great Dutch painter:
Van Gogh and the Avant Garde The Art Institute of Chicago 14 May–4 September 2023 – Van Gogh and the Avant Garde takes the modern landscape as its central subject and looks at how the artist – along with Seurat, Signac and others – turned his attention from urban Parisian life to wrestling with the surrounding countryside with a formal inventiveness that set the tone for the development of Modernism.
Van Gogh’s Cypresses The Metropolitan Museum of Art, New York 22 May–27 August 2023 – From the religious connotation of trees in graveyards to their role as the backdrop of his incarceration at the asylum in Saint-Remy, the artist’s flame-like evergreens will be presented with all their evocative resonance in Van Gogh’s Cypresses,
Van Gogh in Auvers. His Final Months Van Gogh Museum, Amsterdam 12 May–3 September 2023 – The unsurpassable Van Gogh Museum will celebrate its own 50th anniversary with Van Gogh in Auvers. His Final Months – an exhibition delving into the tremendously productive final period of his life, in which he made several of his most renowned masterpieces.
The New York Times Book Review(April 30, 2023): On the cover this week – Ned Blackhawk’s “The Rediscovery of America,” a sweeping, important, revisionist work of American history that places Native Americans front and center. Illustrating it is “Les Castors du Roi,” a 2011 painting by Kent Monkman, a Cree artist in Canada’s Dish With One Spoon Territory.
Paul Theroux, the quintessential travel writer, has also enshrined his Massachusetts roots in his writing. Here are his recommendations for those who come to visit.
My father, like many passionate readers, was a literary pilgrim in his native Massachusetts, a state rich in destinations, hallowed by many of the greatest writers in the language. “Look, Paulie, this is the House of the Seven Gables — go on, count them!”
A woman consults a book at the New York Public Library on Fifth Avenue and 42nd Street in Manhattan.Credit…Ángel Franco/The New York Times
In “All the Knowledge in the World,” Simon Garfield recounts the history of the encyclopedia — a tale of ambitious effort, numerous errors and lots of paper.
The scholar Christina Sharpe’s new book comprises memories, observations, artifacts and artworks — fragments attesting to the persistence of prejudice while allowing glimpses of something like hope.
News, Views and Reviews For The Intellectually Curious
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