Tag Archives: Art Exhibitions

Art, Arts & Literature, Exhibitions, Museums, Tours, Videos, Views

Art Exhibitions: ‘Winslow Homer – Crosscurrents’

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Join Stephanie Herdrich, Associate Curator of American Painting and Sculpture, and Sylvia Yount, Lawrence A. Fleischman Curator in Charge—both of the American Wing—for a virtual tour of “Winslow Homer: Crosscurrents.” This ambitious survey reconsiders Homer’s work through the lens of conflict, a theme that crosses his prolific career.

A persistent fascination with struggle permeates his art—from emblematic images of the Civil War and Reconstruction that examine the effects of the conflict on the landscape, soldiers, and formerly enslaved to dramatic scenes of rescue and hunting as well as monumental seascapes and dazzling tropical works painted throughout the Atlantic world.

The centerpiece of the exhibition is Homer’s iconic “The Gulf Stream” (The Met), a painting that reveals his lifelong engagement with charged subjects of race and the environment. Featuring 88 oils and watercolors, “Crosscurrents” represents the largest critical overview of Homer’s art and life in more than a quarter of a century.

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Reviews: The Week In Art

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This week: Quiet as It’s Kept, the 80th edition of the Whitney Biennial, is now open to the public at the Whitney Museum of American Art in New York. 

The Art Newspaper’s associate editor Tom Seymour, Americas editor Ben Sutton and staff reporter Gabriella Angeletti gather to discuss it. As the latest incarnation of the show Afro-Atlantic Histories is unveiled at the National Gallery of Art in Washington DC, we speak to its curator, Kanitra Fletcher, about the gallery’s approach to this complex subject. And the National Gallery in London’s long-planned Raphael blockbuster, postponed due to the pandemic, is finally open, so for this episode’s Work of the Week, we speak to Tom Henry, one of the curators of the show, about the Self-Portrait with Giulio Romano (1519-20), one of the Renaissance master’s final paintings.

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Museum Tour: ‘Van Gogh And The Olive Groves’ (4K)

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‘Van Gogh and the Olive Groves’ (11 March 2022 – 12 June 2022).

Van Gogh made fifteen paintings of olive groves, constantly experimenting with various approaches. Fascinated by the gnarly shapes of the olive trees and their ever-changing colours, he painted them over and over. He painted at different times of the day and used colours inspired by the season. Vincent himself considered his paintings of olive trees to number amongst the best he had made in the South of France.

This exhibition reunites Van Gogh’s paintings of olive groves and exhibits them together for the first time, thanks to unique loans from museums in Europe and the United States.

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Morgan Library: ‘Holbein – Capturing Character’

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Hans Holbein the Younger (1497/98–1543) was among the most skilled, versatile, and inventive artists of the early 1500s. He created captivating portraits of courtiers, merchants, scholars, and statesmen in Basel, Switzerland, and later in England, and served as a court painter to Tudor King Henry VIII (1491–1547). Enriched by inscriptions, insignia, and evocative attributes, his portraits comprise eloquent visual statements of personal identity and illuminate the Renaissance culture of erudition, self-fashioning, luxury, and wit. February 11 through May 15, 2022

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Cover Preview: Apollo Magazine – March 2022

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• An interview with Charles Ray

• The style wars of Ricardo Bofill

• Gamers and galleries don’t quite come to blows

• What has changed at the Burrell?

Plus: the lost palaces of London, Yves Saint Laurent takes over Paris, and how do you commemorate Covid?

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Art Exhibits: Australian Painter Jeffrey Smart

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‘Suddenly I will see something that seizes me – a shape, a combination of shapes, a play of light or shadows, and I send up a prayer because I know I have seen a picture.’

JEFFREY SMART The year 2021 marks one hundred years since the birth of acclaimed Australian artist Jeffrey Smart. This major exhibition celebrates and commemorates this significant centenary. One of Australia’s most celebrated artists, Smart sought inspiration from the world around him – looking to the environment of urban and industrial modernity – which he transformed through his imaginative sense of theatre and intimate understanding of geometry and composition.

These potent and intriguing images have become emblematic of 20th and 21st century urban experience. Building on the foundational work already undertaken on Smart, this exhibition will bring fresh perspectives to his artistic contribution so that his remarkable legacy will be kept alive in the present. Curators: Dr Deborah Hart, Henry Dalrymple Head of Australian Art and Dr Rebecca Edwards, Sid & Fiona Myer Curator of Ceramics and Design

Art, Arts & Literature, Profiles, Reviews

20th Century: Was Francis Bacon The Best Painter?

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Is Francis Bacon really the greatest painter of the 20th century?

Triptych 1986-7 (detail)

It was not an enormous surprise that an exhibition of works by Francis Bacon at the Royal Academy that is supported by Christie’s should swiftly be followed by an announcement of the auction house offering a large work for sale. Triptych 1986-7, whose central panel depicts the artist’s partner John Edwards, with Woodrow Wilson on one side and the assassinated Trotsky’s study on the other, is being offered in the sale that takes place on 1 March with an estimate of £35m–£55m. Nor is it a surprise that an auction house should drum up interest in one of their lots using superlatives. But Rakewell was a little taken aback by the claim on Instagram from a Christie’s specialist that ‘Francis Bacon is unmistakably on of the greatest painters of the 20th century.’

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Art, Arts & Literature, Exhibitions, Tours, Videos, Views

Exhibitions: 19th Century European & American Art At The Denver Art Museum

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The department of European and American Art Before 1900 oversees a collection that includes more than 3,000 artworks and is composed of painting, sculpture, and works on paper, with significant strengths in early Italian Renaissance, 19th century French painting, and British art from 1400 to 1900.

The Denver Art Museum began acquiring notable examples of European art as early as the 1930s, with donations from Samuel H. Kress, Mr. and Mrs. Simon Guggenheim, and the Havemeyers, to name a few. Their generosity helped initiate a collection that grew in time through gifts and purchases.

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Exhibits: ‘Philip C. Curtis – Landscapes of Arizona’ (Phoenix Art Museum)

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Philip C. Curtis saw the desert through a lens of magic realism.

Landscape remains one of the most popular subjects for artists visiting and residing in Arizona. Philip C. Curtis, while not known as a landscape painter, draws extensively on that subject. Curtis came to the state in 1937 to establish the Phoenix Federal Art Center under the Federal Art Project, a New Deal program. He left two years later to head a similar facility in Des Moines, Iowa, but returned to Arizona in 1947.

Settling in Scottsdale, he painted surreal compositions, with figures in Victorian costumes set in the desert. Arizona’s landscapes were a rich source of inspiration for him, and while his canvases do not portray any recognizable geological features, his work may be contextualized within the work of a broad spectrum of artists who came to the state. Curtis saw the desert through a lens of magic realism. This differed from Maxfield Parrish, Eugene Berman, and other artists who preferred more representational modes.

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Exhibits: ‘Life Between Islands – Caribbean And British Art 1950’s To Now’

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