Syndicated columnist Mark Shields and New York Times columnist David Brooks join Judy Woodruff to discuss the week’s news, including the Trump administration’s guidance to states about when to reopen amid the pandemic, the ongoing struggle to conduct more COVID-19 tests, Trump’s criticism of Democratic governors and what Sen. Bernie Sanders’ endorsement means for former Vice President Joe Biden.
Visit some of the West Coast’s most popular National Parks with Google Earth! Travel from the peaks of Washington’s Mount Rainier to Joshua Tree’s cholla cactus gardens in California.
The Covid-19 pandemic has affected many people’s lives all over the world. This short film is focusing solely on Edinburgh, showcasing the situation and how the daily lives in the city have been affected. Inclusion of some positivity and optimism too in this short film.
My own old stock footage as well as some aerial footage from third-party suppliers were used. New current footage were shot without flouting the lockdown rules, only done so in conjunction with essential travel.
Music: Nicholas Britell – End Credits Suite (Moonlight – OST)
Edinburgh is Scotland’s compact, hilly capital. It has a medieval Old Town and elegant Georgian New Town with gardens and neoclassical buildings. Looming over the city is Edinburgh Castle, home to Scotland’s crown jewels and the Stone of Destiny, used in the coronation of Scottish rulers. Arthur’s Seat is an imposing peak in Holyrood Park with sweeping views, and Calton Hill is topped with monuments and memorials.
Curator Helen Burnham, Pamela and Peter Voss Curator of Prints and Drawings, introduces us to the celebrities of 19th-century Paris made famous by Henri de Toulouse-Lautrec and his contemporaries. The exhibition features the rich holdings of the MFA and its organizing partner, the Boston Public Library.
Paying tribute to a racing icon and sporting legend. Rest in peace, Sir Stirling Moss. We’ll miss you.
Sir Stirling Craufurd Moss, OBE was a British Formula One racing driver. An inductee into the International Motorsports Hall of Fame, he won 212 of the 529 races he entered across several categories of competition and has been described as “the greatest driver never to win the World Championship”.
Can you imagine if each word had its own colour, or you could ‘see’ different types of music?
Synesthetes can experience the ordinary world in some pretty extraordinary ways. In this video Jamie Ward explains the variety of different ways in synesthesia can manifest itself, and what is happening in the brains of those who experience it.
Jamie Ward is Professor of Cognitive Neuroscience at the University of Sussex. He has written books a number of books about neuroscience and synesthesia.
Synesthesia is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to involuntary experiences in a second sensory or cognitive pathway. People who report a lifelong history of such experiences are known as synesthetes. Awareness of synesthetic perceptions varies from person to person.[7] In one common form of synesthesia, known as grapheme–color synesthesia or color–graphemic synesthesia, letters or numbers are perceived as inherently colored. In spatial-sequence, or number form synesthesia, numbers, months of the year, or days of the week elicit precise locations in space (for example, 1980 may be “farther away” than 1990), or may appear as a three-dimensional map (clockwise or counterclockwise). Synesthetic associations can occur in any combination and any number of senses or cognitive pathways.
Monocle’s home-focused May issue goes beyond the dramatic headlines to look at how to create spaces that are apt to linger in.
We launch a manifesto for building better, look at the firms eyeing up the domestic market and profile a few elegant residences. Elsewhere, we examine the importance of keeping manufacturing onshore, decode the US political advertising industry and recommend the best media to hunker down with.
“It would not be a commonplace portrait at all, but a carefully composed picture, with very carefully arranged colors and lines. A rhythmic and angular pose. A decorative Félix, entering with his hat or a flower in his hand.”
With these words, in 1890, Paul Signac described to Félix Fénéon the extraordinary portrait he was dedicating to him. In it, Signac paid homage to Fénéon’s distinctive appearance, his generous but enigmatic personality, and his innovative approach to modernism.
This painting, a masterpiece in the Museum’s collection, will be the centerpiece of Félix Fénéon, the first exhibition dedicated to Fénéon (1861–1944). An art critic, editor, publisher, dealer, collector, and anarchist, Fénéon had a wide-ranging influence on the development of modernism in the late 19th and early 20th centuries.
In the late 1880s, he played a key role in defining the new movement known as Neo-Impressionism, a term he coined himself, whose artists, including Signac, used tiny dabs of color that would mix in the eye of the viewer. Over the next five decades, he championed the careers of artists from Georges-Pierre Seurat and Signac to Pierre Bonnard, Henri Matisse, and Amedeo Modigliani.
He amassed a renowned collection of paintings by these artists and many others, and he was also a pioneering collector of art from Africa and Oceania. The exhibition will feature some 130 objects, including major works that Fénéon admired, championed, and collected, as well as contemporary photographs, letters, and publications that trace key chapters in his biography. Together these works reveal the profound and lasting legacy of Fénéon’s keen eye and bold, forward-looking vision.
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