CBS Sunday Morning – Preston Singletary, a member of the Tlingit tribe of Alaska and the Pacific Northwest, uses a very untraditional medium when fashioning indigenous art: glass.
He talks with correspondent Lilia Luciano about his traveling exhibition, “Raven and the Box of Daylight” (now at the Museum of the American Indian in Washington, D.C.), which tells a Native American folktale about the origins of the world entirely through glass.
The story Raven and the Box of Daylight, which tells how Raven transformed the world and brought light to the people by releasing the stars, moon, and sun, holds great significance to the Tlingit people of the North Pacific Coast. A new body of work by artist Preston Singletary immerses readers in Tlingit traditions by telling this story through his monumental glass works and installations. Primarily known for his celebration of Tlingit art and design, Singletary explores new ways of working with glass inspired by Tlingit design principles. This book includes texts that place Singletary’s work within the histories of both glass art and Native arts traditions—especially the art of spoken-word storytelling. Also included are a biography and an interview with the artist. Co-authored by Miranda Belarde-Lewis and John Drury.
The Cotswold Explorer – Quenington is a village in the Cotswolds along the River Coln, near Fairford and Cirencester. The church has two fantastic Norman doorway carvings, some of the best examples of the kind in the whole country.
DW Travel – Lonely Planet has chosen Dresden as one of its top travel destinations for 2023. We have long been convinced that Dresden is well worth visiting, so now we will show you why. Follow us from the Zwinger to the hip Neustadt district.
Dresden, city, capital of SaxonyLand (state), eastern Germany. Dresden is the traditional capital of Saxony and the third largest city in eastern Germany after Berlin and Leipzig. It lies in the broad basin of the Elbe River between Meissen and Pirna, 19 miles (30 km) north of the Czech border and 100 miles (160 km) south of Berlin. Sheltering hills north and south of the Elbe valley contribute to the mild climate enjoyed by Dresden. Numerous parks and cultural monuments exist along the Elbe’s course, particularly a steel bridge (1891–93), a cable railway (1898–1901), and a funicular (1894–95). The Elbe valley around the city was designated a UNESCOWorld Heritage site in 2004, but the construction of a four-lane bridge across the river caused UNESCO to revoke the designation in 2009. Pop. (2021 est.) 555,351.
Dresden originated as the Slav village of Drezdzany, meaning “Forest Dwellers on the Plain,” on the Elbe’s north bank. First mentioned in 1216, the town on the south bank was founded at a ford by Margrave Dietrich of Meissen as a German colony. The Slav settlement on the north bank, although older, was known as New Town and the later German town on the south bank as Old Town.
Working together, Aldini and Isaac Group have turned an abandoned warehouse into a modern dream home. Sitting on a small plot of land, the warehouse was in dire need of a contemporary lift – therefore the employment of organic shapes, elements and materials became the key focus for both interior designer and builder.
Video timeline: 00:00 – Introduction to the Modern Dream Home 00:25 – The Location of Emily House 00:38 – A Walkthrough of the Modern Dream Home 01:10 – Maximising the Previous Small Space 01:29 – The Builder 01:51 – Relationships and Working as a Team 02:14 – Utilising Natural Elements and Organic Shapes 03:10 – Elements of Softness and Curves 03:34 – Harnessing the Natural Light 04:02 – Favourite Parts of the Modern Dream Home 04:29 – Proud Moments
With a brief that only required the cathedral ceilings to be kept, the interior architecture was imbued with soft curves, natural shapes and materials, and a flood of natural light. In the end, the client’s home was turned into a modern dream home that would become a hub for connection, light and simple opulence.
Located in the inner west of Sydney, Emily House strikes an unassuming appearance with dark tones, leafy greens and a timber batten façade that hints at what is inside the modern dream home. Following the house tour inside, the front of the home contains the master bedroom and ensuite before offering a glimpse of the opulent kitchen – which is designed to be the hub for connection.
While using marble, granite and terrazzo throughout the modern dream home to add an opulence, the elements of curved bamboo, which is seen in the bathrooms and on the kitchen island bench, is used to soften the hardness of these materials. In the downstairs spaces, large steel windows, bi-fold doors and skylights have been installed to help bring more natural light inside while also adding to the sense of space inside.
Following the kitchen’s marble bench top and dark palette cabinetry, the dining and living room reference the same colours through the furnishings and marble that has been employed on the shelving and fireplace. To combat the hard lines of the steel and marble, the softening of elements has been encouraged throughout the interior design, which is seen in the soft curving of the Venetian plaster wall above the fireplace.
After the doors are opened, the courtyard helps to expand upon the liveable space and, with its terrazzo floor, curved seating arrangement and green wall the space, the downstairs living areas extend upon the client’s wish of creating a hub for connection. Upstairs, the inclusion of two more bedrooms and a bathroom further employs the use of stone, light and a natural colour palette.
Infused with natural light, the bedrooms offer guests an opulent stay that is reminiscent of five star hotels. Working together, the interior designer and builder established the modern dream home to become a space where the client could entertain. Additionally, the house is filled with a sense of softness – to which the client can find reprieve in the moments when it is needed.
The Local Project (January 13, 2023) – Renovating an old house in Hobart, Bence Mulcahy added a two-storey extension made of glass and steel. Named Greenhouse, the structure replaces a 1980s iteration in a manner that best engages the nearby veranda, courtyard and garden.
Video timeline: 00:00 – Cloudy Bay 00:12 – Introduction to the Greenhouse 00:53 – The Brief for the Renovation 01:19 – House Tour of the Home 02:16 – The Sandstone Base of the Building 02:30 – The Lower and Upper Floor of the Extension 03:15 – The Exterior of the Greenhouse 03:25 – The Interior Materials Chosen 03:48 – The Furniture and Furnishing of the House 04:50 – Cloudy Bay
Located in the Hobart suburb of Mount Stuart, Greenhouse forms a contemporary addition to a red brick, Federation-style Italianate home. The new volume looks out onto the Derwent River and is supported by a veranda and a well-established garden complete with plants, trees and sandstone retaining walls. Bence Mulcahy identifies the key to renovating an old house is relating the extension to the main building – Greenhouse mirrors the scale of the existing dwelling, proposing a strong sense of verticality.
A house tour of the dream home begins at the formal entry space and transitions into the main hall. Beyond lies the beginning of the extension. The process of renovating an old house sees the final extension enclose the dining room, kitchen and an extra eating area. Upstairs, the addition houses an ensuite bathroom and walk-in wardrobe. Ample glazing then allows the home to borrow visual space from the external landscape.
Bence Mulcahy takes a seasoned approach to renovating an old house, inserting voids in order to manage the sense of privacy. A two-storey void is left over the dining room, whilst a separate alcove of the same size is located above the upstairs ensuite. Creating a glasshouse structure using a combination of glass and steel, Bence Mulcahy pays homage to a greenhouse inspiration. The durable nature of the material palette is particularly relevant to renovating an old house, promising an enduring outcome.
Internally, copper sinks and a copper island bench complement a wax-sealed timber floor and array of curated soft furnishings. Utilising the skills of local craftsmen, Bence Mulcahy does justice to the personal nature of the home. Greenhouse stands as a lesson in house renovation and embraces the tranquil quality of its natural surrounds.
Architectural Digest – Architect Lynda Dossey returns to the streets of Chicago for another walking tour, this time highlighting the hidden details to be found in the stylish River North neighborhood.
River North is a lively neighborhood in the Near North Side. It boasts luxe shops and eateries, plus posh nightclubs and cocktail bars. Opened in 1930 in a former industrial area, the sprawling Merchandise Mart attracts throngs of shoppers to its home and office design showrooms. Surrounding the Mart, artist’s studios in converted warehouses and lofts form a hub that sustains the area’s foremost art galleries.
Matisse in the 1930s features a collection of the legendary artist’s work during a decade of artistic exploration—from experimentation, to failure, to renewal—with Philadelphia as a backdrop.
By 1930, Henri Matisse had achieved significant international renown, yet he found himself in a deep creative slump. The turning point came with a commission to decorate the main gallery of the Barnes Foundation in Philadelphia. The resulting monumental mural, The Dance (1930–33), turned Matisse’s artistic practice around.
DW Travel – A life in harmony with God and nature: What for many is an esoteric ideal is the daily reality in the Indonesian village of Penglipuran – and with godliness comes cleanliness! The village’s inhabitants, some 1,000 people, abide by an ancient philosophy and its traditions: They protect the surrounding rainforest, cars are not allowed in the village, and littering is also forbidden. Over the past years, sustainable tourism has grown in Penglipuran, strengthening the local economy.
PBS NewsHour – Artificial intelligence, robotics and gene sequencing are the stuff of headlines, science fiction and sometimes even our worst fears. It’s all on view at the new MIT Museum. A place where the latest scientific advancements fill galleries, but only really work with your input. Special correspondent Jared Bowen of GBH Boston looks at this artistic frontier for our arts and culture series, “CANVAS.”
From AI in the home to robots in the workplace, the presence of AI all around us compels us to question its potential and recognize the risks. What has become clear is that the more we advance AI technology and consider machine ability versus human ability, the more we need to mind the gap.
The Local Project – Through natural material selections, Cheshire Architects has unveiled Waiheke House, a home that embraces its surrounds to become the best modern house in the world. Operating under the rule that grandeur does not need to be shown through scale but rather quality, Waiheke House is a place of respite for its owners with only one and a half bedrooms and a focus on entertaining areas.
Video timeline:00:00 – Introduction to the Best Modern House in the World 00:45 – An Island Location 01:05 – The Aspect of the House 01:35 – Tasked with Entertaining 02:01 – The House Plan and its Materials 03:39 – Hidden Openings and Passages 04:22 – Bathing Rituals 05:27 – The Goal Behind the Home 05:43 – Creating a Centred Feeling 06:09 – Becoming One with the Environment 06:33 – A Vessel for Experience 06:53 – A Home Made with Real Materials 07:20 – A Love for the Layered Experience
While the views of Waiheke House are only part of what establishes it as the best modern house in the world, it is how the structure inserts itself into the landscape that is awe-inspiring. Focused on evoking the numerous meanings of ‘shelter,’ Waiheke House acts as a platform that can open or close for the watching of the weather as it changes. Comprised of two pavilions, which are slightly offset from one another,
Cheshire Architects have separated the living spaces to designate a place of reprieve and a place to entertain. The larger of the two pavilions, known as the seaward pavilion, is framed by landscaping. Shaped by the stone wall that curves around and holds the home, the idea of anchoring the seaward pavilion is seen through the home’s distinct architectural theme. To make the best modern house in the world feel warm and comfortable, the use of stone, wood and brass help the house insert itself into the surrounding nature. Created for entertaining, the seaward pavilion is intentionally designed to be small, with only a kitchen, large dining section and lounge.
Framed by glass on three sides, doors butterfly open so that the living areas can connect seamlessly with the lawn. Conceptually thought of as a canopy atop a mouth of a cave, Cheshire Architects has formed the best modern house in the world to navigate a spatial dialect that speaks to both broad ocean views and small, contained spaces. Throughout the house tour, it is evident that the selected surfaces and materials are chosen to act as a vessel for experience – an idea that Cheshire Architects hopes will still be embodied in 100 years as the home ages in place.
Seen in the stacked stone of the wall to the layered floor, Cheshire Architects avoids using crisp whites or laminates and instead imbues the home with richness from natural materials. Throughout the second pavilion, the adaption of narrower halls, lower ceilings and darker tones have been employed to create a dynamic internal contrast. Intended as a retreat for the owners, Waiheke House is a place to align and connect with the natural surroundings. By focusing on simple, high-quality design choices over scale, Cheshire Architects has created the best modern house in the world so that it may amplify what already exists.
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