Behind this iconic painting by Vincent van Gogh is the artist’s inspiring story about healing, as he struggled with the challenges of a psychiatric disorder. Learn more about this period in his life in which he produced some of his most famed work.
Getty has joined forces with Smarthistory to bring you an in-depth look at select works within our collection, whether you’re looking to learn more at home or want to make art more accessible in your classroom. This six-part video series illuminates art history concepts through fun, unscripted conversations between art historians, curators, archaeologists, and artists, committed to a fresh take on the history of visual arts.
View the Getty Conversations series: https://youtube.com/playlist?list=PLi…
Learn more about “Irises” in Getty’s collection online: https://www.getty.edu/art/collection/…
• What was really behind Surrealism?
• An interview with Cecilia Alemani, Artistic Director of the Venice Biennale
• Revealing the mystery of Bassano’s Quails
• The Venice Pavilions you must see
Plus: Beyond the Biennale, greenwashing in museums, what we’re losing with Bastion House
Country Life’s architecture editor John Goodall looks at the architecture of the Tudor home.
In April 1521, Edward Stafford, 3rd Duke of Buckingham, was urgently summoned from his seat at Thornbury, Gloucestershire, to appear before Henry VIII. The Duke could reasonably claim by birth to be the outstanding nobleman of his generation, boasting descent from Edward III and—arguably—possessed of a better claim to the throne than the Tudors.
He played the role of a great nobleman with proud perfection, both at home and in such public events as Henry VIII’s meeting with Francis I of France on the Field of Cloth of Gold, where he jousted and appeared in costume of fabulous expense. His birth and magnificence, however, also made him vulnerable to Court intrigue.
When “The Godfather” opened in March 1972, director Francis Ford Coppola’s drama about a mob family forever changed how we look at gangster films. Correspondent Tracy Smith talks with Coppola, and with stars Robert Duvall, James Caan and Talia Shire, about the making of a classic that, 50 years later, movie lovers still cannot refuse.
Our weekend programme comes live from Monocle’s radio studio in Zürich, where Tyler Brûlé and a panel of special-guest thought leaders discuss key topics in front of a studio audience.
THE TRADER
Al Root
THE TRADER
Ben Levisohn
UP AND DOWN WALL STREET
Randall W. Forsyth
STREETWISE
Jack Hough
TECHNOLOGY TRADER
Eric J. Savitz
COMMODITIES CORNER
Myra P. Saefong
THE ECONOMY
Lisa Beilfuss
UP AND DOWN WALL STREET
Randall W. Forsyth
EMERGING MARKETS
Craig Mellow
INCOME INVESTING
Lawrence C. Strauss
REVIEW
PREVIEW
MAILBAG
FOLLOW UP
13D FILINGS
MARKET WATCH
FOLLOW UP
I like to get in front of my subjects “en plein air” if I can. Even in my allotment pictures (which are partly from imagination) the core elements are taken from real allotments. Working on site you get so much more from what you are trying to capture, I also get to chat to passersby who feed into my work with their rich stories and conversation. For me working purely in the studio would be like painting through a letter box.
In regards to perspective, the early part of my career was drawing and airbrushing full 3D cutaways of fighters and ships for the MoD so I know a fair bit about getting perspective right if I need to.
Accurate perspective however is all well and good, although in creative terms it can only deliver so much. I tend to adjust and push things about until it feels right. If that means geometric perspective is abandoned then that’s fine. It’s all about the overall impression.
Boomers Daily 