Does wanderlust have you wistfully gazing out the window? Yeah, us too. Hit the virtual road with Times journalists and photographers, as they share never-before-seen video, photos and experiences from captivating spots around the globe, every Saturday. This week, we’re going on safari in search of Zambia’s stunning wildlife.
With special guest Marcus Westberg, photographer. Hosted by Amy Virshup, travel editor.
He collaborated with Francis Bacon and Salvador Dalí, he made diaries with Andy Warhol, worked on books with scientists like Dr. Norman Borlaug, Dr. Richard Laws, and Alistair Graham, and toured with Truman Capote, Terry Southern, and the Rolling Stones—all of whom are brought to life, literally and figuratively, in his work. He delved into the world of fashion for its beautiful women, taking Vogue stars like Veruschka to Africa and bringing new ones back to the U.S. with him.
Artist, diarist, collector, and writer Peter Beard has fashioned his life into a work of art; the illustrated diaries he kept from a young age evolved into a serious career as an artist and earned him a central position in the international art world.
After spending time in Kenya and striking up a friendship with the author Isak Dinesen (Karen Blixen) in the early 1960s, Beard bought 50 acres next to her farm with the stipulation that he would film and write about the land and its flora and fauna. He witnessed the dawn of Kenya’s population explosion, which challenged finite resources and stressed animal populations—including the starving elephants of Tsavo dying by the tens of thousands in a wasteland of eaten trees. So he documented what he saw—with diaries, photographs, and collages. He went against the wind in publishing unique and sometimes shocking books of these works, including The End of the Game. The corpses were laid bare; the facts carefully recorded, sometimes in type and often by hand. Beard uses his photographs as a canvas onto which he superimposes multi-layered contact sheets, ephemera, found objects, newspaper clippings that are elaborately embellished with meticulous handwriting, old-master inspired drawings, and often swaths of animal blood used as paint.
In 2006, TASCHEN first published the book that has come to define his oeuvre, signed by the artist and published in two volumes. It sold out instantly and became a highly sought-after collector’s item. In the decade since, the monograph has been revived in two smaller versions; but sometimes, bigger is better. Now, the book you haven’t been able to get your hands on is available in one large-format volume.
With such names as ‘Paradise’ and ‘Super Paradise,’ the sands of these shores have captured the imaginations and hearts of industry titans, artists, and party-goers alike from all around the globe, marking it as a stable cosmopolitan destination and as a paramount it haven on the jet-set circuit.
Located in the Cyclades and surrounded by the blue-green water of the Aegean sits whitewashed, windmill-strewn Mykonos, the island of the winds. This ancient island and those surrounding it, mythologized as the bodies of gods felled by Hercules in the time of antiquity, are older than legend and have played host to countless cultures for more than millennia. At forty-square-miles and boasting a population of only ten-thousand, the ‘Ibiza of Greece’ has become prized for gorgeous architecture, welcoming and open-minded locals, and fantastic beaches.
This book chronicles the culture and society that has defined Mykonos over the past century—from its days as a hideout for such luminaries and elites as Le Corbusier and Antonis Benakis, to its moment as a sanctuary for the gay community,to its predominant party scene—all the while indulging the reader with the ruins and myths hidden there.
Lizy Manola is a Greek photographer. A freelancer, her focus is on documentary photography. For more than fifteen years, she has traveled and shot in distant places, where culture and everyday life preserve their natural authenticity. She has published two books with Assouline, Certain Realities and Ethiopian Highlands. Her work has featured in solo and group exhibitions in Greece and worldwide. She lives and works in Athens and New York. Thirty years ago, she bought a house on Mykonos; she has spent endless summers holidays on the island ever since.
Overlooking the Aegean Sea, a charming string of coastal neighborhoods form the Athens Riviera, a serene escape from the constant activity in the city’s center. A selection of high-end hotels lines the pristine stretch of beaches down to the southernmost point of the Attica Peninsula.
The revamped Four Seasons Astir Palace, with a history of housing foreign dignitaries and film stars of the 1960s, is the most luxurious hotel in Athens, perhaps even in all of Greece. The night club, Island, is bringing back the glamour and excitement of the twentieth century bouzouki clubs reminiscent of names such as Melina Mercouri and Stavros Niarchos.
Athens is experiencing a revival—in art, night life and design. For a metropolis constantly associated with the past, the modern strides in development and culture are sometimes overlooked in favor of the ruins and artifacts from antiquity. When in fact, the juxtaposition only enhances the beauty of both. Athens Riviera puts the old-world beside the new-world and a deeper understanding of this ancient capital emerges. With one foot in the past and one foot in the future; access to both the electricity of city life and the tranquility of a beach side resort, Athens cannot be defined in simple terms. One just has to experience it for themselves.
Stéphanie Artarit began her career as a journalist, and worked as a psychoanalyst for many years in Tokyo. She then went on to write the novel Variations of the Devil in 2013. Today, she divides her time between homes in Athens and the Cycladic island of Antiparos, where she also operates her boutique, Petit Tipota, and represents several French fashion labels in Greece. In 2018, she began her company, The Gang of Style, which specializes in designing in-house boutiques for luxury hotels all over the world.
The Amalfi Coast is the pinnacle of the Italian dream. Tucked amongst the lemon blossoms and the bougainvillea is a line of thirteen towns that comprise the Amalfi Coast. Known for its vertical landscape, the villages are only accessible via the Strada Statale 163 — a narrow, winding, cliffside route that while unsettling to traverse, offers unparalleled views.
This magical strip joins the mountains and the Mediterranean Sea below and aesthetes from around the world flock here year after year to enjoy its quaint pebbled beaches, scenic hikes, perfect climate and legendary establishments, which are not limited to storied hotels and restaurants.
Landmarks from the Cathedral in Amalfi to Villa Rufolo in Ravello, all evoke the culture and the spirit of bygone centuries, and landmarks enjoyed by the likes of Jacqueline Kennedy, John Steinbeck, and Gore Vidal abound. With its signature limoncello, both grown and enjoyed locally, finest villas and breathtaking vistas, the Amalfi Coast is in a class of its own.
Carlos Souza is a global brand ambassador for Valentino and a contributor at Architectural Digest with over forty years of experience in the art and fashion world. His photography career began at the request of Andy Warhol, who asked him to shoot fashion shows for Interview. He has previously worked with Assouline on #Carlos’s Places (2014) and Comporta Bliss (2018).
Charlene Shorto was born in Recife, Brazil, and educated in Switzerland and Great Britain. She is wed to Carlos Souza and has two sons, Sean and Anthony. The family moved to Rome, where Charlene worked tirelessly under the fashion designer Valentino, eventually ascending to the position of director of Oliver by Valentino. Shorto also collaborated with Souza on Comporta Bliss (2018).
The Art of Earth Architecture demonstrates the wide-ranging applications and sustainability of this building material, while presenting a manifesto for its ecological significance. Featuring raw-earth masterpieces, monumental structures, and little known works, the book includes the temples and palaces of Mesopotamia, the Great Wall of China, large-scale urban developments in Tenochtitlan in Mexico, the medinas of Morocco, and housing in Marrakech and Bogota.
For almost ten thousand years, unbaked earth has been used to build remarkable structures, from simple dwellings to palaces, temples, and fortresses both grand and durable. Jean Dethier spent fifty years researching this landmark global survey, which spans five continents and 250 sites.
This definitive reference features many UNESCO World Heritage sites and contains essays on the historical, technical, and cultural aspects of raw-earth construction from twenty experts in the field, as well as hundreds of photographs, illustrations, and architectural drawings.
Jean Dethier has dedicated his life to the research, safeguarding, and development of earth structures around the world. Dethier worked at the Centre Pompidou as a curator of influential architectural exhibits for thirty years. Winner of the prestigious Grand Prix national de l’architecture, he sat on the jury of the 2016 Terra Award, the first international prize for contemporary earthen structures.
Since it first opened its doors in Rio de Janeiro in 1870, Granado has remained true to its founding mission: to concoct local, natural remedies and cosmetics, crafted from flora of Brazil. Such a formula is responsible for Granado’s endurance through time and its current standing as Brazil’s oldest pharmacy and apothecary.
This stunning and fascinating addition to Assouline’s Legends Collection chronicles Granado’s triumphant transformation from a small Rio shop into an international brand lauded for creating sustainable and stunningly-packaged products made from plants, herbs and flowers native to the region.
Today, Granado has three boutiques in Paris and a significant online presence in Europe; but the story of Granado’s rise begins with the tale of one man’s singular vision. At a time when medicines used toxic substances such as mercury and arsenic, José Antonio Coxito Granado began to develop natural alternatives that would quickly revolutionize the world of pharmaceuticals in Brazil. In a text enlivened by more than 200 images that capture the bright colors, botanical terrain, and vibrant aesthetics of Rio, writer Hermés Galvao traces the brand’s history, from its modest roots to its time as the Official Pharmacy of the Brazilian Imperial Family and its eventual growth into a global brand under a new family’s ownership. Featuring an illustrious cast of characters and overlapping with some of the most influential eras in Brazilian history, the story of Granado is a tale as rich as the land that yields its products.
Hermés Galvão was born in 1975 in Rio de Janeiro. He is the author of Como Viajar Sozinho em Tempos de Crise Financeira e Existencial, published in the Brazilian market in 2016. He was a columnist for Vogue Brasil for five years and contributes to GQ and Casa Vogue, writing about travel and urban behavior around the world. Galvão conducted the image research for Assouline’s 2016 title In the Spirit of Rio; Granado is his his first book for Assouline as a writer.
Bruno Astuto is a Brazilian journalist and has been contributing to Vogue Brasil for more than a decade. A worldwide ambassador of Brazil’s fashion and lifestyle, and a bibliophile who owns more than 10,000 books, he is the author of several books, including Catarina de Médicis, Somos Todos Iguais, and In the Spirit of Rio.
Striking, innovative, and dramatically sited, the twenty-nine projects in Tom Kundig: Working Title reveal the hand of a master of contextually astute, richly detailed architecture. As Kundig’s work has increased in scale and variety, in diverse locations from his native Seattle to Hawaii and Rio de Janeiro, it continues to exhibit his signature sensitivity to material and locale and to feature his fascinating kinetic “gizmos.”
Projects range from inviting homes that integrate nature to large-scale commercial and public buildings: wineries, high-performance mixed-use skyscrapers, a Visitor Center for Tillamook Creamery, the Burke Museum of Natural History and Culture, and the Wagner Education Center of the Center for Wooden Boats, among others. Tom Kundig: Working Title includes lush photography, sketches, and a dialogue between Tom Kundig and Michael Chaiken, curator of the Kundig-designed Bob Dylan Archive at the Helmerich Center for American Research.
The International Photography Hall of Fame and Museum mourns the passing of its first Lifetime Achievement Award Winner and 2017 inductee Kenny Rogers. Rogers was a dedicated and talented photographer for nearly four decades. His best-known images are portraits of well-known singers, actors, and dignitaries from around the globe.
In addition, he had an ongoing passion for photographing the American landscape. Rogers was skilled with his large format view camera, and loved to make prints in his darkroom. Regarding his photography, he said, “I am an impulsive obsessive. I impulsively get involved with something, and then I get obsessed with it. So that’s what happened with photography.”
Born on the Isle of Man in 1946, Chris Killip was a Professor of Visual and Environmental Studies at Harvard University where he had taught from 1991.
Since 2012 he has held solo exhibitions at Museum Folkwang, Essen; Le Bal, Paris; Tate Britain, London; Museo Reina Sofia, Madrid; and the J. Paul Getty Museum, Los Angeles. Killip’s works are held in the permanent collections of institutions including the Museum of Modern Art, New York; George Eastman House, Rochester; and the Victoria and Albert Museum, London. His books with Steidl are ‘Pirelli Work’ (2006), ‘Seacoal’ (2011), ‘Arbeit / Work’ (2012), ‘Isle of Man Revisited’ (2015), ‘In Flagrante Two’ (2016) and most recently ‘The Station’ (2020).
Chris Killip (born 11 July 1946) is a Manx photographer who worked at Harvard University in Cambridge, from 1991 to 2017, as a Professor of Visual and Environmental Studies. Killip is well known for his gritty black and white images of people and places.
Killip is the recipient of numerous awards, including the Henri Cartier-Bresson Award (for In Flagrante). He has exhibited all over the world, written extensively, appeared on radio and television, and has curated many exhibitions.
From Wikipedia
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