“Kenny Rogers took portraits and western landscape photos like no other. He was passionate and fell in love with the warmth and beauty that captured all that he saw through a lens,” says Patty Wente IPHF CEO and President.
The International Photography Hall of Fame and Museum mourns the passing of its first Lifetime Achievement Award Winner and 2017 inductee Kenny Rogers. Rogers was a dedicated and talented photographer for nearly four decades. His best-known images are portraits of well-known singers, actors, and dignitaries from around the globe.
In addition, he had an ongoing passion for photographing the American landscape. Rogers was skilled with his large format view camera, and loved to make prints in his darkroom. Regarding his photography, he said, “I am an impulsive obsessive. I impulsively get involved with something, and then I get obsessed with it. So that’s what happened with photography.”
As you will see from my portfolio, travel plays a huge part in my image-making. I visited nine countries in 2017 alone, and close to twenty since my journey into architectural photography began. I have always been fascinated by different cultures, foods, textures and colours. It is this love for travel, combined with my deep passion for photography, that keeps me motivated and dedicated to putting in the long lonely hours of research and logistical planning to then get out with the camera time and time again.
Adam Stevenson won the best Australian photograph with an incredible shot of a Kookaburra watching over the devastation of the bushfires that tore through the country over the past few months. The shot is titled “That’s Nothing to Laugh About” and was snapped with a Iphone X near Stevenson’s home at Wallabi Point in New South Wales.
comes over my life when I think […] that I’ve earned my reputation out of other people’s downfall. I’ve photographed dead people and I’ve photographed dying people, and people looking at me who are about to be murdered in alleyways. So I carry the guilt of survival, the shame of not being able to help dying people.’ 
On top of a hill a few miles from Don McCullin’s house in Somerset is a dew pond, a perfectly circular artificial pond for watering livestock. Nobody knows how long it has been there; some dew ponds date back to prehistoric times, and it’s tempting to think that this one served the Bronze Age hill-fort that overlooks the site. McCullin is obsessed with the pond. For more than 30 years, whenever he has had the time, he has walked up the hill and stood there with his camera waiting for the right moment to take a photograph. Often, the moment never comes: he can spend hours there, just looking. ‘It’s as if it has a hold over me,’ he tells me when I visit him at home in early January. ‘I can’t leave it alone, I photograph it all the time. And yet I think I’ve done my best picture the first time I ever did it. I can’t tell you how.’
Stephen Shore’s images from his travels across America in 1972-73 are considered the benchmark for documenting the extraordinary in the ordinary and continue to influence photographers today. 
Forman’s photo-paintings explore those liminal and in-between moments – of coming and leaving, innocence and confidence, shadow and light, night and day, absence and connection, loss and longing, and not quite the past and not yet the future. Portals, both real and metaphorical, frequent her layered, complex and often dreamlike images.
Her work is recognized for imbuing harmonious compositions and for her explosive use of color, light, and shadow.Forman’s images elicit emotions of desire, vulnerability, and a desperate longing for connections.
“Cherry Blossoms” reflects on the long tradition of flower viewing in Japanese culture with vivid color woodblock prints by ukiyo-e master artists, photographs, color lithographic posters and Kōkichi Tsunoi’s exquisite watercolor drawings from 1921. The book highlights the rich connections between Japan’s centuries-old traditions and contemporary counterparts. The American public’s affection for the blossoms is revealed in vintage and contemporary photographs of the Tidal Basin, collections related to the National Cherry Blossom Festival and the Cherry Blossom Princess Program, as well as decades’ worth of creatively designed festival posters.
The vivid photographs are arranged according to the signs’ imagery, with sections such as Spirit of the West, On the Road, Now That’s Entertainment, and Ladies, Diving Girls & Mermaids. Sixteen of the most iconic landmark signs include brief histories on how that unique sign came to be. A resource section includes a photography index by location and a Neon Museums Visitor’s Guide.
Boomers Daily 