The New Yorker (March 4, 2024): The new issue‘s cover features Barry Blitt’s “Slappenheimer” – The artist revisits the infamous Oscars slap to riff on the tensions of this year’s ceremony.
Omni Foundation (March 3, 2024): The Omni Foundation for the Performing Arts presents the Mēla Guitar Quartet performing the Ruslan and Lyudmila Overture by Mikhail Glinka from inside the West Dean Estate in the United Kingdom. This video is presented by the Omni Foundation’s Omni On-Location series, Concerts from Historic Sites.
CBS Sunday Morning (March 3, 2024): His abstract expressionist canvases are among the most recognizable of all 20th century artists’ works. But Mark Rothko (1903-1970) also produced nearly 3,000 pieces on paper – smaller in scale but just as innovative.
CBS News chief election & campaign correspondent Robert Costa visits an exhibition at the National Gallery of Art in Washington, D.C., that explores the trail of paper works the artist left behind, and talks with curator Adam Greenhalgh, and with the artist’s children, Kate Rothko Prizel and Christopher Rothko, about Rothko’s remarkable vision.
Literary Review – March 1, 2024: The latest issue features ‘Gaughin’s Midlife Crisis’; Geology vs Genesis; Japan’s War Trials; Saddam’s Blunderers and Barbara Comyns in Full…
“The Showman: The Inside Story of the Invasion That Shook the World and Made a Leader of Volodymyr Zelensky” By Simon Shuster
As someone who has to consume quite a lot of Russian media, I can tell you that if there is one common denominator, it’s that whether we’re talking about a shouty TV news programme (less Newsnight, more a kind of geopolitical Jeremy Kyle Show), a stodgy government newspaper of record or a racy tabloid, no one has a good word for Volodymyr Zelensky.
There are, I have long suspected, two types of cinephiles: those who think Stanley Kubrick’s 2001: A Space Odyssey (1968) is a masterpiece and those who think it’s a relentless bore. Early in their new biography of the film director, Kubrick: An Odyssey, Robert P Kolker and Nathan Abrams make clear which camp they belong to, describing the scene in which the astronaut Frank Poole jogs around (and around and around and around) the spaceship Discovery as ‘one of the most lyrical passages in film history’.
THE NEW YORK TIMES BOOK REVIEW (March 1, 2024): The latest issue features ‘Yakety-Yak’ – In “Language City”, Ross Perlin chronicles some of the precious traditions hanging on in New York, the world’s most linguistically diverse metropolis…
The feisty title character of her new book, “Ferris,” has a sharp eye for detail, and so, its author hopes, does she. Meanwhile, she is on an Alice McDermott reading jag.
In “Language City,” the linguist Ross Perlin chronicles some of the precious traditions hanging on in the world’s most linguistically diverse metropolis.
The National Gallery (March 1, 2024): Is there engineering in art, as well as art in engineering? We look at Turner’s famous depiction of a steam train in ‘Rain, Steam and Speed’ and stormy seas in ‘Dutch Boats in a Gale’ (1801).
Rob Bell from the Institution of Mechanical Engineers gives us an engineer’s take on these two paintings at the National Gallery. The Institution of Mechanical Engineers was founded in 1847 and has over 100,000 members around the world.
HURVIN ANDERSON’S “BARBERSHOP” series belongs to a long tradition of painterly fascination with the spaces of social interaction that reflect both the physical realities and ideological aspirations of society at large. Anderson’s exhibition “Salon Paintings” at England’s Hastings Contemporary, organized in collaboration with the Hepworth Wakefield, also in England, and Kistefos Museum in Jevnaker, Norway, brings together a body of work he produced between 2006 and 2023 that portrays, albeit in the loosest sense of the word, men’s hair salons.
View of “Time Travel: Italian Masters Through a Contemporary Lens,” 2023–24. From left: Ross Bleckner, Day and Night, Hour by Hour, 2023; Josephine Halvorson, Smiley Face, 2023. Photo: Jason Mandella.
“Time Travel: Italian Masters Through a Contemporary Lens,” a group exhibition that featured a selection of Renaissance paintings alongside works created by present-day artists, was a type of paragone, except that the debate was not whether painting or sculpture is the superior art form, but whether these historical pieces—executed at a time when grand themes and exquisite craft, among other criteria, determined their value—are better or worse than objects made by artists now, when such antiquated metrics seem well beside the point.
Sometimes we ignore a book’s material presence: absorbed, ‘good’ reading is often figured as a forgetting of the material conditions of book, body, room and time, even though these conditions affect how we read. With certain other books it makes no sense to separate text from object.
Bibliophobia: The End and the Beginning of the Book by Brian Cummings.
There are seventy million more privately held guns in the US – around four hundred million of them – than there are people. AR-15s comprise about 5 per cent of the total, but it is currently the best-selling rifle in the country.
Times Literary Supplement (February 28, 2024): The latest issue features ‘Married to Mr. Hardy’ – The writer’s complicated relationships with women; Southern discomfort; a bad deal on Wall Street…