Comprised of 21 units of OPod Tube Houses, stack on 2 levels, the project is deployed on an unused urban plot in To Kwa Wan District of Hong Kong. Being a modular and flexible architecture, OPod Housing No.1 is able to be set up in less than 3 months, providing accommodation to 20 sets of residents with shared common kitchen and a co-living courtyard.
OPod Housing No.1 is social housing project providing accommodation to citizens of Hong Kong struggling to afford housing.

Each OPod Tube House is 140 sq.ft in size with private toilet and shower, food preparation area and living room with sofa bed. To facilitate a modern sustainable lifestyle, the OPod Tube Houses are equiped with wifi and home automation for better management of resources. The project is scheduled to complete construction and open in 2020.
is united in a very natural way in a creative concept. My artistic research is a constant blend between the worlds of architecture, painting, photography, graphic design, and fashion. At the base of my work, then, there is an artistic background very much linked to the Gestalt principles of visual perception. I try to avoid looking for inspiration only within the confines of my sector: I find that this often leads to a flattening of the creative result.
A physical therapist based in Santa Barbara, Calif., Ms. Godges is used to seeing injuries that result when swimmers start training on land. “We are great at cardio, but we aren’t used to pounding our joints. Gravity is not forgiving. We need to give our bodies time to adapt.”
When a man returning from Wuhan, China in January 2020 exhibited symptoms of the novel coronavirus, public health officials in the Seattle area were already on alert.
Sage is renowned for her empty, enigmatic, eerily lit landscapes. Human figures are markedly absent — their presence felt only by the monolithic, architectural structures and unidentifiable, draped objects they seem to have left behind. In this respect, 1945’s Other Answers is a quintessential Sage painting.
In the summer of 1940, Sage had her first solo show, at the influential Pierre Matisse Gallery in Manhattan. Then, in early 1943, she was part of the landmark Exhibition by 31 Women, curated and staged by Peggy Guggenheim in her Art of This Century Gallery.