In February, 1925, Rea Irvin, The New Yorker’s first art editor, designed the cover of the magazine’s inaugural issue. That cover’s central character, a dandy peering at a butterfly through a monocle, would come to be known as Eustace Tilley, and he has graced the cover of the magazine nearly every February in the ninety-five years since. This is all a matter of historical record—but Barry Blitt, in this year’s Anniversary Issue, tells a different origin story. We recently talked to Blitt about drawing a familiar face.
You’ve drawn many a Eustace Tilley. Is there something pleasing about revisiting familiar forms?
Well, certain familiar forms are probably traumatic to revisit, but Tilley is a joy to draw repeatedly. All the hard work has been done for you—it’s a beautifully designed image. Hard to make a mess of those shapes and colors, though I give it the old college try.
With imagery from the likes of David Bailey, Duffy and Terence Donovan, designs from Peter Blake, David Hockney, Gerald Scarfe and fledgling artist Ian Dury plus words and opinions from those riding high on the city`s cutting-edge, London Life remains the coolest document from the capital’s most exciting period.
While many books, films and documentaries claim to have captured the phenomenon that was Swinging London, just one magazine was present in the capital during the 1960s to illustrate this extraordinary moment as it unravelled. London Life emerged in October 1965 and, over the next fifteen months, would document the capital s action at its absolute zenith.
Collected for the first time, including forewords from Peter Blake and David Puttnam and a scene-setting introduction from Simon Wells, London Life offers a remarkable and candid view on a period when London was the creative hub of the world.
Read entire article: The Future Of Food Restaurant Business February 2020
Rosa Park is founding editor of Cereal, which is dedicated to thoughtful travel and lifestyle stories and known for its pared-back aesthetic. Here she reveals her love of Bath’s sandstone buildings, the unique style of her family home – and why you’d better not call her a minimalist.
Our guest for the first episode is Rosa Park, founding editor of Cereal magazine, a biannual publication dedicated to thoughtful travel and lifestyle stories and known for its pared-back aesthetic. Rosa was born in Seoul, grew up between Korea and Canada, studied in Boston and worked in New York before settling in Bath, Somerset, where she now presides over the magazine, a series of travel guides and her latest venture, art gallery Francis.
Tune in to hear Rosa talk about how she got Cereal off the ground, why beige is her favourite colour and why she doesn’t define home as being about a place. Plus, hear why Rosa’s picked Kettle’s Yard in Cambridge, Vincent Van Duysen’s home in Antwerp and her parents’ home in Seoul as her top three picks.
DOG is a modern lifestyle magazine exploring the presence and influence of dogs and their owners in society. Each issue centres on a specific breed and theme and explores the meaningful interactions between individuals and their dogs through photographic portfolios, interviews and personal essays.
Visual, poetic, current and innovative, DOG offers original content and a new perspective on what it means to be a dog lover and owner. Content for DOG comes from a variety of creative sources, including emerging and established photographers, designers, illustrators, writers and visual artists.
Richly illustrated with the covers and interiors that defined their careers, Mag Men is bursting with vivid examples of Bernard and Glaser’s work, designed to encapsulate their distinctive approach to visual storytelling and capture the major events and trends of the past half century.
For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In Mag Men, Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the creation of New York magazine to redesigns of such publications as Time, Fortune, Paris Match, and The Nation, explaining how their designs complemented a story and shaped the visual identity of a magazine.
Highlighting the importance of collaboration in magazine journalism, Bernard and Glaser detail their relationships with a variety of writers, editors, and artists, including Nora Ephron, Tom Wolfe, Gail Sheehy, David Levine, Seymour Chwast, Katherine Graham, Clay Felker, and Katrina vanden Heuvel. The book features a foreword by Gloria Steinem, who reflects on her work in magazines and her collaborations with Bernard and Glaser. At a time when uncertainty continues to cloud the future of print journalism, Mag Men offers not only a personal history from two of its most innovative figures but also a reminder and celebration of the visual impact and sense of style that only magazines can offer.
To read more and/or purchase: http://cup.columbia.edu/book/mag-men/9780231191807