Tag Archives: Arts & Literature

Preview: The New Yorker Magazine – Nov 28, 2022

Hokusai's Great Wave looms over the New York City skyline.

The New Yorker – November 28, 2022 issue:

Journey to the Doomsday Glacier

Two people looking out at a layer of ice from the inside of a helicopter.

Thwaites could reshape the world’s coastlines. But how do you study one of the world’s most inaccessible places?

Climate Change from A to Z

An animated series of drawings showing different effects of climate change.

The stories we tell ourselves about the future.

An Alaskan Town Is Losing Ground—and a Way of Life

For low-lying islands like Kivalina, climate change poses an existential threat.

THE BLADE RUNNERS POWERING A WIND FARM

In West Virginia, a crew of five watches over twenty-three giant turbines.

Art: Spanish Painter Joan Miró – ‘The Farm’ (1922)

National Gallery of Art – Joan Miró finished “The Farm,” his first masterpiece, 100 years ago. To celebrate, curator Harry Cooper and Joan Punyet Miró, Miró’s grandson, get together to tell the tale of this seminal painting from their perches at the National Gallery of Art in Washington, D.C. and Miró’s farm in Mont-roig del Camp, Spain. From Pablo Picasso in Paris to Earnest Hemingway in Cuba, you won’t want to miss the epic journey of Miró and his beloved “The Farm.”

Joan Miró i Ferrà was a Spanish painter, sculptor and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma in 1981. 

Literary Previews: n+1 Magazine – Winter 2023

Image

@nplusonemag Winter 2023 issue features new writing by: + Laura Preston + Victoria Lomasko + @CharoShane + Laura Kolbe + Blair McClendon (@__seab) + @nicoleklipman + Su Wu + hannah baer + @haleymlotek + Thomas Bolt + Stephen Squibb + @JudithLevine +@gabrielwinant.

Previews: Times Literary Supplement – Nov 18, 2022

Image

Times Literary Supplement – November 18, 2022 issue of the @TheTLS, featuring Books of the Year; Ferdinand Mount on a second Trump term; @guydammann on opera funding in England; @KieranSetiya on beauty; and Javier Marías’s last column on translation (tr., Margaret Jull Costa) – and more.

Preview: The New Yorker Magazine – Nov 21, 2022

Disappointed elephant standing on red surf board.

The New Yorker Magazine – In the weeks leading up to the 2022 midterms, many pundits predicted that a “red wave” of Republican victories would sweep across the country. There was precedent for this: historically, the President’s party tends to lose seats in midterm contests. Republicans picked up some seats, but this year’s returns showed a much more even match than many had been expecting. With votes still being counted, it seems that the G.O.P. will most likely eke out a narrow majority in the House, and control of the Senate may not be decided for weeks. Whatever you call the over-all result in the country’s close political battles, it didn’t quite amount to a wave.

For the cover of the November 21, 2022, issue, the cartoonist Barry Blitt followed a long tradition and chose an animal to represent reality metaphorically: “The chance to draw an elephant—especially one on a surfboard—is irresistible for a cartoonist, but I can’t help thinking how counterintuitive it is to represent the G.O.P. in its current form with such a dignified, graceful, sensitive-seeming beast.”

Top 2022 Art Exhibitions: “Van Gogh In America” – Detroit Institute Of Arts

CBS Sunday Morning – One hundred years ago the Detroit Institute of Arts became the first museum in the U.S. to buy a work by Vincent Van Gogh, the Dutch Post-Impressionist who died in 1890. Now, the DIA honors the centenary of that landmark acquisition by presenting “Van Gogh in America,” featuring 74 works from around the world, which explores America’s introduction to the artist. Correspondent Rita Braver reports.

Detroit Institute of Arts – “Van Gogh in America celebrates the Detroit Institute of Art’s status as the first public museum in the United States to purchase a painting by Vincent van Gogh, his Self-Portrait (1887). On the 100th anniversary of its acquisition, experience 74 authentic Van Gogh works from around the world and discover the fascinating story of America’s introduction to this iconic artist, in an exhibition only at the DIA.

Reviews: Top Books To Read – November 2022

‘Indivisible’ Review: One and Inseparable

Indivisible|Joel Richard Paul

At a time of mutual hatred and bitter division, Daniel Webster argued for the primacy of a unifying political idea. Review by Fergus M. Bordewich

Read the review

Indivisible : Daniel Webster and the Birth of American Nationalism

by Joel Richard Paul

‘Arthur Miller’ Review: Only Truth for Sale

Arthur Miller|John Lahr

In plays like ‘Death of a Salesman’ and ‘The Crucible,’ Miller gave voice to the anxieties behind the optimism of mid-20th-century America. Review by Willard Spielgelman

Read the review

Arthur Miller : American Witness

by John Lahr

Fiction: ‘The Magic Kingdom’ by Russell Banks

The Magic Kingdom|Russell Banks

Plus ‘Toad’ by Katherine Dunn and ‘Now Is Not the Time to Panic’ by Kevin Wilson. Review by Sam Sacks

Read the review

The Magic Kingdom

(Hardcover)

by Russell Banks

Five Best: Books on Memory

Selected by Joshua Landy, the author of ‘The World According to Proust.’

Read the article

Arts & Culture: The New Criterion – December 2022

Inside the December 2022 issue:

Art a special section
Memories of Clement Greenberg  by Pat Lipsky
A library by the book  by James Panero
Tudors at the Met  by Marco Grassi
Collecting misery  by Anthony Daniels
David Smith: a sculptor in full  by Eric Gibson
The Spanish Sargent  by Karen Wilkin
Pergolesi: a very sharp & mechanical man  by Benjamin Riley


New poems  by Bruce Bond & John Poch

Reviews: ‘The Week In Art’

This week: as the UN’s climate emergency summit, Cop27, continues in Egypt, Ben Luke talks to Louisa Buck, The Art Newspaper’s contemporary art correspondent—and the author of our online column about art and climate change—about international art initiatives responding to the crisis.

Kaywin Feldman, the director of the National Gallery of Art (NGA) in Washington, DC, tells us about the museum’s new $10m endowment fund for purchases of works by women artists. The historic gift, from the family of the gallery’s first female president, Victoria P. Sant, will help the NGA fill gaps in its collection.

And this episode’s Work of the Week is Mother with Child on her Arm, Nude II (1906) by the German painter Paula Modersohn-Becker. The work is a highlight of Making Modernism, a show of German women artists that opens this weekend at the Royal Academy in London.

The exhibition’s curator, Dorothy Price, discusses this late painting in Modersohn-Becker’s short but productive life.Making Modernism: Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter and Marianne Werefkin, Royal Academy of Arts, London, 12 November-12 February 2023. Hosted on Acast. See acast.com/privacy for more information.