National Gallery of Art – Joan Miró finished “The Farm,” his first masterpiece, 100 years ago. To celebrate, curator Harry Cooper and Joan Punyet Miró, Miró’s grandson, get together to tell the tale of this seminal painting from their perches at the National Gallery of Art in Washington, D.C. and Miró’s farm in Mont-roig del Camp, Spain. From Pablo Picasso in Paris to Earnest Hemingway in Cuba, you won’t want to miss the epic journey of Miró and his beloved “The Farm.”
Joan Miró i Ferrà was a Spanish painter, sculptor and ceramicist born in Barcelona. A museum dedicated to his work, the Fundació Joan Miró, was established in his native city of Barcelona in 1975, and another, the Fundació Pilar i Joan Miró, was established in his adoptive city of Palma in 1981.
Times Literary Supplement – November 18, 2022 issue of the @TheTLS, featuring Books of the Year; Ferdinand Mount on a second Trump term; @guydammann on opera funding in England; @KieranSetiya on beauty; and Javier Marías’s last column on translation (tr., Margaret Jull Costa) – and more.
The New Yorker Magazine – In the weeks leading up to the 2022 midterms, many pundits predicted that a “red wave” of Republican victories would sweep across the country. There was precedent for this: historically, the President’s party tends to lose seats in midterm contests. Republicans picked up some seats, but this year’s returns showed a much more even match than many had been expecting. With votes still being counted, it seems that the G.O.P. will most likely eke out a narrow majority in the House, and control of the Senate may not be decided for weeks. Whatever you call the over-all result in the country’s close political battles, it didn’t quite amount to a wave.
For the cover of the November 21, 2022, issue, the cartoonist Barry Blitt followed a long tradition and chose an animal to represent reality metaphorically: “The chance to draw an elephant—especially one on a surfboard—is irresistible for a cartoonist, but I can’t help thinking how counterintuitive it is to represent the G.O.P. in its current form with such a dignified, graceful, sensitive-seeming beast.”
CBS Sunday Morning – One hundred years ago the Detroit Institute of Arts became the first museum in the U.S. to buy a work by Vincent Van Gogh, the Dutch Post-Impressionist who died in 1890. Now, the DIA honors the centenary of that landmark acquisition by presenting “Van Gogh in America,” featuring 74 works from around the world, which explores America’s introduction to the artist. Correspondent Rita Braver reports.
Detroit Institute of Arts – “Van Gogh in America“ celebrates the Detroit Institute of Art’s status as the first public museum in the United States to purchase a painting by Vincent van Gogh, his Self-Portrait (1887). On the 100th anniversary of its acquisition, experience 74 authentic Van Gogh works from around the world and discover the fascinating story of America’s introduction to this iconic artist, in an exhibition only at the DIA.
In plays like ‘Death of a Salesman’ and ‘The Crucible,’ Miller gave voice to the anxieties behind the optimism of mid-20th-century America. Review by Willard Spielgelman
Art a special section Memories of Clement Greenberg by Pat Lipsky A library by the book by James Panero Tudors at the Met by Marco Grassi Collecting misery by Anthony Daniels David Smith: a sculptor in full by Eric Gibson The Spanish Sargent by Karen Wilkin Pergolesi: a very sharp & mechanical man by Benjamin Riley
This week: as the UN’s climate emergency summit, Cop27, continues in Egypt, Ben Luke talks to Louisa Buck, The Art Newspaper’s contemporary art correspondent—and the author of our online column about art and climate change—about international art initiatives responding to the crisis.
Kaywin Feldman, the director of the National Gallery of Art (NGA) in Washington, DC, tells us about the museum’s new $10m endowment fund for purchases of works by women artists. The historic gift, from the family of the gallery’s first female president, Victoria P. Sant, will help the NGA fill gaps in its collection.
And this episode’s Work of the Week is Mother with Child on her Arm, Nude II (1906) by the German painter Paula Modersohn-Becker. The work is a highlight of Making Modernism, a show of German women artists that opens this weekend at the Royal Academy in London.
The exhibition’s curator, Dorothy Price, discusses this late painting in Modersohn-Becker’s short but productive life.Making Modernism: Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter and Marianne Werefkin, Royal Academy of Arts, London, 12 November-12 February 2023. Hosted on Acast. See acast.com/privacy for more information.