Produced by: PeakMotionFilms
Waterfalls, wild valleys, and gigantic panoramas – SalzburgerLand presents itself from its most beautiful side. Countless secret spots always repeatedly delight residents of Salzburg as well as holidaymakers, whether it is the Salzach River through the city, deep gorges, mountain lakes, beautiful forests or the many unique mountain experiences.
NPR’s Tamara Keith and Amy Walter of the Cook Political Report join Amna Nawaz to discuss the latest political news, including protests against government COVID-19 restrictions, polling on how Americans more broadly feel about reopening the economy amid a public health threat and China’s role in the 2020 campaign strategies of President Trump and former Vice President Joe Biden.
Tension-type headaches can be either episodic or chronic. They are rarely disabling or associated with any significant autonomic phenomena, thus patients do not usually seek medical care and usually successfully self-treat. Unlike migraine, there is no significant nausea, no vomiting, and a lack of aggravation by routine physical activity.
In this podcast Mark Green, Professor of Neurology, Anesthesiology and Rehabilitation Medicine, Director of Headache and Pain Medicine, Icahn School of Medicine at Mount Sinai, New York, gives a clinical overview of the condition.
In the summer of 1891, Claude Monet began to paint a row of poplar trees that lined the river Epte near his house at Giverny. The trees were auctioned off for timber shortly thereafter, but Monet made a deal with the purchaser to delay cutting them so he could continue to paint the trees through the autumn. Using a shallow rowboat that had slots in the bottom capable of holding several canvases at once, Monet painted twenty-four pictures of the poplars from his floating studio.
The resulting pictures reflect the view at different seasons and times of day and were known as the “Poplar Series” when they were exhibited in February 1892.
Donald G. McNeil Jr., a science and health reporter for The New York Times, discusses how the Coronavirus lockdown might end what it would look like.While the economy is likely to reopen slowly, there is hope that society will adapt to manage the uncertainty of our new circumstances. Here’s what experts say the next year (or more) will look like.
Cardiovascular consults are way down. Is the threat of COVID-19 infection scaring people away from ED’s?We caught up with Dr. Comilla Sasson, the American Heart Association’s VP for science and innovation. She’s an emergency physician who teaches at the University of Colorado. She’d traveled to New York City to “help with the response,” and she talked with us from a field hospital that had been set up on a tennis court in Central Park.
She had lots to say about what’s driving patients away from emergency departments these days and what’s likely to happen in medicine (hello, telemedicine!) once the pandemic abates.
Running time: 15 minutes
A selection of three essential articles read aloud from the latest issue of The Economist. This week, is China the pandemic’s big geopolitical winner? (8:30) Saudi Arabia has declared a ceasefire in Yemen, but the Houthis are fighting on. (14:13) And, how Britain’s glossy magazines are adjusting to a gloomy world.
Comprised of 21 units of OPod Tube Houses, stack on 2 levels, the project is deployed on an unused urban plot in To Kwa Wan District of Hong Kong. Being a modular and flexible architecture, OPod Housing No.1 is able to be set up in less than 3 months, providing accommodation to 20 sets of residents with shared common kitchen and a co-living courtyard.
OPod Housing No.1 is social housing project providing accommodation to citizens of Hong Kong struggling to afford housing.
Each OPod Tube House is 140 sq.ft in size with private toilet and shower, food preparation area and living room with sofa bed. To facilitate a modern sustainable lifestyle, the OPod Tube Houses are equiped with wifi and home automation for better management of resources. The project is scheduled to complete construction and open in 2020.
From Visual Pleasure Magazine (April 19, 2020):
I often find myself observing classic paintings that can inspire compositions, or fashion that can inspire the choice of a color palette. At a certain point everything 
is united in a very natural way in a creative concept. My artistic research is a constant blend between the worlds of architecture, painting, photography, graphic design, and fashion. At the base of my work, then, there is an artistic background very much linked to the Gestalt principles of visual perception. I try to avoid looking for inspiration only within the confines of my sector: I find that this often leads to a flattening of the creative result.
Having always been fascinated with sensational spaces, Cristina Lello now visualizes the most striking scenes that tell a clear story. As she describes herself, her studio “creates high-impact images from the intersection of interior styling, set design and 3D art.” After graduating with honors in Set Design at the Academy of Fine Arts of Venice, she also started a Master’s degree in Interactive Media for Interior Design while working for Elisa Ossino Studio.
Filmed and Edited by: Jasper Guns (Travelfields)
Music by: Generdyn (“Coming Winter”)
Boomers Daily 