This week’s @TheTLS , featuring @RichardEvans36 on German militarism; Laura Thompson on Raine Spencer; A. N. Wilson on Turgenev; @colincraiggrant on Eureka Day; Claire Lowdon on Kamila Shamsie; @rauchway on interest rates – and more.
A new industry of floating infrastructure is emerging to help adapt to rising sea levels. There are two distinct approaches that are being put forth as possible solutions: retrofitting homes to be amphibious and building floating cities.
Amphibious homes can preserve the accessibility of the house and maintain the congenial front porch culture in places like Louisiana, said Elizabeth English, founder and director of The Buoyant Foundation Project. English’s design places a steel frame beneath a house, and then below that, in the crawl space, buoyancy elements. Her team then recommends adding elements to prevent lateral movement so the home will not float away while on the surface of floodwaters.
She estimated that a contractor could do such a retrofit for about $20 to $30 per square foot, but cautioned the Federal Emergency Management Agency currently discourages this type of building practice. Modern floating cities are the brainchild of architect Bjarke Ingels. He told CNBC he hopes his Oceanix City, which is currently slated to be built in the harbor near Busan,
South Korea, will be “a city that is the most resilient city you can imagine, but at the same time, the most enjoyable city that you can imagine.” “We really hope that it will be a successful project and we would like to replicate it in other parts of the world,” Maimunah Mohd Sharif, executive director of the United Nations Human Settlements Programme, told CNBC of the Oceanix development.
She said the world must look more into adaptation and hopes that the project can help mitigate or even solve the problem of sea-level rise. Would you live in a floating city or retrofit your home so it floats during floods? Watch the video above to learn more about what life could be like in these innovative climate change adaptations.
Sketchbook №13 is part of a large sketchbook series in architecture illustrations created between 2013 and 2022, in this sketchbook the illustrations were created between 2019 and 2022. Materials used in this sketchbook are mixed medias of oil paint, acrylics, charcoal, watercolor, gouache, pen, ink, and colored pencils.
The aim of architecture illustrations is directed at creating inspiration and conceptual ideas that are used for creative concept decisions in projects and mood boards.
I hope this sketchbook gives you inspiration for creating your own version of architectural illustration sketchbooks and come up with beautiful architecture designs and concepts in your upcoming projects. A thorough documentation is set to collect and archive all the sketches that were created during this series and body of work.
EOS Magazine October 2022 Issue:
Research over the past decade in Alaska’s Aleutian Islands has offered surprising insights into the pulses of great earthquakes that generate dangerous, often long-distance tsunamis.
• Antwerp’s greatest museum reopens at last
• Who is UNESCO really for?
• Introducing the Apollo 40 Under 40 Asia Pacific
Plus: the remarkable career of Marianne Werefkin; the making of John Singer Sargent’s notorious Madame X; the occult modernism of Rudolf Steiner; and reviews of the artists who saw in stereo, a history of tomb raiding in Egypt and the memoir of Ibrahim El-Salahi
The New York Times Book Review – 25 September 2022
Special powers, avian obsession and visions of the future fuel these transporting and entertaining tales. By ALIDA BECKER
Jonathan Coe’s novel “Mr. Wilder and Me” explores the late career of a legendary Hollywood director. By BENJAMIN MARKOVITS
Locust in Nashville is the most perfect restaurant for our time.
Locust is open three days a week, for five and a half hours a day. Two hours are dedicated to lunch; the remaining time is for dinner service. On average, there are about six dishes on the menu, plus the occasional special (or three). The wine list is just as short. It’s hard to define what exactly the restaurant is, but as of right now, the food mostly has a Japanese bent. And on any given night, there might be a heavy metal soundtrack blasting from the open kitchen, with a few chefs head-banging away as they prepare your next dish. Locust is fully, uncompromisingly, and unapologetically itself—which is exactly what makes it so playful and brilliant.
Dutton Books, 20 September 2022
The goal of The Biggest Ideas in the Universe is to bridge the gap between popular-science treatments of modern physics and true expert knowledge. This is the real stuff — equations and all — presented in a way that presumes no prior knowledge other than high-school algebra. Readers will come up to speed about exactly what professional physicists are talking about, with an emphasis on established knowledge rather than speculation.
Volume One, Space, Time, and Motion, covers the domain of classical physics, from Newton to Einstein. We get introduced to Spherical Cow Philosophy, in which complications are stripped away to reveal the essence of a system, and the Laplacian Paradigm, in which the laws of physics take us from initial conditions into the future by marching through time. We learn the basic ideas of calculus, where we can calculate rates of change and how much of a quantity has accumulated. We think about the nature of space and time, separately and together. Finally we are introduced to the mysteries of non-Riemannian geometry and Einstein’s theory of curved spacetime, culminating into a dive into black holes.
Horses that resemble My Little Ponies (but on Mars). Caimans that eat pythons. Monkeys that live alongside these caimans. High-fiving raccoons. Searching for a snow leopard. Six photographers. Six stories of animal encounters.
Read the Voyages Issue here. https://nyti.ms/3C2WvCo
Boomers Daily 