nature Magazine – May 4, 2023 issue:As stars evolve, they expand and so will engulf planets in close orbit around them. This planetary catastrophe is expected to generate powerful luminous ejections of mass from the star, although this has not been observed directly.
The current landscape of mobile mental-health apps is the result of a 70-year search to automate therapy. Now, advanced AIs pose fresh ethical questions.
Illustration by Fabio Buonocore
Since 2015, Koko, a mobile mental-health app, has tried to provide crowdsourced support for people in need. Text the app to say that you’re feeling guilty about a work issue, and an empathetic response will come through in a few minutes — clumsy perhaps, but unmistakably human — to suggest some positive coping strategies.
Pace Gallery (May 3, 2023) – In our new film, Zhang Xiaogang discusses his unique approach to representing light in his paintings, as seen in his solo exhibition, “Lost,” on view at our Hong Kong gallery through May 18.
The artist has been refining his expressive depictions of light for some 30 years, since the 1980s and 1990s. As such, light has become a key subject in its own right in Zhang’s practice.
Zhang Xiaogang, Light No. 9, 2022
Zhang Xiaogang is a contemporary Chinese symbolist and surrealist painter. Paintings in his Bloodline series are predominantly monochromatic, stylized portraits of Chinese people, usually with large, dark-pupiled eyes, posed in a stiff manner deliberately reminiscent of family portraits from the 1950s and 1960s.
Sotheby’s (May 3, 2023) – ‘Jardin devant le Mas Debray’ captures this pivotal moment in summer of 1887 where color, subject and paint handling crystallized into Van Gogh’s mature style, one that would flourish in the three years remaining of his life in Paris, Arles, Saint-Rémy-de-Provence and Auvers-sur-Oise.
It was during this period of time, from 1887 to 1890, that Van Gogh’s greatest masterpieces were created, forever changing in the history of modern art. Surrounded by artists, dancers, musicians, actors and writers in Montmartre, Van Gogh abandoned the dark palette that dominated many of his early paintings in Holland and replaced it with a newfound love of color.
The Guardian Weekly (May 5, 2023) – The awkward inheritance of Charles III. Plus: Ukraine readies for the counter-offensive…
Seventy years have passed since Britain last held a royal coronation. But, with polls suggesting public support for the monarchy is at a historic low, Charles’s big day this weekend comes at a moment when Britain feels more generationally divided than ever.
At 74, Charles is the oldest person ever to be crowned as a new British king. Opinion polls suggest 78% of the nation’s over-65s still strongly support the monarchy. But, in the 18-24 age bracket, enthusiasm dips to just 32%.
As Jonathan Freedland argues in an essay for our cover story this week, the new king faces an uphill challenge to establish his own legacy in the shadow of his mother, Elizabeth II, “who, even the staunchest republicans had to admit, barely put a foot wrong over seven decades”. Can he really offer a compelling vision to reunite the realm, and should he even try? It may be that his best hope is simply to lay the foundations for the next generation.
A calm before the storm has been felt in Ukraine ahead of a widely expected counter-offensive on the frontline with Russia. Emma Graham-Harrison and Artem Mazhulin report on a critical moment looming for the country and the war.
DW Documentary (May 1, 2023) – The Dead Sea, shared by Israelis, Jordanians and Palestinians, is drying up. The salt lake, famous for its exceptional geographical location and its healing properties, is the deepest of its kind on earth.
The drying up of the Dead Sea is causing widespread damage, from huge sinkholes to abandoned beaches and collapsed roads. This is not an act of nature. It is the result of overconsumption and poor water management. If something is not done soon, very little of the Dead Sea will remain. In a region marked by ongoing conflict, natural resources are being depleted. To save the Dead Sea, surrounding countries must work together.
Three individuals — a Jordanian, an Israeli and a Palestinian — feel they can’t just sit idly by. They decide to draw the world’s attention to the problem with a heroic act. In an unprecedented and extremely dangerous undertaking, the three decide to swim across the Dead Sea, from Jordan to Israel, to highlight the plight of the dying waters.
Times Literary Supplement @TheTLS (May 5, 2023) – This week’s @TheTLS features Bruno Schulz – a writer from another Europe; Patrick O’Brian’s bleak vision; Vermeer – a great but flawed exhibition; extreme fandom and Derek Parfit, eccentric genius.
How Bruno Schulz found freedom on the periphery of life By Boris Dralyuk
It’s more than a little discomfiting to read the great Polish novelist Witold Gombrowicz’s description, in his diary from the early 1960s, of his not-quite-friend Bruno Schulz: “A tiny gnome with enormous head, appearing too scared to dare exist, he was rejected by life and slouched along its peripheries”. Written for publication two decades after Schulz was gunned down by a Nazi just outside the ghetto of his occupied native town of Drohobych in November 1942, these words cannot help but seem impious.
The Burlington Magazine – May 2023:Anxiety about the future of the two great photographic libraries housed in the Courtauld Institute of Art, London, can be traced back at least thirty years. In October 1992 we published an Editorial, ‘The Witt and Conway libraries under threat’, which was prompted by a demand from the University of London that the Courtauld – not yet a self-governing and self-financing entity – produce a business plan that would show how the libraries could develop commercial opportunities to offset a threatened reduction in university funding.
Although Mey Rahola (1897–1959) was one of the first women to become renowned for art photography in Spain, she remains a little-known figure today. Two linked exhibitions with a single catalogue dedicated to the Catalan photographer set out to rectify this and liberate an overlooked artist from the shadow of anonymity. Working with Rahola’s family, the curators, Lluís Bertran Xirau and Roser Martínez Garcia, have assembled 550 items from her collection, including 250 negatives and a number of photograph albums. That this material had been handed down and divided between the artist’s friends and family is testimony to her interest in her posterity. The fact that, nonetheless, Rahola has remained largely unknown, one is reminded in the exhibition catalogue, is a result partly of her status as a female photographer operating in the early twentieth century and partly of the events of the Spanish Civil War, which ruptured her burgeoning career.
Sotheby’s (May 1, 2023) – Returning each season to live and paint in Truro elevated Hopper’s art, allowing him to concentrate on the simplification of forms and the depth of both light and color woven into the surrounding landscape.
Both his technical approach to painting and his perception of the world from 1930 onwards are greatly informed by the Cape. Cobb’s Barns, South Truro derives its bright palette and topographical features from Hopper’s immediate environment, and is emblematic of the profound influence that life in South Truro had on his manner of painting.
Group of Houses, dated 1923-24, stems from a pivotal stage in the development of Edward Hopper’s career. Residential homes occupy much of Hopper’s subject matter in these early watercolors, and Group of Houses is no exception. These charming saltbox houses are typical for the Cape Ann region, whose architectural style reflects its coastal New England atmosphere.
The Battery, Charleston, S.C., dated 1929, is the result of Hopper’s three-week stay in the charming southern city, which is renowned for its Georgian-style architecture and cobblestone streets lined with lush palm trees. His Charlestown pictures possess an inherently tropical feeling, which sets them apart from his otherwise New England-focused oeuvre.
Red Barn in Autumn Landscape is among the limited number of watercolors that Hopper completed during the fall of 1927 in Vermont, and embodies the rustic quality of the New England scenery that drew Hopper to this region in the first place. Hopper routinely sketched his surroundings in coastal towns on the Cape or along the Maine shore, but Red Barn in Autumn Landscape is quite unique in that it captures a specific fall moment as the leaves gradually fade from green to burnt orange and red. The present work is emblematic of the simplicity and charm that characterize Hopper’s New England watercolors.
When in 1960 I first came across Osip Mandelstam’s poetry, nobody in the USSR had enjoyed access to his work since the early 1930s and few even knew of his existence, let alone of his death, as he had predicted, in Stalin’s Gulag. His books had been removed from libraries and bookshops.
‘Winnie and Nelson: Portrait of a Marriage’ By Jonny Steinberg
Under apartheid, aspiring South African writers frequently marketed themselves to the world as committed and heroic anti-apartheid activists. The enormous success of Alan Paton’s Cry, the Beloved Country (fifteen million copies sold and counting) showed the way, though Paton was the real McCoy, a committed liberal who suffered for his beliefs.
The Economist ‘Editor’s Picks’ Podcast (May 1, 2023) – A selection of three essential articles read aloud from the latest issue of The Economist. This week, Israel: the survivor nation at 75, is Sir Keir Starmer ready to govern Britain? (10:25) And why ChatGPT raises questions about how humans acquire language (19:05).
Boomers Daily 