
Times Literary Supplement (October20, 2023): The new issue features ‘Rocket Man’ – North Korea’s dictator is no joke; A snapshot of Teju Cole; Daniel Dennett’s evolution; Monet’s muses; John le Carré undercover, and more…

Times Literary Supplement (October20, 2023): The new issue features ‘Rocket Man’ – North Korea’s dictator is no joke; A snapshot of Teju Cole; Daniel Dennett’s evolution; Monet’s muses; John le Carré undercover, and more…
The Museum of Modern Art (October 17, 2023) – What makes a 500-year-old printing process new? Master printer and publisher Jacob Samuel has brought etchings—prints created by transferring ink from a metal plate to paper—into the 21st century through collaborations with more than 60 contemporary artists. In this video, we filmed Samuel making his last print.
As he inks, hand wipes, and rolls his final print through the press, he reflects on his philosophy. “My goal is to leave no fingerprints,” he says. All you see is the artist’s work. I’m just another pencil. I’m just another brush. But I want the pencil to be sharpened really well. I want the brush to be sable. And to do that and be completely spontaneous, I trust the materials.”

Country Life Magazine – October18, 2023: The latest issue features Norfolks – Little pockets of fun; The real Macnab – great adventures in the field; Britain’s loneliest trees; Beethoven’s Austria and Amsterdam’s canal life, and more…
In memory of the Sycamore Gap tree, so callously cut down, we salute its fellow arboreal sentinels of Britain

The Editor and The Judge set off across the Tulchan estate in pursuit of a stag, a brace of grouse and a salmon, in the spirit of John Buchan’s hero

The author picks a scene full of the thrill of the racecourse
The rural people of Scotland are reeling under a prejudiced new law on hunting. Jamie Blackett despairs for the fox
What makes a building English? Steven Brindle considers the answer, from soaring cathedral vaults to austere Palladian villas and rambling country piles

Kate Green luxuriates in the luscious locks of the Leicestershire Longwool
Few creatures face as difficult a journey as the salmon does to and from its spawning grounds. Simon Lester follows in its wake

A dramatic kitchen and why it’s time to cuddle up in British wool
Charles Quest-Ritson takes the well-worn path to the famed nursery of Larch Cottage in Cumbria
Behind hounds or on the marsh, casting for a salmon or stalking a stag, nothing stirs Adrian Dangar’s heart as fieldsports do

Melanie Johnson finds the perfect pairing for hazelnuts

The New Yorker – October 23, 2023 issue: The new issue‘s cover features Daniel Clowes’s “Quiet Luxury” – The artist discusses patronage, in-home pillars, and what he’d do with a billion dollars.

Its inhabitants are as much creatures of state power and industrial capitalism as their city-dwelling counterparts.
Demanding that your friend pull the car over so you can examine an unusual architectural detail is not, I’m told, endearing. But some of us can’t help ourselves. For the painter Grant Wood, it was an incongruous Gothic window on an otherwise modest frame house in Eldon, Iowa, that required stopping. It looked as if a cottage were impersonating a cathedral. Wood tried to imagine who “would fit into such a home.” He recruited his sister and his dentist as models and costumed them in old-fashioned attire. The result, “American Gothic,” as he titled the painting from 1930, is probably the most famous art work ever produced in the United States.
In many states, lawyers are pushing a new legal strategy that forces biological parents to compete for custody of their children.
Its inhabitants are as much creatures of state power and industrial capitalism as their city-dwelling counterparts.
It depends on which tech bro, city official, billionaire investor, grassroots activist, or Michelin-starred restaurateur you ask.By Nathan Heller
Offsetting has been hailed as a fix for runaway emissions and climate change—but the market’s largest firm sold millions of credits for carbon reductions that weren’t real.

THE NEW YORK TIMES BOOK REVIEW (October 15, 2023): This week’s issue features a fabulous historical novel, the Janet Malcolm-like account of an Australian murder trial, a sprightly history of the Oxford English Dictionary, a homage to “The Haunting of Hill House”, historical fiction, thrillers, crime novels, romance, horror & Gothic fiction, science fiction & fantasy.)

Apparitions, black hares and time warps festoon the pages of Elizabeth Hand’s “A Haunting on the Hill,” set in the same moldering mansion as Shirley Jackson’s classic horror novel.
In Marie NDiaye’s new novel, “Vengeance Is Mine,” a woman is haunted by a decades-old trauma she feels, but cannot quite remember.

VENGEANCE IS MINE, by Marie NDiaye. Translated by Jordan Stump.
The characters in Marie NDiaye’s novels are an unsettling brood. They fret and pace around their homes, tormented by their pasts. Their minds trap and trick them. A daughter can’t shake memories of her mother’s murder; a man gropes for the truth about his imprisonment in a deserted vacation town; a chef pursues culinary perfection at any cost; a woman — reminded of a friend, a schoolteacher or was it her mother? — fatally chases an apparition in green.
The Week In Art Podcast (October 13, 2023): The Frieze art fair has turned 20 this week, and is only growing in its ambitions, having acquired the Armory Show fair in New York and Expo Chicago.
So what should we make of Frieze’s continuing expansion and what’s the mood at Frieze London and Frieze Masters this year? We talk to Tim Schneider, The Art Newspaper’s acting art market editor, who is over from New York for the fairs. In Reykjavik in Iceland, the artist-run Sequences Biennial opens on Friday. A former curator of the event is Hildigunnur Birgisdóttir, who will represent Iceland at the Venice Biennale in 2024. Tom Seymour went to the Icelandic capital to talk to her about Venice, Sequences and the Icelandic scene.
And this episode’s Work of the Week is Open Window, Collioure (1905) by Henri Matisse. The painting is a highlight of the exhibition Vertigo of Colour: Matisse, Derain, and the Origins of Fauvism at the Metropolitan Museum of Art in New York. We speak to Dita Amory, co-curator of the show, about this landmark painting in Matisse’s career.
Frieze London and Frieze Masters, Regent’s Park, London, until 15 October.
The Sequences Biennial, entitled Can’t See, begins on 13 October and continues until 22 October 2023.
Vertigo of Color: Matisse, Derain, and the Origins of Fauvism, Metropolitan Museum of Art, New York, 13 October-21 January 2024; Museum of Fine Arts, Houston, 25 February-27 May 2024.
London Review of Books (LRB) – October 19, 2023: The new issue features Camus in the New World; Charles Lamb’s Lives; The Dictionary People: The Unsung Heroes who Created the Oxford English Dictionary and At the Met: On Cecily Brown….

Times Literary Supplement (October13, 2023): The new issue features Deeper Truths – The spiritual quest of the Nobel Laureate Jon Fosse; ‘Woke Wars’ and identity politics; fashion and the Bloomsbury group; Jewish boxers in London; Elsa Morante’s princes and demons and ‘Free Will?’

Country Life Magazine – October11, 2023: The latest issue features the rise of the super cottage, autumn berries and how to win at conkers.

Simon Lester swings into the win-at-all-costs world of that old playground chestnut: conkers
This small and secretive bird is becoming ever-more rare, but there is hope, finds Vicky Liddell
Independent bookshops are thriving against the high-street odds. Catriona Gray selects a few of her favourites from the shelf

Giles Kime picks 10 blasts from the past that are back in fashion, Eleanor Doughty marvels at Nels Crosthwaite Eyre’s light touch, Bee Osborn hails the rise of the super cottage and Amelia Thorpe visits a resurgent Pimlico Road
In the second of two articles, John Goodall focuses on London’s St Bartholomew’s Hospital

The ‘picturesque’ New Forest pony is central to centuries-old grazing rights, finds Kate Green
Fiery autumn tints catch the eye of Jane Powers in the secluded Cliff House Garden in Co Dublin
Katherine Cole hails campaigner Miles Hadfield, who fought to save a host of historic gardens
Pumpkins and squashes have long been an inspiration to chefs and artists, reveals Lia Leendertz

Brown is the colour this season, so it’s chocs away for Hetty Lintell