Meet unforgettable figures like Maria Callas, Sophia Loren, and Marcello Mastroianni. With an enchanting introduction by Cesare Cunaccia and a curated collection of images, this book takes you on a journey through Italy, unveiling the origins of Dolce Vita.
The site was built for the military, but commercial sales are booming with little public accountability. Rounds have been bought by murderers, antigovernment groups and others.
Facing power outages and shortages of food, water and medical supplies, hospitals are struggling just to keep patients alive, Gazan health authorities say.
Hamas’s assault on southern Israel began with a barrage of rockets, sending scores of people into roadside refuges. Then gunmen came to hunt them.
If he regains power, Donald Trump wants not only to revive some of the immigration policies criticized as draconian during his presidency, but expand and toughen them.
Cocurator of the exhibition A Foreigner Called Picasso, at Gagosian, New York, Annie Cohen-Solal writes about the genesis of the project, her commitment to the figure of the outsider, and Picasso’s enduring relevance to matters geopolitical and sociological.
By Annie Cohen-Solal
I have been interested in the issue of immigration ever since I entered the art world. I began my career as an intellectual historian: I was a scholar of Jean-Paul Sartre and wrote his first biography. It was quite unexpected that I would fall into the orbit of the art world, let alone so fast, but two days after I arrived in New York City, in 1989—I had just been nominated cultural counselor to the French Embassy in the United States—I met Leo Castelli at a dinner. Out of the blue, Leo told me, “You don’t look like your predecessors.” (I was the first woman in the position.) “You’ll take New York city by storm and I’ll teach you American art. Come to the gallery tomorrow, I have a show with Roy [Lichtenstein]. Come for the opening and stay for the dinner.”
The American Surrealist photographer Lee Miller is the subject of the exhibition Seeing Is Believing at Gagosian, New York. Here we present a conversation on the stewardship of Miller’s legacy, her photography and writing from the frontlines of war to the pages of Vogue, and the intertwined lives of her friends, lovers, and the many artists she knew.
A new family has moved in. Everything is fashioned from found objects, natural resources—and pure ingenuity! Follow the wood rope stairways up, up, up into the boughs and find the mother’s music den, the young sons’ nature room and the teenage daughter’s astronomy loft. Adjacent to the stairway is the home’s iconic waterwheel, which generates the energy needed to power the family’s gadgets and inventions.
At 60 years old, Doctor Who, the BBC show following the adventures of the regenerating Time Lord, continues to be highly enjoyable fiction. But it’s science fiction. The Gallifreyan takes science seriously… so we take a closer look at some of the science of Doctor Who, from time travel and the TARDIS to invading Cybermen and rogue planets.
The expense and prestige involved in sending landers and rovers to the Moon means you can’t afford for them not to work when they get there. But the lunar landscape is like nothing here on Earth. So how, and where do you test equipment that’s bound for the Moon?
16 December 2023 – 13 April 2024
Curated by Dieter Schwarz and presented across three venues in the Upper Engadin—Nietzsche-Haus, the Segantini Museum and Hauser & Wirth St. Moritz—this momentous exhibition is the first to explore Gerhard Richter’s deep connection with the Engadin’s alpine landscape. More than seventy works from museums and private collections—including paintings, overpainted photographs, drawings and objects—are testament to the artist’s fascination with the Upper Engadin. Opening 16 December 2023, ‘Engadin’ will be on view through 13 April 2024.
The work connecting the three exhibition venues is a steel sphere that Richter had produced as an edition, on view at each site. He first presented it at Nietzsche-Haus in 1992, in an exhibition curated by Hans Ulrich Obrist. Each unique sphere bears the name of a mountain in the Upper Engadin. The matte, subtly reflective, almost surreal sphere delicately reflects all that surrounds it. It symbolizes the sublime yet inhospitable manifestations of nature, which are especially conspicuous in the mountains.
St. Moritz – Gerhard Richter – 1992
Kugel III (Piz Fora) [Sphere III (Piz Fora)] – Gerhard Richter – 1992
On view at the Segantini Museum and Hauser & Wirth are paintings that Richter created from photographs taken during his hikes in the Upper Engadin. These works mark a new chapter in his landscape painting—a genre that had always appealed to him for its supposed untimeliness. Richter’s Engadin landscapes are exemplary of the ambiguity in his painting, oscillating between a seductive transfiguration of nature and a reflection of its alienness. Particularly noteworthy is the painting ‘Wasserfall (Waterfall)’ (1997) from Kunst Museum Winterthur, a work that clearly traces Richter’s engagement with 19th-century painting, from romanticism to realism. The artist later overpainted some of the Engadin motifs, including depictions of Piz Materdell and Lake Sils, transforming them into abstract paintings with a melancholic atmosphere that responds to impressions of the landscape.
Monocle on Saturday, November 11, 2023: Charles Hecker on Suella Braverman’s uncertain future, whether the tide is changing on the US stance in the Middle East and Iceland’s state of emergency.
Plus: which factors change our perception of beauty? Monocle’s Steph Chungu speaks to Janis Li, the curator of the new Wellcome Collection exhibition, ‘The Cult of Beauty’. Join Georgina Godwin every week to discover the latest global news and culture.
Battling Hamas fighters, Israeli forces are “closing in” on hospitals where thousands of people are stranded, while the chief U.S. diplomat says “far too many Palestinians have been killed.”
Days after a raid at Mr. Adams’s chief fund-raiser’s home, federal agents took the mayor’s phones and iPad, two people with knowledge of the matter said.
While the party will be on defense in every competitive race, Republicans face some messy primaries and a recent history of nominating extreme candidates who have lost key contests.
Pro-Palestinian students say that they are speaking up for an oppressed people, but critics say that their rhetoric is deeply offensive.
BARRON’S MAGAZINE – November 13, 2023 ISSUE:
The three biggest areas of dispute are spending priorities, worries about running out of money, and legacy questions.4 min read
Stocks related to wind, solar and other forms of renewable energy have fallen by a third this year. Only a handful may be ready to rebound.
Since early 2021, Koch’s environment picks have posted an average loss of 58% on a cap-rated basis, Barron’s calculates.Long read
CEO Jane Fraser is cutting jobs and downsizing globally. With a 5% yield and cheap stock, Citi could pay off.3 min read
THE NEW YORK TIMES BOOK REVIEW (November 12, 2023): This week’s issue features ‘Fear of Flying’ turns 50 – With its feminist take on sexual pleasure, Erica Jong’s novel caused a sensation in 1973; The 2023 New York Times/New York Public Library Best Illustrated Children’s Books, and more…
With its feminist take on sexual pleasure, Erica Jong’s novel caused a sensation in 1973. But the revolution Jong promoted never came to pass.
By Jane Kamensky
Fifty years ago last month, Erica Jong published a debut novel that went on to sell more than 20 million copies. “Fear of Flying,” a book so sexually frank that you may have found it hidden in your mother’s underwear drawer, broke new ground in the explicitness of writing by and for women. Jong’s heroine, Isadora Wing, was a live wire. She was also a dead end, certainly for Jong, and maybe for feminism, too.
Recommended reading from the Book Review, including titles by John Edgar Wideman, Yasunari Kawabata, Allegra Goodman and more.
Boomers Daily 