Italy Together – Portofino is known for its colorfully painted buildings that line the shore. The town is clustered around its half-moon shaped harbor filled with summer yachts and odd fishing boats and lined with outlets of Gucci, Pucci, Hermès and Louis Vuitton, seafood restaurants, cafes and luxury hotels.
Portofino’s crystalline green waters are great for swimming, diving, and boating. There are also opportunities for hiking in the area.
CBS Sunday Morning – Correspondent David Pogue joins Titanic enthusiasts (nicknamed “Titaniacs”) who will happily pay a small fortune to ride in OceanGate’s specially-designed submersible vehicle, equipped with 4K video cameras, to visit the remains of the luxury liner 13,000 feet beneath the North Atlantic (weather conditions permitting).
RMS Titanic was a British passenger liner, operated by the White Star Line, which sank in the North Atlantic Ocean on 15 April 1912 after striking an iceberg during her maiden voyage from Southampton, England, to New York City, United States.
CBS Sunday Morning – Since opening its doors in 1884, New York City’s Chelsea Hotel has welcomed artists, writers and cutting-edge thinkers who shaped America’s cultural landscape. Today, the storied landmark is being developed into a luxury boutique hotel.
Correspondent Alina Cho talks with residents, and with “Inside the Dream Palace” author Sherill Tippins, about the Chelsea’s unique history; and with developer Sean MacPherson about his determination to approach the Hotel Chelsea’s restoration with reverence.
Plus: reframing the Fitzwilliam Museum, a brief history of mulled wine, what’s next for NFTs and, in reviews: the triumph of the Tudors, ways of seeing at the Wellcome Collection and the unfashionable art of Ruskin Spear
You enter a troubling parallel universe in Henry Fuseli’s drawings of women: a place of exaggeration and highly sexualised imagery, where his subjects engage in role-play and the theatrical and erotic and idiosyncratic collide. It’s an inventive, private realm: not one of the drawings in the Courtauld’s fascinating exhibition was displayed in public during the artist’s life.
Living Walks – Explore the charming streets and green spaces of Funchal, Madeira, Portugal, and see what Madeira is like in Winter. (We also have footage on the channel of Summer and at Christmas and New Year, so you get to see the Funchal weather at all times of year). No narration or music, just the natural sights and sounds on this walking tour of this historic town (rather like a live webcam experience).
If you visit Madeira, you should spend some time walking the streets of Funchal – it has charm, history and is a real highlight of Madeira. Madeira weather is perfect all year round and we’d recommend you visit for the Flower Festival, the wine festival and Christmas in Madeira and of course New Year in Funchal has to be on your top 10 list.
Funchal is the capital city of Portugal’s Madeira archipelago. It’s backed by hills, and known for its harbor, gardens and Madeira wine cellars. The centuries-old Funchal Cathedral, which mixes Gothic and Romanesque styles, is notable for its carved wooden ceiling. Fronting the harbor is the São Tiago Fortress, built in the 1600s. It now houses the Contemporary Art Museum, with a large collection of Portuguese works
A selection of three essential articles read aloud from the latest issue of The Economist. This week, Europe’s crisis of energy and geopolitics, how crypto goes to zero (10:19) and the consequences of America’s success against organised crime (16:32).
Gagosian is pleased to announce Exodus, an exhibition of new work by Anselm Kiefer in New York and Los Angeles, opening on November 12 at 555 West 24th Street, New York, and on November 19 at Gagosian at Marciano Art Foundation, 4357 Wilshire Boulevard, Los Angeles.
The large-scale paintings on view in New York and Los Angeles employ a wide range of materials including paint, terra-cotta, fabric, rope, wire, found objects, sediment of electrolysis, and metal—including copper and gold leaf. Mixing the abject and the exalted, these works are imbued with gesture, a sense of metamorphosis, and alchemical symbolism.
Kiefer’s syncretic approach to materials extends to his understanding of history, literature, and mythology as forces that inform the present. In this new body of work, he incorporates inscriptions in Hebrew from the book of Exodus, with thematic references to its narrative blended with a diversity of other sources. Full of symbolic thresholds between peoples, places, and times, the paintings are metaphysical allegories that meditate on loss and deliverance, dispossession and homecoming.