Plus: The women artists gazing at men, the portraits of Glyn Philpot, and Elizabeth David’s taste in Old Masters; and reviews of Donatello in Florence, Boilly in Paris, Kafka’s drawings and Stephen Shore’s memoir.
Starting with an early picture of a gang of badass gold prospectors who put this beautiful Northern California city on the map, this ambitious and immersive photographic history of San Francisco takes a winding tour through the city from the mid–nineteenth century to the present day.
The Streets of San Francisco
An epic pictorial history of the City by the Bay
Enjoy eye-catching views of the city’s most enduring landmarks and symbols: the Golden Gate Bridge, Chinatown, the picturesque trams that wind up and down the famously steep hills, the popular waterfront, its beautiful bay, and its spectacular cityscapes and vistas. San Francisco’s counterculture movements that shaped our collective consciousness are also featured prominently: the beats of North Beach, the hippies of Haight-Ashbury, the gay communities of Castro, and the Black Panthers of neighboring Oakland. Some of the city’s most famous residents also make appearances: Robin Williams, The Grateful Dead, Angela Davis, Janis Joplin, Sylvester, and Allen Ginsberg, among others.
This book features hundreds of newly found images from dozens of archives including museums, universities, libraries, galleries, private collections, and historical societies, from 19th-century daguerreotypes to mid-century Kodachromes to 21st-century digital pictures. Master photographers include, among others: Stephen Shore, Imogen Cunningham, Fred Lyon, Steve Schapiro, Minor White, Dorothea Lange, Albert Watson, Robert Frank, Garry Winogrand, William Claxton, Fred Herzog, Ansel Adams, Jim Marshall, and many local shooters. Also includes introductory essays and captions by Bay Area–based author Richie Unterberger and a “Best of San Francisco” books, music, and movies section and biographies of the photographers. Tony Bennett famously sang, “I left my heart in San Francisco,” and this meticulously researched and conceived portrait will equally inspire and make you fall in love with the spirit of the City by the Bay.
On our cover: @benmauk went hiking on the Zagros trail, which when finished, will be the first long-distance hiking route in all of Kurdistan. Can it help knit together a nation? https://t.co/sz5mJZeYy7pic.twitter.com/fvq12ishPW
Amid an unrelenting war, a Ukrainian artist and his curators escaped to unveil a symbol of resilience to the world at the Venice Biennale https://t.co/ctDC0NR4pw
Georgina Godwin covers the weekend’s biggest discussion topics, Charles Hecker reviews the newspapers and Monocle’s editor in chief Andrew Tuck is back with his weekend column.
Central banks are supposed to inspire confidence in the economy by keeping inflation low and stable. In America, however, there has been a hair-raising loss of control. Our latest cover https://t.co/7mImcEP3wmpic.twitter.com/2c7JzMGg1i
Our May 12 issue—the Art Issue—is online now, featuring articles from Ruth Bernard Yeazell, Julian Barnes, Martin Filler, Carolina A. Miranda, David Salle, Gary Saul Morson, Ingrid D. Rowland, Adam Hochschild, and much more. https://t.co/rmufOVCOcMpic.twitter.com/Ai0fhY9zMh
— The New York Review of Books (@nybooks) April 21, 2022
From the beginning, female self-portraitists have chosen to show themselves at work, as if to demonstrate that they could handle a brush as well as male artists.
The Mirror and the Palette: Rebellion, Revolution, and Resilience: Five Hundred Years of Women’s Self Portraits
Gambling in the digital age; Russian literature after Bucha; repackaging the Bard; Hollywood, Israel and China; how Derrida was haunted by Freud – and much more.