The New Yorker – December 4, 2023 issue: The new issue‘s cover features Sergio García Sánchez’s “Ready to Soar” – The artist discusses rhythm, rigor, and the linguistic capabilities of art.

How Jensen Huang’s Nvidia Is Powering the A.I. Revolution

The company’s C.E.O. bet it all on a new kind of chip. Now that Nvidia is one of the biggest companies in the world, what will he do next?

By Stephen Witt

The revelation that ChatGPT, the astonishing artificial-intelligence chatbot, had been trained on an Nvidia supercomputer spurred one of the largest single-day gains in stock-market history. When the Nasdaq opened on May 25, 2023, Nvidia’s value increased by about two hundred billion dollars. A few months earlier, Jensen Huang, Nvidia’s C.E.O., had informed investors that Nvidia had sold similar supercomputers to fifty of America’s hundred largest companies. By the close of trading, Nvidia was the sixth most valuable corporation on earth, worth more than Walmart and ExxonMobil combined. Huang’s business position can be compared to that of Samuel Brannan, the celebrated vender of prospecting supplies in San Francisco in the late eighteen-forties. “There’s a war going on out there in A.I., and Nvidia is the only arms dealer,” one Wall Street analyst said.

Why Trump’s Trials Should Be on TV

The conduct of the trials, their fairness, and their possibly damning verdicts will be at the center of the 2024 election. Transparency is crucial.

By Amy Davidson Sorkin

On November 6th, Donald Trump emerged from a New York City courtroom, where he had testified in a civil trial alleging that he and others in the Trump Organization had committed fraud, and gave himself a great review. “I think it went very well,” he told reporters. “If you were there, and you listened, you’d see what a scam this is.” He meant that the case was a scam and not that his company was. “Everybody saw what happened today,” he went on. “And it was very conclusive.”

How to Play a Nazi

The German actress Sandra Hüller probes characters with unusual depth. But to portray a Fascist wife, in “The Zone of Interest,” she reversed her usual approach—and withheld her empathy.

By Rebecca Mead

In “Anatomy of a Fall,” Hüller stars as a successful novelist accused of murdering her husband. The camera often lingers on her face as it shifts like quicksilver between playfulness, defiance, and evasion.Photograph by Mark Peckmezian for The New Yorker