Yes! in the sea of life enisled,
With echoing straits between us thrown,
Dotting the shoreless watery wild,
We mortal millions live alone.
—Matthew Arnold, To Marguerite: Continued
Whether in the awesome forms of the legendary floods in Gilgamesh and Genesis, or via the more delightful but ultimately crueler torment of Homer’s Mediterranean, the sea is among art’s oldest subjects. For millennia humans have been fascinated and horrified in equal measure by mystery, eternity, and danger of which the sea seems to be a mirror: sometimes enigmatically placid, sometimes jagged with sudden storms.
Dating from the nineteenth century to the present, these works differ in media and approach, but together, they ask social, political, and environmental questions that resonate forcefully today.
Unseen since 1949 and set to appear at auction for the first time, this beautiful work is a quintessential example of Henri Matisse’s sensuous odalisques. The elegant model is Italian countess Carla Avogadro, reclining on an extravagant Venetian Rococo armchair that Matisse bought on a whim and, in his own words, became “obsessed” with. ‘Danseuse dans un intérieur, carrelage vert et noir’
Vanessa Foley is a professional bird artist based in the North of England. She regularly shows her work in notable galleries in the UK and America, has work in private collections worldwide and is a member of 
An artist from Newcastle, England she is known for her intensely detailed graphite drawings and emotionally rich oil paintings. She has become a long-standing member of the Antler Gallery roster since we first exhibited her work four years ago.
In this stunning but sinister visual universe, beasts and birds are not mere aesthetic objects but dynamic actors in allegorical struggles: a wild turkey crushes a small parrot in its claw; a troupe of monkeys wreaks havoc on a formal dinner table; an American buffalo is surrounded by bloodied white wolves. In dazzling watercolor, the images impress as much for their impeccable realism as they do for their complex narratives.
Manet called him “the greatest painter of all.” Picasso was so inspired by his masterpiece Las Meninas that he painted 44 variations of it. Francis Bacon painted a study of his portrait of Pope Innocent X. Monet and Renoir, Corot and Courbet, Degas and Dalí…for so many champions of art history, the ultimate soundboard was—and remains—Diego Rodríguez de Silva y Velázquez (1599-1660).
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