An underground nuclear arsenal in Israel dwarfs the tunnels alleged at a Gaza hospital.
It’s one thing to burrow beneath the ground, digging to construct a tunnel for refuge, a passage of goods, or to store weapons during a time of war. It’s quite another for a small child to use one hand to dig their way out of the rubble that has collapsed on them.
The New Yorker – December 4, 2023 issue: The new issue‘s cover features Sergio García Sánchez’s “Ready to Soar” – The artist discusses rhythm, rigor, and the linguistic capabilities of art.
The revelation that ChatGPT, the astonishing artificial-intelligence chatbot, had been trained on an Nvidia supercomputer spurred one of the largest single-day gains in stock-market history. When the Nasdaq opened on May 25, 2023, Nvidia’s value increased by about two hundred billion dollars. A few months earlier, Jensen Huang, Nvidia’s C.E.O., had informed investors that Nvidia had sold similar supercomputers to fifty of America’s hundred largest companies. By the close of trading, Nvidia was the sixth most valuable corporation on earth, worth more than Walmart and ExxonMobil combined. Huang’s business position can be compared to that of Samuel Brannan, the celebrated vender of prospecting supplies in San Francisco in the late eighteen-forties. “There’s a war going on out there in A.I., and Nvidia is the only arms dealer,” one Wall Street analyst said.
On November 6th, Donald Trump emerged from a New York City courtroom, where he had testified in a civil trial alleging that he and others in the Trump Organization had committed fraud, and gave himself a great review. “I think it went very well,” he told reporters. “If you were there, and you listened, you’d see what a scam this is.” He meant that the case was a scam and not that his company was. “Everybody saw what happened today,” he went on. “And it was very conclusive.”
The German actress Sandra Hüller probes characters with unusual depth. But to portray a Fascist wife, in “The Zone of Interest,” she reversed her usual approach—and withheld her empathy.
In “Anatomy of a Fall,” Hüller stars as a successful novelist accused of murdering her husband. The camera often lingers on her face as it shifts like quicksilver between playfulness, defiance, and evasion.Photograph by Mark Peckmezian for The New Yorker
THE NEW YORK TIMES MAGAZINE (November 17, 2023): The latest issue features Was Peace Ever Possible in the Israel-Palestine Conflict?; Finding a Moral Center in This Era of War; The Beatles Are Still Charting the Future of Pop. It Looks Bleak – Their latest song points toward a future where no golden goose need ever stop laying, and more…
Thirty years ago, a negotiated settlement of the Israeli-Palestinian conflict seemed achievable. The story of how it fell apart reveals why the fight remains so intractable today.
Phil Klay, as both a participant and a writer, has been thinking deeply about war for a long time. In his two acclaimed works of fiction, the book of short stories “Redeployment,” which won a 2014 National Book Award, and the novel “Missionaries” (2020), and in the nonfiction collection “Uncertain Ground: Citizenship in an Age of Endless, Invisible War” (2022), Klay has interrogated, to profound effect and with a deeply humane and moral sensibility, what war does to our hearts and minds, individually and collectively, here and abroad. “I’m interested in the kinds of stories that we tell ourselves about war,” says Klay, who is a 40-year-old veteran of the Iraq war.
Smithsonian Magazine (December 2023) –The latest issue features ‘Can A Robot Replace the World’s Greatest Artists?; A tiny reindeer enjoys its day in the sun; In Ukraine, war reshapes a Holocaust Memorial; the Rebirth of a Lost American Wine Region, and more…
The agreement at the conference of the parties (cop) to the un Framework Convention on Climate Change, which took place in Paris in 2015, was somewhat impotent. As many pointed out at the time, it could not tell countries what to do; it could not end the fossil-fuel age by fiat; it could not draw back the seas, placate the winds or dim the noonday sun. But it could at least lay down the law for subsequent cops, decreeing that this year’s should see the first “global stocktake” of what had and had not been done to bring the agreement’s overarching goals closer.
Science Magazine – November 17, 2023: The new issue features Dolomite, a key mineral in stunning geological formations, such as Drei Zinnen (shown here), Niagara Falls, and Hoodoos. Despite its natural abundance, laboratory growth of dolomite has proven impossible—a contradiction known as the “dolomite problem.”
Times Literary Supplement (November 22, 2023): The new issue features Edward Thomas’s journey – The radical turn in English poetry; An AI emergency; Great American history; Magical thinking; Carry On Napoleon, and more…
HARPER’S MAGAZINE – DECEMBER 2023: This issue features The Hofmann Wobble – Wikipedia and the problem of historical memory; Your Mind’s in the Hands of Everything – Letting go of Philip Roth; Risky Disco – A sensory workshop bridges the gap; Occult Murder and Gospel Thrillers, and more…
At twenty-six, in 2006, the year before the iPhone launched, I found myself driving a red Subaru Outback—the color was technically “claret metallic,” the friend who’d lent me the car had told me, in case I ever wanted to touch up the paint—on Highway 12 in Utah. I was heading to the East Bay after a painful breakup in New York. I remember, wrongly, that I was listening to a book on tape, a work by a prominent linguist, as I moved through the alien landscape, jagged formations of red rock towering against a cloudless sky.
It is difficult to predict when one will spend the night at a hotel in Newark, let alone three, and uncommon to agree to such a scenario willingly. If you live there already, you stay home. If you’re there for a professional engagement, your boss made you go. If your flight has been canceled, you go there as a last resort. Whereas, though I felt compelled to be there, I couldn’t point to an authority outside of myself that had forced my hand. The room had been booked a week in advance.
The New Yorker – November 27, 2023 issue: The new issue‘s cover features Chris Ware’s “Harvest” – The artist discusses the rituals of gathering and building memories.
hen Joyce Carol Oates was thirty-four, she started a journal. “Query,” she wrote on the first page. “Does the individual exist?” She felt that she knew little about herself—for instance, whether she was honest or a hypocrite. “I don’t know the answer to the simplest of questions,” she wrote. “What is my personal nature?”
Seventy years ago, before she was galactically famous, before she dropped an “a” from her first name, before she was a Broadway ingénue, before her nose bump was aspirational, before she changed the way people hear the word “butter,” before she was a macher or a mogul or a decorated matron of the arts, Barbra Streisand was, by her own admission, “very annoying to be around.” She was born impatient and convinced of her potential—the basic ingredients of celebrity, and of an exquisitely obnoxious child. When Streisand was growing up in Brooklyn, in the nineteen-forties, she used to crawl onto the fire escape of her shabby apartment building and conduct philosophical debates with her best friend, Rosyln Arenstein, who was a staunch atheist.
THE NEW YORK TIMES MAGAZINE (November 17, 2023): The latest issue featuresHow David Zaslav blew up Hollywood – The inside story of a novice movie mogul in an age of disruption, discontent and disaster ; Russell Brand’s Alternate Reality – The British entertainer built an army of fans with his conspiracy-minded podcast. Now, amid sex-assault claims against him, they’ve become his whole world; Sofia Coppola’s Subversive Search for Truth in ‘Priscilla’ – Hollywood is addicted to mythologizing biopics. ‘‘Priscilla’’ offers something different…
It was April 2022, and David Zaslav had just closed the deal of a lifetime. From the helm of his relatively small and unglamorous cable company, Discovery, he had taken control of a sprawling entertainment conglomerate that included perhaps the most storied movie studio on the planet, Warner Brothers. The longtime New Yorker had always loved movies, and against the advice of several media peers, he had moved to Hollywood and taken over Jack Warner’s historic office, hauling the old mogul’s desk out of storage and topping it off with an old-time handset telephone. So far things were going great. He had met all the stars and players, was widely feted as the next in line to save the eternally struggling industry and was well into the process of renovating a landmark house in Beverly Hills.
Hollywood is addicted to mythologizing biopics. ‘‘Priscilla’’ offers something different.
By Rafaela Bassili
As with much of her other work, the opening of Sofia Coppola’s latest film, “Priscilla,” is all about textures. A pair of manicured feet sink into a shag carpet; a fingernail is carefully polished in red; we see the back of a prodigious black bouffant, then the dexterous painting of a dramatic cat eye with black liner. Priscilla Presley (Cailee Spaeny) paces around Graceland relentlessly. There’s nothing for her to do, and too much for her to process.
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