From an Architectural Digest online article (March 14, 2020):
“Tangier is the crossroads of so many civilizations,” says AD100 talent Frank de Biasi of the evocative Moroccan port city that he and his partner, the multifaceted designer Gene Meyer, have made their home. “There’s a central energy here,” he explains, “where the Atlantic meets the Mediterranean, where Europe meets Africa. It’s a psychic point like no other place.”
Many of the traditional houses here, however, have a claustrophobic lack of light, so when the couple found a ruinous place on a little open square, with exposures on three sides, they knew they could make it their own. Their renovation ultimately took four years as they rebuilt paper-thin walls, replaced a life-threateningly vertiginous staircase with one inspired by the Old Fort Bay clubhouse in the Bahamas, and installed a light-well based on one de Biasi had seen in India and such mod cons as under-floor heating.
“Our SUSTAINABLE HOME is made of matter and spirit. The raw material, the unused by-products of the mining activity, is the main component: from it we take advantage of its qualities and properties. Finding an ecologically suitable use for this waste determines the unique character of the housing unit. In its spirit, the housing unit intends, in addition to its technical function, to be a home, a place for each person to feel valued, welcomed in their dreams, hopes and desire to live together. Each house, even in its simplicity, must be able to create a sense of pride and self-esteem ”, adds Gustavo Penna.
LED Valance Lighting – The Orchid has received global praise for its dimmable, independently switched lighting. Skylights, clerestory windows and large glass front wall give this home a lovely aesthetic day or night.
Ground Floor Bed and King Loft – Sleep four comfortably with the Orchid’s private king bed loft and sofa bed.
Full Size Tile Shower – Spacious, chic, and comfortable. The floating mirrors with LED valance lighting give extra dimension to this modern bathroom.
“The detached homes have been conceptualised to visually appear as one single volume defined by its traditional triangular architecture,” said the studio. “Only from up close will the observer notice a crisp breakpoint between the properties.”
Striking, innovative, and dramatically sited, the twenty-nine projects in Tom Kundig: Working Title reveal the hand of a master of contextually astute, richly detailed architecture. As Kundig’s work has increased in scale and variety, in diverse locations from his native Seattle to Hawaii and Rio de Janeiro, it continues to exhibit his signature sensitivity to material and locale and to feature his fascinating kinetic “gizmos.” 
At First Light chronicles twenty-six extraordinary artists of the last two hundred years who have lived and worked in Maine. Published to coincide with the state’s bicentennial in 2020, the volume considers the significant contributions artists have made to a deeper and more profound understanding of Maine’s history, its land and its peoples. Maine’s unique and breathtaking landscape–from its rugged coastline, quaint harbors, majestic mountains, and verdant forests–continues to have a powerful effect on the artists who are drawn to its shores.
The Western Red Cedar lined guest house/garage pavilion establishes a datum line that carves and connects the two larger volumes of the living and sleeping pavilions, comprised of oversized charcoal-colored board, batten extira and cement board siding. A deep overhang mitigates solar heat gain and shields from the sun exposure.
Boomers Daily 